Anupama Parameswaran’s Narcissistic Abuse Interview Made Me Revisit My Own Story

Anupama Parameswaran Narcissistic Abuse Interview Image

Anupama Parameswaran’s interview on narcissistic abuse has created quite a stir in the one day since it aired on Dhanya Varma’s YouTube channel. One thing she made very clear in the interview was why she chose to talk about her experience. She wanted people to recognize the signs of abuse.

As someone who got divorced several years ago after experiencing both emotional and physical abuse, I knew the comments blaming Anupama would come soon.

Comments like:

“Why is she talking about this in public? She just wants attention.”

“She’s the toxic one in the relationship. Glad her partner left her.”

“Women use the word ‘abuse’ so flippantly nowadays. I’m sure the matter must have been small.”

And sure enough, I soon saw a barrage of similar reactions on Reddit and X.

This reaction is one of the reasons many people hesitate to speak about abusive relationships. They know that once they talk about what happened, they may be questioned, blamed, mocked, or told that they simply did not try hard enough to save the marriage.

“Why talk about it?”

This is such a common question.

But I want to ask the opposite question: Why shouldn’t we talk about it?

It is because people like Anupama chose to talk openly about their pain that people like me were able to heal.

Today, someone going through emotional abuse, physical abuse, narcissistic abuse, or a difficult divorce can find videos, podcasts, interviews, reels, support groups and personal stories online.

When I was going through it, there weren’t nearly as many resources. I had to search for text blogs written by complete strangers who had experienced something similar.

I would read their stories and think, Okay, so I am not the only one who feels this way. Maybe I am not imagining this. Maybe what I am experiencing isn’t normal.

It wasn’t silence that helped me heal. It was people choosing to speak.

In my case, it wasn’t just a “bad marriage”

In my case, there was both physical and emotional abuse involved.

Yet, when you are trying to somehow make your marriage work because of societal pressure, you can find yourself surrounded by people who encourage you to compromise rather than asking whether you are safe or happy.

At one point, I was even advised by someone very close to me not to tell my parents about what was happening because they would get hurt.

Who was I supposed to talk to then?

I was losing a lot of weight at the time because fights would make me lose my appetite. I wasn’t simply dealing with an ordinary marital disagreement. I was struggling emotionally and physically, and yet the advice I received was often about protecting everyone else’s feelings.

When I mentioned the physical abuse, one relative dismissed it by saying:

“It happens in all relationships.”

Another told me to compromise and just keep saying “okay, okay” to everything he said.

This is the kind of advice that can make someone question their own reality.

The comparison game

One of the worst things about talking about abuse is the way people compare your experience with someone else’s.

When I tried to make the marriage work, my ex would taunt me with things along the lines of:

“See? What you faced wasn’t so bad after all. That’s why you’re willing to compromise and return to me. You should see women in actual abusive relationships. They end up in hospitals.”

But abuse doesn’t become acceptable simply because someone else experienced something worse.

You don’t have to wait until you are in a hospital before you are allowed to say that something is wrong.

Society has a strange way of making women feel childish for being unhappy in a relationship. You’re told that you’re not mature enough to deal with “normal” relationship problems. You’re told that marriage requires compromise. You’re told to adjust. You’re told to be patient.

And sometimes, what is really being asked of you is to tolerate things you should never have been expected to tolerate.

Society often cares more about preserving the marriage than the person inside it

This is something I understand much better now.

Society doesn’t necessarily care about your happiness. It often cares about keeping the marriage intact.

A woman who stays in an unhappy marriage can be praised for being patient, mature, understanding and a good homemaker.

A woman who leaves can suddenly become selfish, difficult, immature or incapable of compromise.

I was blamed too. I am sure there are still people who consider the divorce my fault. And honestly, I am fine with that now. I don’t have to prove my version of events to people who gave me terrible advice in the first place. I know what I experienced. I know what I went through. Nobody knows my struggles better than I do.

And I am happy now.

That is enough for me.

The “good guy” problem

There is another complication that I think people don’t talk about enough. Sometimes the person who is abusive also has a very amicable personality.

Anupama mentioned something similar in her interview, and it immediately resonated with me.

Some people are simply very good at being pleasant, charming and agreeable around others. So to the outside world, he is the “good guy.”

Meanwhile, you may be the quieter person. The recluse. The person who isn’t particularly good at maska polish. So when you finally talk about what happened, people find his version easier to believe than yours.

Because they have seen the charming version of him. They haven’t seen what happened behind closed doors.

That is one reason why survivors of emotional abuse can find it so difficult to speak. You are not just recounting what happened. You are also trying to convince people who have already formed an opinion of the person involved.

Sometimes there is one final moment

And just like Anupama said, sometimes there is a flip. A moment that finally makes you take the last step.

For me, it came after another fight. I made him promise in front of God that from then on, we would resolve our problems without abuse.

He broke that promise and then justified it again. That was the moment something clicked in my head.

If this man, who is religious, could make a promise in front of God and then break it and justify what he had done, how was he ever going to listen to me?

I immediately called my parents. I told them that either they picked me up or I was leaving that instant.

And that’s how I left my marriage.

In the dead of night.

In my night clothes.

With nothing but a handbag.

The strange little moments that helped me survive

Looking back, there were also tiny moments that reminded me that I could still make myself happy.

I remember one particular picture I took right after a fight. I had just finished an intense crying session when I basically thought, Aah, fuck this. Let me make myself happy. So I started clicking aesthetic pictures.

I hadn’t eaten all day because, during that period, fights would often make me lose my appetite. So I took myself out and treated myself to some food.

I ordered coffee. And when it arrived, there was this huge heart on it. I actually looked at the other people’s coffee to see whether they had something similar. Nope.

Maybe the guy could make out from my face that I needed it.

But that tiny heart warmed me in a way I had never felt in my marriage.

I eventually understood that we simply weren’t right for each other

These days, when people ask what happened, I usually say that we weren’t right for each other.

And that is, in a way, true.

Maybe with a more docile person, he wouldn’t have felt the need to “discipline” her. And perhaps with a different person, I wouldn’t have become so agitated either.

We had very different ways of thinking. We brought out the worst in each other. But saying that we weren’t right for each other doesn’t mean that abuse was okay.

Incompatibility can explain why a relationship doesn’t work. It does not excuse physical or emotional abuse.

That distinction matters.

Men can be victims too

And before anyone assumes that I think abuse is only something women experience, I don’t.

Men can be victims of emotional and physical abuse too. I have witnessed it myself. In some ways, male victims face an additional barrier because society still doesn’t give men enough room to admit that they are hurting.

They’re expected to be strong. To control their emotions. To “man up.” To deal with relationship problems without admitting that they are being hurt.

That needs to change too.

Abuse is abuse, regardless of the gender of the person experiencing it.

Why talking about abuse matters

This is why I don’t understand the “Why talk about it?” reaction.

People talk because someone else might be going through the same thing and doesn’t yet have the words for it.

People talk because someone may recognize a warning sign.

People talk because someone may finally realize that what they have been told is “normal” isn’t normal.

People talk because sometimes hearing another person’s story is the first thing that makes you feel less alone.

I know this because I was that person.

I healed partly because strangers were willing to write about their experiences when I needed to read them.

Today, people have far more ways to find that kind of support. They can watch an interview, listen to a podcast, find a video, read a personal blog, or come across someone speaking openly about their experience.

That is not attention-seeking.

Sometimes, it is someone putting their pain into words so that another person doesn’t have to feel as alone as they once did.

So when someone asks, “Why talk about it?”

My answer is simple:

Because silence never helped me heal. People speaking about what they went through did.

And if sharing your experience helps even one person recognize emotional abuse, physical abuse, narcissistic abuse, or an unhealthy relationship and find the courage to leave, then talking about it was worth it.

And if you’re currently in a situation like the one I was in, please don’t make my mistake. Don’t let people convince you that you need to endure more before your pain becomes “serious enough.”

You don’t owe anyone a marriage at the cost of your happiness, safety or self-respect.

One last thing

And I want to add one more thing: the emotional manipulation.

Every time an episode of abuse happens, the person knows they have done something wrong. So they cry, apologize, promise it won’t happen again, and you, especially if you’re an empath, fall for it. You want to believe them. You want to believe that this was the last time.

But it doesn’t stop.

Eventually, even the crying and apologizing become less frequent. A sort of “What are you going to do about it?” attitude starts taking over. There is a smugness that comes from knowing you will tolerate it anyway.

That was when I finally told my parents.

My father and mother, God bless them, refused to let me return to that house unless he genuinely changed his ways. But his response was, “My house, my rules.”

And that was the end of that.

I also understand that having supportive parents is a privilege and a blessing. Not every woman has that safety net. Some parents won’t allow their daughters to return home, and that’s when the feeling of being trapped can become unbearable. For some women, that mental pain can become so overwhelming that they see no way out.

I know what that kind of mental pain feels like.

In my case, though, I knew I would never choose death. If my parents hadn’t supported me, I would have simply run away, started from scratch and figured out a way to survive. I had enough confidence in myself because of the little work experience I had already gained.

That’s one of the reasons I stress so much on financial independence for women.

Having your own income isn’t just about money. It gives you options. It gives you confidence. It gives you the knowledge that even if everything falls apart, you can rebuild your life.

I know women who feel completely tied down because they don’t have financial independence. To them, I would say: start small. Take up whatever work you can, in whatever way you can. It doesn’t have to be your dream job or a huge salary.

The first step is knowing that you can earn something on your own.

Because sometimes, that little bit of independence is what gives you the confidence to finally walk away.

I Almost Missed This Indonesian Horror Gem

Image of a scene from Wanita Ahli Neraka

I had this Indonesian horror movie on my watchlist for the longest time after seeing people on Reddit recommend it. Like many movie lovers, I often browse popular social media platforms for movie recommendations because that’s how I end up discovering hidden gems that I would probably never come across otherwise.

Wanita Ahli Neraka is an Indonesian horror movie that blends supernatural horror with themes of religion and women’s empowerment. One thing I appreciated was that the film does not disrespect religion in any way. Instead, it highlights how faith can be a source of strength in the fight against evil, while also showing how some people misuse religion as a tool for manipulation and control, which goes against the very values that religion stands for. At its core, the movie encourages women to stand up against injustice rather than silently accept it in the name of religion.

Interestingly, Wanita Ahli Neraka doesn’t have a high IMDb rating. I didn’t read the reviews because I generally avoid doing that before watching a movie. Over the years, I’ve realized that my taste often differs from both critics and general audiences. I’ve enjoyed plenty of movies with low ratings and disliked highly rated ones. Because of that, I prefer to watch a film first and form my own opinion instead of relying solely on reviews or ratings.

The lead performances by Febby Rastanty as Farah and Oka Antara as Wahab are excellent and add emotional depth to the story. The movie also has several effective jump scares along with a few disturbing scenes, so that’s something to keep in mind if you’re sensitive to horror.

If you’re looking for a horror movie with strong performances, nuanced themes, and genuine scares, Wanita Ahli Neraka is worth checking out.

Wanita Ahli Neraka is currently streaming on Netflix.

My Yali Capkini Journey: Rage, Romance and Baklava Cravings

Yali Capkini Poster Image

I started watching the Turkish drama Yali Capkini (Golden Boy) on Amazon Prime (MX Player) for a very simple reason. The lead pair looked good. I honestly assumed I would drop it after a few episodes because good looks alone rarely keep me hooked. Chemistry matters. A solid storyline matters. Surprisingly, Yali Capkini seems to tick every box so far.

This is the first time I am watching a Turkish series, and it gave me a small window into how Turkish Muslims live. It feels very different from what we usually see in Indian society, where things tend to be more conservative. Turkish culture comes across as more liberal, and a lot of that credit goes to Atatürk’s reforms, which pushed women’s rights forward. The show reflects that beautifully. Women face no criticism for dressing modernly, can speak up for themselves, and aren’t afraid to assert their rights. At the same time, the drama also shows conservative families who believe women should stay home and raise children. One scene shows a father accusing his daughter of being a disbeliever just because she drew a Christmas tree. In Pakistani dramas, the word “kafir” gets thrown around easily, but from what I’ve seen here, it isn’t normalised in Turkish shows. In fact, later, you see characters happily celebrating Christmas trees and decor.

If you plan to watch Yali Capkini, keep a box of Baklava ready. There are so many references to the sweet that you will start craving it instantly. I highly recommend trying Swaadesi Baklava, which should be available in most local Indian stores and also online. In the show, coffee and Baklava feel like supporting characters. They show up during happy moments and sad ones. Just like how many of us enjoy a cup of chai on a rainy day, the characters in this drama keep turning to their coffee and Baklava at any time of the day.

Now, coming to the main characters. Ferit, played by Mert Ramazan Demir, has to be one of the most toxic characters I have ever seen in a drama or movie. Since Yali Capkini’s story is written by a psychiatrist, the male character’s behaviour feels layered and too realistic at times. He is the kind of partner who says “So what?” when you tell him he hurt you, yet he reacts strongly if you give him the same treatment. His emotional manipulation, hot and cold behaviour, and constant lying create a type of rage that builds up inside you. His words sting more than any physical act. Anyone who has ever dealt with a toxic partner would relate, and this applies to both women and men who have experienced suffocating or manipulative relationships. The way most female characters in the drama react to disrespect is infuriating, but it is still close to reality. We all know someone who tells women to “adjust” or “compromise” to keep the relationship going.

The female lead, Seyran, played by Afra Saraçoğlu, is stunning, with eyes that instantly remind you of Aishwarya Rai. She is fiery, refuses to accept injustice, and that naturally irritates Ferit and his family, who are used to submissive women. She is easily the best performer in the show and delivers every scene with perfection.

There are very less feel-good scenes here. The series feels like pure rage bait. Still, it keeps you hooked. I haven’t completed it yet because Season 1 alone has more than 100 episodes. Then there is Season 2 and 3. I am not sure I will finish everything if the constant toxicity gets too irritating, but for now, I still have the motivation to continue.

Yali Capkini is available in both Turkish and Hindi on Amazon and MX Player. The English subtitles aren’t perfect, and sometimes don’t make any sense, but I still recommend watching it with subtitles rather than switching to the Hindi dub. The Hindi audio uses overly respectful language even when characters talk to someone younger, and it takes away from the natural flow of the scenes. That was my only issue.

Haq: When a Film About Muslim Women Speaks to All Women

Haq Movie Poster

For the most part, Haq is not a story only about Muslim women. It is a story about women in general. Almost all of us know someone, married or unmarried, who has been cheated in love. We have seen that heartbreak up close, and we understand the emotional toll it takes.

When Shazia feels betrayed, we feel it too. When she wants the best for her children, that emotion feels familiar. When she fights for her rights, it resonates deeply. And when her father stands by her without hesitation, it reminds us of our own fathers and the quiet strength that support brings. These are emotions that are universal to women, cutting across religion, culture, and background.

The narrative becomes specifically about Muslim women only when the legal issues come into focus. That is where the real differences emerge, and the film clearly highlights how laws and systems can shape a woman’s fight for justice. It is to be noted that soon after the Triple Talaq ban was implemented in India, many Muslim women began approaching the courts to seek justice. While there was no open praise for the current government for such a ban, there was a quiet acceptance of the relief and protection the law offered them in real life. Many Muslim men, however, continue to view the ban as an insult to their faith rather than as a legal safeguard for women.

Getting back to the movie, Yami’s final monologue is powerful and leaves a strong impact. Emraan feels completely natural throughout and never once seems like he is performing. Sheeba Chaddha is equally convincing and brings depth to her role.

I especially want to credit Emraan for choosing to act in a film that openly talks about Muslim women’s rights. It takes conviction to support a story like this, especially as a Muslim, without dismissing it as Islamophobic. The film is clearly not that. Instead, it focuses on real issues and lived experiences, and his decision to back the narrative adds credibility and strength to the message being told.

Overall, I liked the film. The background music could have been better, and Yami is not fully convincing in a few scenes. Still, she more than makes up for it in the final act, which stays with you long after the film ends.

Haq is now streaming on Netflix.

An Ode to Feminichi Fathima

Feminichi Fathima Movie Poster

Feminichi Fathima is a Malayalam movie I had been waiting to watch for a long time. The film received strong appreciation at several film festivals. Many critics also spoke highly of it in their reviews. Now that it has finally released on OTT, the wait feels worth it. After watching the film, I can say it truly lives up to the praise it received.

The movie is a bold and thoughtful effort by director Fasil Muhammed to explore feminism from the perspective of a Muslim woman. This is a refreshing shift in Indian cinema, where feminist narratives are often shown through a cultural Hindu lens. Films like The Great Indian Kitchen (Mrs. in Hindi) and Thappad shaped much of that earlier conversation. Against that backdrop, this film feels timely and necessary. It adds a new voice to discussions on gender, faith, and everyday patriarchy.

What’s It About?

Fathima is married into a conservative and deeply religious family in the Malappuram district in Kerala. Her husband is a usthad (a religious leader) who expects his household to follow every rule without question. Life in the home is seen only through a strict, conservative lens.

Trouble begins when their young son wets the mattress. Fathima cleans it and leaves it outside to dry, but a dog later urinates on it. Since dogs are viewed as ritually impure, her husband reacts with anger and disgust. What follows is Fathima’s quiet struggle to fix the situation, facing resistance at every step.

The film makes a strong point that a woman in religious clothing can also be a feminichi (a slur often used by Malayalee misogynists to dismiss feminists).

Thoughts

Shamla Hamza and Kumar Sunil deliver standout performances. Shamla Hamza, in particular, is remarkable throughout the movie. It is hard to believe this is only her second project, after 1001 Nunakal, released in 2022. She performs with the ease and control of a seasoned actor. Her expressions carry much of the film’s emotional weight. Shamla winning the Kerala State Film Award for Best Actress feels well deserved. The storyline is fresh and quietly rebellious, which makes her performance even more powerful.

In many ways, the film feels braver than other feminist movies. Dissent is rarely encouraged in conservative Muslim families, which makes this narrative more powerful. The story shows how questioning norms itself becomes an act of courage. That is what sets this Malayalam feminist film apart. It opens space for conversations that are often silenced. Ideally, it will inspire more Feminichi Fathimas to speak up and stand for their rights.

Even though the subject is heavy, the movie never becomes overwhelming. It avoids melodrama and keeps emotions grounded. Light comedy is woven into the narrative. This balance makes the film feel surprisingly breezy. The pacing is tight and engaging throughout. You can easily watch the full 1.5 hours in one sitting without needing a break.

I would call this movie a must-watch for anyone interested in meaningful Malayalam cinema. Feminichi Fathima is now streaming on Manorama Max. You can also watch it via Amazon Prime with a Manorama Max subscription. English subtitles are available.

An Ode to 9 Thought-Provoking Life Quotes from Bonnie Garmus’s Lessons in Chemistry

Chemistry Experiment Image

I recently came to know that there is an Apple TV series based on Bonnie Garmus’s Lessons in Chemistry. Still, like many book lovers who believe the original story is always better than any adaptation, I chose to read the book first. And I am glad I did.

Lessons in Chemistry is warm, quirky, and emotional. It begins at a quick pace and later slows down to let the reader focus on how the characters are feeling. The fictional novel explores women empowerment, career, ambition, love, grief, and self discovery.

The story is about two unconventional scientists who view the world through logic. Their relationship feels unusual to others because their conversations revolve around research, experiments, and what most people would call nerdy banter. But the connection they feel with each other is real. They believe they are soulmates.

The female scientist eventually steps into an unexpected phase of her life and has to leave her career only to soon become the host of a cooking show. The show goes on to gain popularity dude to her unique, scientific approach towards food. She treats every recipe like a science experiment. She explains why each ingredient matters and the chemical composition that affects taste and cooking. This fresh perspective inspires her audience and transforms the way they think about cooking.

If you enjoy fiction that blends romance, feminism, science, and character driven storytelling, Lessons in Chemistry is worth adding to your reading list.

I also want to list some of my favourite thought-provoking quotes from the book. Hope you enjoy them as much as I did.

One thing I’ve learned, Calvin: people will always yearn for a simple solution to their complicated problems.

It’s a lot easier to have faith in something you can’t see, can’t touch, can’t explain, and can’t change, rather than to have faith in something you actually can.

From his own lessons, he knew repetition was important. The key was not to overdo the repetition—not to make it so tiresome that it actually had an inverse result and caused the student to forget. That was called boredom. According to Elizabeth, boredom was what was wrong with education today.

No wonder people didn’t understand animals. They could barely understand each other.

Having a baby, Elizabeth realized, was a little like living with a visitor from a distant planet. There was a certain amount of give and take as the visitor learned your ways and you learned theirs, but gradually their ways faded and your ways stuck. Which she found regrettable. Because unlike adults, her visitor never tired of even the smallest discovery; always saw the magic in the ordinary.

“What I find interesting about rowing,” Dr. Mason was saying, “is that it’s always done backwards. It’s almost as if the sport itself is trying to teach us not to get ahead of ourselves.” He opened his car door. “Actually, when you think about it, rowing is almost exactly like raising kids. Both require patience, endurance, strength, and commitment. And neither allow us to see where we’re going—only where we’ve been. I find that very reassuring, don’t you? Except for the flip-outs—of course. I could really do with fewer flip-outs.”

But as she read, she’d found herself wondering—did the artist ever get distracted? Ink an asp instead of a goat? And if so, did he have to let it stand? Probably. On the other hand, wasn’t that the very definition of life? Constant adaptations brought about by a series of never-ending mistakes?

“I don’t have hopes,” Mad explained, studying the address. “I have faith.”
He looked at her in surprise. “Well, that’s a funny word to hear coming from you.”
“How come?”
“Because,” he said, “well, you know. Religion is based on faith.”
“But you realize,” she said carefully, as if not to embarrass him further, “that faith isn’t based on religion. Right?”

“Whenever you start doubting yourself,” she said, turning back to the audience, “whenever you feel afraid, just remember. Courage is the root of change—and change is what we’re chemically designed to do. So when you wake up tomorrow, make this pledge. No more holding yourself back. No more subscribing to others’ opinions of what you can and cannot achieve. And no more allowing anyone to pigeonhole you into useless categories of sex, race, economic status, and religion. Do not allow your talents to lie dormant, ladies. Design your own future.

When you go home today, ask yourself what you will change. And then get started.”

***

Photo by Ron Lach