Like many, I found the movie’s name, Diés Iraé, tricky to pronounce. I’m quite sure I’m still saying it wrong. But the offbeat name adds to its charm. For those who don’t know, Diés Iraé is Latin for “Day of Wrath.” It’s a term from Christian theology referring to the day when souls are judged.
The first time I heard about Diés Iraé was when I went to watch Lokah. The trailer of the movie immediately captured my attention. The execution looked stylish, and Pranav Mohanlal looked good. I knew then that I had to watch this movie in a theatre.
What’s It About?
A young, wealthy man who lives life to the fullest begins experiencing strange supernatural events in his home after visiting the house of an ex-fling who was found dead in a well. The restless spirit haunting him seems furious for unknown reasons and determined to destroy his life.
Thoughts
Since Diés Iraé is a horror film, only adults were allowed inside the theatre. An ID card was required. The theatre I went to was almost empty, which I actually didn’t mind. It meant no one was around to make unwanted comments or jokes. This has become a real problem in many Kerala theatres. I faced this issue when I went to watch Bramayugam. I hope the film industry or theatre authorities take strict action against such behavior. If they want to attract more viewers, they must ensure a respectful environment. Otherwise, serious movie lovers will simply wait for the OTT release and enjoy the film peacefully at home.
Getting back to Diés Iraé, I wouldn’t call it mind-blowing. The special effects were impressive, though. Nothing looked fake or unintentionally funny. Pranav Mohanlal delivered a decent performance, and he looked great on screen, which helped balance out a few of his less convincing moments.
There are a few jump scares, so be prepared for that.
Overall, the story felt average. If you’ve seen a lot of horror films, this one might not surprise or scare you much. Still, the execution was solid, and the fact that a film of this scale and quality came from Kerala is definitely something to be proud of.
The creepiest part was seeing the line “inspired by true events.” I didn’t dare look up what those events were. Some things are better left unresearched if you want to sleep peacefully at night.
I would say Diés Iraé is a good one-time watch. At under two hours, it’s a quick and engaging film that keeps you entertained throughout.
I’m a divorcee. I have been for many years now. I’ve never hidden this fact. But I also never imagined my marriage would end the way it did. Then again, who does?
We all grow up believing our marriages will last forever. I also used to think of myself as a tolerant person, so the idea of my marriage failing felt impossible. In my mind, this is something that others might have to go through, the ones with anger issues, those who couldn’t compromise. Not me.
I followed every piece of advice perfectly. The kind you might have seen relationship gurus meting out on social media nowadays, i.e., communicate respectfully, try to understand the other person’s perspective, etc. But over time, I realized communication isn’t a one-way effort; it takes two people to make it work. If only one partner keeps trying while the other sits back, believing they have nothing to change, it slowly chips away at your happiness.
With time, after observing other marriages around me, I understood that maybe I wasn’t as tolerant as I thought — at least not by Indian standards.
Different Levels of Tolerance in Relationships
My regrets in relationships are less about the ex and more about how I handled things. “Why did I let others influence my decisions? Why did I tolerate and compromise more than required?“
Of course, every relationship requires compromises. But each partner also has their own tolerance limits. For me, physical or emotional abuse is unacceptable. Yet, even I, someone who might appear intolerant of everything, tolerated it for a while before deciding I’d had enough. Many women, however, make peace with such situations in their marriages (and relationships in general) for their own reasons (dependency, fear, children, financial pressures, and more).
To cite an example of varying levels of tolerance: When I kept hearing cries of domestic violence in my building, I complained to the building association, even though people advised me not to. “It’s their family, their rules.” But I couldn’t just sit there doing nothing while hearing those cries. It was traumatizing. I took this step because there were times, even in my own relationship, that I wished my neighbors had intervened. Probably, ring the doorbell or knock on the door. It would have provided that much-needed relief.
After my complaint, it hasn’t happened since. But who’s to say the guy didn’t just find quieter ways to hurt his wife? I would’ve run away if such things had happened to me repeatedly, even if it meant begging on the streets for the rest of my life. But his wife might be thinking, “It’s okay. He’s doing it all out of love.” Who’s to know? You can’t save someone who doesn’t want to be saved.
Different levels of tolerance.
People also need to understand that no one files for divorce after just one instance of mistreatment. It happens when the same behavior repeats, even after requests, pleas, and calm conversations. Some choose to walk away, while others make peace with the idea that this is how their life will be. So the common advice of “give it one more chance” is mostly useless, and a bit insensitive, because the ones involved might have already given it multiple chances before deciding to let go.
Power of Faith During Tough Times
Even though I’m not a religious Hindu, having faith in some form has always helped me through tough times. It’s the one thing to hold onto when it feels like your world is falling apart. Even now, I rarely visit temples or follow rituals properly, but in moments of extreme heaviness, I still pray. Not to any specific god. I believe we’re all praying to the same divine force, just using different names and stories. What else could explain miracles happening in every community?
I remember, when I was married, our home had a lone idol of Goddess Kali, a deity I had rarely prayed to before. My parents usually had Lord Krishna at home. I still remember looking at the deity and crying. I asked if this was how it would be for the rest of my life – painful and broken on the inside, faking happiness on the outside (especially for social media).
I sometimes think I might have continued living that way if I hadn’t been pushed by some greater power to take a stand for myself. Probably it was Her. Must have been fed up with me always looking at Her, crying and whining. Even goddesses have their tolerance limits. Also, gods only help those who help themselves, right? Or as we Malayalees say, “Thaan paathi, dhaivam paathi” (you must put in your half of the effort, and God will take care of the rest). Maa Kali might have gone, “Bitch, why don’t you just leave the marriage, instead of troubling me all the bloody time?“
The day I walked out of my marriage was also the day I told my parents, “If you don’t help me, I’ll do it on my own.” Thankfully, they stood by me when I made that decision. I also had the confidence to stand on my own feet. I wasn’t employed then, but my freelance work brought in some income. I knew that if I left the marriage, I wouldn’t be a burden on anyone. That same freelance experience later helped me secure a job. It formed the bulk of my resume, and it convinced my employers that I could handle responsibilities independently, even while working from home, at a time when WFH wasn’t even common.
When I look back, I feel the universe was guiding me in small but meaningful ways toward a life that may be inadequate for someone else, but is absolutely correct for a homebody, introverted feminist like me.
Taking Marriage Advice from Society
But the point is, society will tell you not to take advice from a woman like me. Because I’m a divorcee. What would I know about marriage and relationships, right?
Yet it will encourage you to listen to the woman who keeps enduring it all, at the cost of her well-being, because that’s what a “good wife” does.
Society doesn’t really care about what a woman thinks or feels. It just wants you to stick to the rules.
It’s Diwali season. This time of year always puts me in the mood for something cozy and family-friendly to watch. But honestly, we just don’t get those kinds of movies anymore. The ones you can enjoy with everyone at home.
Remember the golden ’90s? We’d all sit together and watch Jo Jeeta Wohi Sikandar, Hum Hain Rahi Pyar Ke, or Dilwale Dulhania Le Jayenge without a single dull moment. Okay, not exactly in my family, as I was the only one truly into Bollywood, while the rest were more drawn to Malayalam movies. But I imagine these were the kind of movies that one would typically watch with their families. Nowadays, to relax, I tune into psychological thrillers because family movies do not feel family-oriented anymore.
That’s why I was keen to watch Greater Kalesh when it dropped on Netflix. It’s perfect for people like me who just want to unwind with something light and heartwarming. At under an hour, it’s an easy, breezy watch before jumping right back into Diwali celebrations.
What’s It About?
A young career woman returns home after a long time to celebrate Diwali with her family. She’s excited for a warm, cheerful reunion, but the moment she steps inside, she’s greeted not by laughter, but by chaos. Her family members are in the middle of a heated argument, and she can’t quite figure out what started it.
Thoughts
Greater Kalesh is short, simple, and surprisingly sweet. It doesn’t have high-stakes drama or a strong, twisting storyline. But that’s exactly what makes it refreshing for me. Sometimes you just want something light, easy, and comforting, and this little film delivers that perfectly. It might not be everyone’s cup of tea, especially if you seek something more cerebral or non-woke, but to me it felt like peeking into the everyday life of a next-door family and watching them sort things out in their own warm, relatable way.
Ahsaas Channa and Supriya Shukla truly shine here. Their mother-daughter bond feels real and layered. The kind that might make you think of your own mom with a smile.
It’s definitely worth a quick watch. Greater Kalesh is now streaming on Netflix.
Personal observation: In almost every war, there’s always someone who doesn’t want it to end.
In the India–Pakistan war, many in India didn’t want the fighting to stop because they felt Pakistan hadn’t learned its lesson yet. Some even wanted the government to reclaim PoK (Pakistan-occupied Kashmir) during this time (which I strongly oppose).
When Israel attacked Iran’s nuclear sites, many anti-regime Iranians wanted the war to continue because they hoped the regime would fall.
The Israel–Gaza conflict is even more unusual. Many who kept calling for a ceasefire suddenly went quiet or were openly against it when finally announced. Maybe they had expected Israel to be driven out and a new Palestinian state to rise “from the river to the sea.” But that idea is unrealistic and only calls for more violence. Just like India will never give up Kashmir, Israel will never give up its land. Both countries get a lot of criticism for putting their own interests first. But, over the years, Jews and Indians have learned an important lesson: if they want their interests protected, they can’t rely on anyone else. When Indians get murdered in America, there’s next to no backlash. It’s the same case with Jews. History is also proof that when Hindus face persecution or genocide (Kashmiri Pandits, Sandeshkhali, Bangladeshi, and Pakistani Hindus), the world stays silent. In a world shaped by selective activism, these two communities have gradually learned to shed their passivity and docile nature, standing up for themselves without guilt. Indians, in my view, are still learning. Our tendency to stay silent runs deep. But since 2014, that’s starting to change, much to the annoyance of some. Apparently, a “good” Indian is still largely expected to be a silent one in the face of persecution and bigotry.
Anyway, the point is that in any war, there’s always duality. Those who push for the conflict to continue aren’t always on the “far-right.” Sometimes, they are far-left or far-right figures from other communities, disguised as leftist liberals. Take, for example, the India-Pakistan war. Many leftists in India wanted it to end and for peace to prevail. Yet recently, some of those same voices wanted Hamas to reject the peace deal, even at the cost of many lives.
I’ve often felt that the far-left and far-right are just two sides of the same coin. The recent wars and reactions to them over the years only validate this claim.
I actually wanted to watch Paradha in the theatre, because I thought the cast was interesting. It had my lovely curly-haired favourites: Anupama Parameshwaran and Darshana Rajendran, who are known faces in the South. But then I got caught up with other priorities and missed booking a ticket that weekend. Later, I came across some reviews that made me second-guess whether it was worth watching on the big screen and decided to skip going to the theatre. Recently, when it was released on Amazon Prime, I finally decided to watch it.
The movie made me realize that not every review online is meant for you. Reviews often reflect the reviewer’s personal taste, but we tend to assume we’ll feel the same way. I’ve had similar experiences with other films, too, where the reviews were harsh, yet I ended up enjoying them. I still don’t get the importance of movie reviews, because whether we like a movie or not is subjective. But here I am, giving my own movie reviews from a highly subjective viewpoint. I think we should treat reviews as such: personal opinions of someone who loves watching movies, and not the absolute truth.
What’s It About?
Paradha, true to its name, centers on Subbu (Anupama Parameshwaran), a young Hindu woman from a remote Indian village where the tradition of paradha (dupatta veiling) is strictly practiced. While this custom is largely cultural in many parts of India, the film presents it as a religious mandate. The villagers worship Goddess Jwalamma, who they believe commanded that women remain hidden behind a veil. From puberty onward, every girl is forced to follow this rule, with severe consequences for defiance. Subbu, however, finds herself caught in a controversy that threatens her marriage to the man she loves.
Thoughts
Though the story begins with a devout woman who strictly follows religious practices, Paradha is not just about her. It portrays women from different walks of life, each facing gender discrimination in unique ways.
The first woman is deeply religious, bound by the strict purdah or dupatta system. The second, married outside the village, has left purdah behind but remains traditional in other aspects. The third rejects religious traditions altogether, embraces modern values, and focuses on her career. The fourth is a policewoman who’s happily married, enjoying full freedom, and choosing to follow certain traditions out of personal preference rather than compulsion. The movie keeps the narrative balanced this way.
Paradha is a feminist film centered on women’s empowerment, and it may not appeal to everyone. It highlights how women, even the most progressive, continue to face discrimination, no matter how far they try to escape from it.
I really enjoyed the movie. The climax was chilling, and the performances, especially by Anupama Parameshwaran, Darshana Rajendran, and Sangeetha, were superb. It’s a brave film, because criticizing patriarchy is never easy. Often, women themselves defend restrictive practices by saying, “It’s our choice.” But true choice exists only when opting out doesn’t bring harsh criticism or punishment. Many women follow norms not out of freedom, but because they have no other option. The movie captures this truth powerfully.
Paradha is now streaming on Amazon Prime. I watched it in the original Telugu with English subtitles.
A lot of love stories released lately haven’t worked for me. I tried Saiyaara, but it felt more Gen Z-oriented. While they cried, I yawned. As a 40+ year-old, I am not quite sure if that yawn stemmed from a vitamin deficiency or because I was genuinely bored. It’s a tricky age group.
Then, I gave Metro In Dino a shot, only to find every character cheating on their partner… while singing songs, of course, because that’s how it is in Bollywood. Your loved one could have died, but you still end up singing a romantic song for your partner. Remember Suraj Hua Maddham?
While I was on this quest for a good love story, I realized there’s no chance of my stumbling upon a feel-good romcom that meets my dreamy requirements. So I thought, why not pick an old movie that already matches my soul? That’s how I ended up choosing this dark, unsettling Black Mirror-type romance, The One I Love.
What’s It About?
A couple struggling with marital issues goes on a retreat to a remote resort. This place, recommended by their therapist, is where many of his former patients have found healing. The home is warm and spacious, disconnected from the outside world, seemingly perfect for reconciliation. But soon, strange and unexpected events happen, which draw out very different responses from each partner.
Thoughts
I enjoyed the movie. It was gripping and featured some excellent performances.
I felt that even though the movie was released in 2014, it resonates with today’s AI age, where many people turn to artificial means to fulfill emotional needs their partners can’t always meet. The filmmaker probably foresaw a future where this would take shape in some shape or form.
I especially felt for the female lead, who genuinely seemed happy with the new experience. She was finally getting what she had always craved, even if it couldn’t last. It leaves you wondering what you might have done in her place. If you’re emotionally craving for a deeper bond, and you accidentally stumble upon it after years of acceptance that you would never experience it in your lifetime, how would you react?
You look at the character, see her face light up with a happiness that was missing in the previous scenes, and you can’t help but wish she could experience that bliss a bit longer. Routine has a way of dulling your emotions. You do not wish to take things for granted, but it happens anyway. These relatable human emotions make you empathize as well as get annoyed with Sophie (played by the talented Elisabeth Moss).
I would say The One I Love was a good watch. It’s currently available for free (not on rent in India, thankfully) on Amazon Prime.
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