Even Goddesses Have Their Limits: Learning to Walk Away

I’m a divorcee. I have been for many years now. I’ve never hidden this fact. But I also never imagined my marriage would end the way it did. Then again, who does?

We all grow up believing our marriages will last forever. I also used to think of myself as a tolerant person, so the idea of my marriage failing felt impossible. In my mind, this is something that others might have to go through, the ones with anger issues, those who couldn’t compromise. Not me.

I followed every piece of advice perfectly. The kind you might have seen relationship gurus meting out on social media nowadays, i.e., communicate respectfully, try to understand the other person’s perspective, etc. But over time, I realized communication isn’t a one-way effort; it takes two people to make it work. If only one partner keeps trying while the other sits back, believing they have nothing to change, it slowly chips away at your happiness.

With time, after observing other marriages around me, I understood that maybe I wasn’t as tolerant as I thought — at least not by Indian standards.

Different Levels of Tolerance in Relationships

My regrets in relationships are less about the ex and more about how I handled things. “Why did I let others influence my decisions? Why did I tolerate and compromise more than required?

Of course, every relationship requires compromises. But each partner also has their own tolerance limits. For me, physical or emotional abuse is unacceptable. Yet, even I, someone who might appear intolerant of everything, tolerated it for a while before deciding I’d had enough. Many women, however, make peace with such situations in their marriages (and relationships in general) for their own reasons (dependency, fear, children, financial pressures, and more).

To cite an example of varying levels of tolerance: When I kept hearing cries of domestic violence in my building, I complained to the building association, even though people advised me not to. “It’s their family, their rules.” But I couldn’t just sit there doing nothing while hearing those cries. It was traumatizing. I took this step because there were times, even in my own relationship, that I wished my neighbors had intervened. Probably, ring the doorbell or knock on the door. It would have provided that much-needed relief.

After my complaint, it hasn’t happened since. But who’s to say the guy didn’t just find quieter ways to hurt his wife? I would’ve run away if such things had happened to me repeatedly, even if it meant begging on the streets for the rest of my life. But his wife might be thinking, “It’s okay. He’s doing it all out of love.” Who’s to know? You can’t save someone who doesn’t want to be saved.

Different levels of tolerance.

People also need to understand that no one files for divorce after just one instance of mistreatment. It happens when the same behavior repeats, even after requests, pleas, and calm conversations. Some choose to walk away, while others make peace with the idea that this is how their life will be. So the common advice of “give it one more chance” is mostly useless, and a bit insensitive, because the ones involved might have already given it multiple chances before deciding to let go.

Power of Faith During Tough Times

Even though I’m not a religious Hindu, having faith in some form has always helped me through tough times. It’s the one thing to hold onto when it feels like your world is falling apart. Even now, I rarely visit temples or follow rituals properly, but in moments of extreme heaviness, I still pray. Not to any specific god. I believe we’re all praying to the same divine force, just using different names and stories. What else could explain miracles happening in every community?

I remember, when I was married, our home had a lone idol of Goddess Kali, a deity I had rarely prayed to before. My parents usually had Lord Krishna at home. I still remember looking at the deity and crying. I asked if this was how it would be for the rest of my life – painful and broken on the inside, faking happiness on the outside (especially for social media).

I sometimes think I might have continued living that way if I hadn’t been pushed by some greater power to take a stand for myself. Probably it was Her. Must have been fed up with me always looking at Her, crying and whining. Even goddesses have their tolerance limits. Also, gods only help those who help themselves, right? Or as we Malayalees say, “Thaan paathi, dhaivam paathi” (you must put in your half of the effort, and God will take care of the rest). Maa Kali might have gone, “Bitch, why don’t you just leave the marriage, instead of troubling me all the bloody time?

The day I walked out of my marriage was also the day I told my parents, “If you don’t help me, I’ll do it on my own.” Thankfully, they stood by me when I made that decision. I also had the confidence to stand on my own feet. I wasn’t employed then, but my freelance work brought in some income. I knew that if I left the marriage, I wouldn’t be a burden on anyone. That same freelance experience later helped me secure a job. It formed the bulk of my resume, and it convinced my employers that I could handle responsibilities independently, even while working from home, at a time when WFH wasn’t even common.

When I look back, I feel the universe was guiding me in small but meaningful ways toward a life that may be inadequate for someone else, but is absolutely correct for a homebody, introverted feminist like me.

Taking Marriage Advice from Society

But the point is, society will tell you not to take advice from a woman like me. Because I’m a divorcee. What would I know about marriage and relationships, right?

Yet it will encourage you to listen to the woman who keeps enduring it all, at the cost of her well-being, because that’s what a “good wife” does.

Society doesn’t really care about what a woman thinks or feels. It just wants you to stick to the rules.

***

Photo by Monojit Dutta

Movie Spotlight: Paradha

Paradha Movie Poster

I actually wanted to watch Paradha in the theatre, because I thought the cast was interesting. It had my lovely curly-haired favourites: Anupama Parameshwaran and Darshana Rajendran, who are known faces in the South. But then I got caught up with other priorities and missed booking a ticket that weekend. Later, I came across some reviews that made me second-guess whether it was worth watching on the big screen and decided to skip going to the theatre. Recently, when it was released on Amazon Prime, I finally decided to watch it.

The movie made me realize that not every review online is meant for you. Reviews often reflect the reviewer’s personal taste, but we tend to assume we’ll feel the same way. I’ve had similar experiences with other films, too, where the reviews were harsh, yet I ended up enjoying them. I still don’t get the importance of movie reviews, because whether we like a movie or not is subjective. But here I am, giving my own movie reviews from a highly subjective viewpoint. I think we should treat reviews as such: personal opinions of someone who loves watching movies, and not the absolute truth.

What’s It About?

Paradha, true to its name, centers on Subbu (Anupama Parameshwaran), a young Hindu woman from a remote Indian village where the tradition of paradha (dupatta veiling) is strictly practiced. While this custom is largely cultural in many parts of India, the film presents it as a religious mandate. The villagers worship Goddess Jwalamma, who they believe commanded that women remain hidden behind a veil. From puberty onward, every girl is forced to follow this rule, with severe consequences for defiance. Subbu, however, finds herself caught in a controversy that threatens her marriage to the man she loves.

Thoughts

Though the story begins with a devout woman who strictly follows religious practices, Paradha is not just about her. It portrays women from different walks of life, each facing gender discrimination in unique ways.

The first woman is deeply religious, bound by the strict purdah or dupatta system. The second, married outside the village, has left purdah behind but remains traditional in other aspects. The third rejects religious traditions altogether, embraces modern values, and focuses on her career. The fourth is a policewoman who’s happily married, enjoying full freedom, and choosing to follow certain traditions out of personal preference rather than compulsion. The movie keeps the narrative balanced this way.

Paradha is a feminist film centered on women’s empowerment, and it may not appeal to everyone. It highlights how women, even the most progressive, continue to face discrimination, no matter how far they try to escape from it.

I really enjoyed the movie. The climax was chilling, and the performances, especially by Anupama Parameshwaran, Darshana Rajendran, and Sangeetha, were superb. It’s a brave film, because criticizing patriarchy is never easy. Often, women themselves defend restrictive practices by saying, “It’s our choice.” But true choice exists only when opting out doesn’t bring harsh criticism or punishment. Many women follow norms not out of freedom, but because they have no other option. The movie captures this truth powerfully.

Paradha is now streaming on Amazon Prime. I watched it in the original Telugu with English subtitles.

Book Review: “A House Without Windows” by Nadia Hashimi

Afghan women walking in front of a blue building image

I just finished A House Without Windows by Afghan-American writer Nadia Hashimi. These days, I gravitate more toward non-fiction and find it more engaging. Still, I’m not ready to give up fiction entirely. A House Without Windows was my fiction pick of the month.

What’s It About?

The story begins with a murder in an Afghan home. A woman, Zeba, is accused of killing her husband and is detained, with almost no chance of survival under Afghanistan’s strict laws for women in such cases. An Afghan-American lawyer, Yusuf, arrives in the country to connect with his roots, stumbles upon her case, and decides to defend her.

Thoughts

I really enjoyed the storyline, though I found the narration slow and somewhat predictable. What stood out most was how Nadia Hashimi portrayed the Afghan-American lawyer’s struggle to balance two cultures in America. This is a story familiar to many migrants. They want to embrace the new, yet can’t fully let go of their roots.

When Yusuf starts dating, everything boils down to one question: Will she bond well with my mother? That’s such a desi trait: wanting your partner to get along with your parents, and if there’s friction, it’s often the partner who pays the price. I also liked the part where he decides to travel to Afghanistan to reconnect with his roots, eventually making peace with the country’s imperfections, because where there’s love, hate doesn’t stand a chance.

The storyline is unique, with a blend of mystique, magic, and sacrifice. I wouldn’t say I strongly recommend the book, as I personally found it slow. However, what’s slow for me might be perfectly paced for someone else.

Ending this post with some quotable quotes from the book:

Alone and free of angst and sorrow
I’ve bled enough for today and tomorrow
Now it is time for my bud to bloom
I’m a sparrow in love with solitude
All my secrets contained within me
I sing aloud—I’m alone, finally!

SHE DID NOT REGRET THE CHILDREN, BUT AT TIMES SHE DID resent them. All mothers did, didn’t they? How could they not bear a little resentment toward people who took took took all the time? How could she be expected to feed them all? Where was Kamal when they were sick or tired or unreasonable?

Medicine is what this man calls his liquor
Strange is the remedy that only makes him sicker.

“And women?” she asked thoughtfully. “What is the world to us?”
Gulnaz offered a meek smile. “Do you not know, my daughter? Our world is the spaces between the rocks and meat. We see the face that should but doesn’t smile, the sliver of sun between dead tree branches. Time passes differently through a woman’s body. We are haunted by all the hours of yesterday and teased by a few moments of tomorrow. That is how we live—torn between what has already happened and what is yet to come.”

People only say nice things about the dead, so you never know what the truth is. You can be a brute in life, but the moment you die, all is forgiven. It used to make me mad, but now that I’m old and know what people say about me, I’m glad for it.

Men were always so frightened by their mortality that they obsessed over ways to live forever: sons to carry on their work, grandsons to carry on their name, their legacies in books, on streets, or in newspapers. Some became more desperate as their black hairs turned silver.

***

Photo by Wasim Mirzaie

Netflix Drama Spotlight: Sirens

Netflix Drama Sirens

Although Sirens is presented as an American dark comedy, I didn’t find anything particularly funny in it. I’m a new fan of Meghann Fahy, so she was the main reason I chose to watch this series. I wasn’t disappointed.

What’s It About?

Sirens centers on three women, each unique in their own way, yet a common factor connects them all. This factor becomes more apparent as the story progresses. You may love or hate the characters, but our inherent nature compels us to judge them for who they are. It forms a subtle yet significant crux of the story.

Thoughts

Sirens was as gripping as I want a drama to be. I thoroughly enjoyed it. I am drawn to series with well-defined female characters, and this was no exception. Though Meghann Fahy is now being typecast in a specific type of role, she does full justice to it. Julianne Moore is breathtaking; no one else could have played the part of the beautiful yet intimidating persona. Milly Alcock as Simone is brilliant and likely has the most substantial role of the three, as she gets to reveal many layers of her character.

What struck me the most about the series is that no female character is entirely black or white. They are layers of gray, doing their best to survive in a world that has not been kind to them. The final scene might make you uncomfortable, but it represents the very essence of life, where nothing is predictable. You do what you have to do to confront your demons. This may seem selfish, but it is also essential for survival.

Sirens is a feminist movie at its core, and its profound messaging about how women are often blamed is woven in subtly without overt activism. You notice it and feel uncomfortable, but you never get the impression that the message is being forced upon you. This is the kind of messaging that is most effective – one that isn’t obvious but still makes a lasting impact. Human nature is such that we don’t listen when we are shouted or screamed at; we listen when we are subtly guided to notice discriminatory issues on our own.

Sirens is streaming on Netflix. The series has 5 episodes, with each episode lasting roughly an hour.