Netflix Thriller Review: Dept. Q

Dept Q Netflix Series Image

I came across a review of Dept. Q on Instagram Reels, which is how it ended up on my watchlist. Honestly, before watching, I was doubtful whether I would finish it. Lately, many “thriller” series have failed to truly thrill me. But I’m glad I gave this one a chance and stuck with it.

What’s It About?

An arrogant detective, Carl Morck, returns to work after being injured in a shooting and is assigned to a new department in a dingy basement to investigate unsolved cases. He is soon joined by Akram, a former Syrian policeman now working as a civilian employee, and Rose, a young and spirited constable. Akram ends up selecting a case for Carl to pursue, one involving the sudden disappearance of a lawyer after she is assaulted by her non-verbal brother on a ferry.

Thoughts

Even though the series drags at times, I found myself wanting to know what happens next. This curiosity kept me watching. My rule of thumb for thrillers is simple: Am I interested in finding out the truth? If yes, I continue. If no, I skip. This series made me stay. I genuinely wanted to know what happened. The final episode was the standout of the season, stirring a range of emotions in me: anger, fear, thrill, affection, and warmth.

The performances were strong across the board, but my favourite character was Akram, played by Alexej Manvelov, a mature presence, always in control, in contrast to the more unruly Carl Morck.

I would recommend Dept. Q. It’s streaming on Netflix, with a total of 9 episodes, each roughly an hour long.

Book Review: “A House Without Windows” by Nadia Hashimi

Afghan women walking in front of a blue building image

I just finished A House Without Windows by Afghan-American writer Nadia Hashimi. These days, I gravitate more toward non-fiction and find it more engaging. Still, I’m not ready to give up fiction entirely. A House Without Windows was my fiction pick of the month.

What’s It About?

The story begins with a murder in an Afghan home. A woman, Zeba, is accused of killing her husband and is detained, with almost no chance of survival under Afghanistan’s strict laws for women in such cases. An Afghan-American lawyer, Yusuf, arrives in the country to connect with his roots, stumbles upon her case, and decides to defend her.

Thoughts

I really enjoyed the storyline, though I found the narration slow and somewhat predictable. What stood out most was how Nadia Hashimi portrayed the Afghan-American lawyer’s struggle to balance two cultures in America. This is a story familiar to many migrants. They want to embrace the new, yet can’t fully let go of their roots.

When Yusuf starts dating, everything boils down to one question: Will she bond well with my mother? That’s such a desi trait: wanting your partner to get along with your parents, and if there’s friction, it’s often the partner who pays the price. I also liked the part where he decides to travel to Afghanistan to reconnect with his roots, eventually making peace with the country’s imperfections, because where there’s love, hate doesn’t stand a chance.

The storyline is unique, with a blend of mystique, magic, and sacrifice. I wouldn’t say I strongly recommend the book, as I personally found it slow. However, what’s slow for me might be perfectly paced for someone else.

Ending this post with some quotable quotes from the book:

Alone and free of angst and sorrow
I’ve bled enough for today and tomorrow
Now it is time for my bud to bloom
I’m a sparrow in love with solitude
All my secrets contained within me
I sing aloud—I’m alone, finally!

SHE DID NOT REGRET THE CHILDREN, BUT AT TIMES SHE DID resent them. All mothers did, didn’t they? How could they not bear a little resentment toward people who took took took all the time? How could she be expected to feed them all? Where was Kamal when they were sick or tired or unreasonable?

Medicine is what this man calls his liquor
Strange is the remedy that only makes him sicker.

“And women?” she asked thoughtfully. “What is the world to us?”
Gulnaz offered a meek smile. “Do you not know, my daughter? Our world is the spaces between the rocks and meat. We see the face that should but doesn’t smile, the sliver of sun between dead tree branches. Time passes differently through a woman’s body. We are haunted by all the hours of yesterday and teased by a few moments of tomorrow. That is how we live—torn between what has already happened and what is yet to come.”

People only say nice things about the dead, so you never know what the truth is. You can be a brute in life, but the moment you die, all is forgiven. It used to make me mad, but now that I’m old and know what people say about me, I’m glad for it.

Men were always so frightened by their mortality that they obsessed over ways to live forever: sons to carry on their work, grandsons to carry on their name, their legacies in books, on streets, or in newspapers. Some became more desperate as their black hairs turned silver.

***

Photo by Wasim Mirzaie

Netflix Anthology Review: Black Mirror (Season 7)

Black Mirror Plaything Image

I had put off watching Black Mirror Season 7 for a long time, as Season 6 had failed to impress me. But on a friend’s recommendation, I decided to give it a shot. I’m happy to report that most of the episodes, except the last one, lived up to my expectations.

What’s It About?

Story 1 – Common People:
A devoted husband, unwilling to lose his terminally ill wife, uses a high-end new technology to keep her alive. At first, it seems like a miracle. But as with most modern tech, things soon spiral out of control. The couple is forced to confront the harsh reality of love, loss, and the consequences of clinging to the impossible.

Story 2 – Bête Noire:
An ambitious professional’s life is thrown into disarray when a former schoolmate unexpectedly joins her workplace. What begins as unease quickly escalates as unusual events unfold around her, sending her mental state into a downward spiral.

Story 3 – Hotel Reverie:
A popular actress, bored of dull roles, signs on to a high-tech film project that aims to recreate a classic movie using immersive technology. She steps into a world where she must play out scenes with virtual versions of the original cast. But the line between fiction and reality begins to fade, and the production eventually takes a dark and unexpected turn.

Story 4 – Plaything:
A socially isolated man is arrested for murder. During interrogation, he reveals his obsession with a computer game involving digital creatures. The more he cares for these forms, the more they grow. And the more they demand from him.

Story 5 – Eulogy:
A man is tasked with writing a eulogy for an old lover with the help of a photo-based immersive memory technology that lets him relive past shared moments with her. Some are joyful, others painful, and some reveal truths he wasn’t prepared to face.

Story 6 – USS Callister: Into Infinity:
A stranded crew battles for survival in an endless virtual universe. They are trapped in a multiplayer simulation, and they must outsmart other players to escape the loop and find freedom.

Thoughts

Though I enjoyed every episode in Black Mirror Season 7, my favourite was Plaything. The technology shown in the story is both fascinating and disturbing. The sing-song tune of the little digital forms adds just the right touch of eeriness. The lead actor delivers a convincing performance as the eccentric character ready to go above and beyond for his virtual friends.

The season as a whole highlights how technology can go wrong in unexpected ways. It drives home the point that in the pursuit of something “better,” we often overlook the risks that come with it.

I didn’t find the final episode particularly interesting. Probably because outer space-themed plots don’t usually appeal to me.

Overall, I would say Black Mirror Season 7 is worth a watch. All six episodes, each about an hour long, are streaming on Netflix.

An Ode to Zarna Garg & Family

Zarna Garg and Family

I recently started watching Zarna Garg’s stand-up videos. Until then, I had only seen snippets of her interviews on Instagram reels. At that time, I assumed she was yet another comic who makes a living by criticizing India, as many Indian comedians do. Negative takes on India tend to get more attention, and I, honestly, had grown a bit tired of that negativity. So I stayed away from watching Zarna’s videos for the longest time.

Eventually, I decided to watch her special Practical People Win on JioHotstar (originally on Hulu). That special led me to the Zarna Garg Family podcast on YouTube, where I found Zarna, her husband, Shalabh, and their three children having honest, open conversations. Something every Indian family could learn from.

In my opinion, it’s a brilliant marketing tactic on her part to build that curiosity around her family in her specials. She says, “My son… so handsome,” “My daughter… so nerdy,” so you naturally want to know more about this family, what they look like, and witness their quirks in real life. This is the intention of the podcast – to get you more involved in the Garg family brand.

People like me crave a more personal connection with celebrities, influencers, and comedians. I want to hear their real thoughts, personal likes and dislikes, without sugarcoating or political correctness. The Garg family brings exactly that authenticity, which keeps you hooked. Bollywood, on the other hand, lacks this today. Most interviews feel overly scripted, with celebrities giving dull, promotional takes right before a movie release.

Zarna calls herself the quintessential “Indian aunty.” As someone in my 40s, I relate to many of her traditional views. Opinions that I did not hold in my 20s. Her daughter Zoya, on the other hand, reminds me of my younger self: idealistic and confident that hard work and determination can achieve anything. But life eventually teaches you that not everything goes your way. However, this is a lesson only experience teaches you. It cannot be taught by others.

I would like to take this chance to point out how much I admire Zoya. She is articulate and strikingly pretty, with the most gorgeous eyes, even though the Garg family often jokes about the eldest son being the most attractive. Zoya is never dismissive or disrespectful to her parents, even when they go against her views. I find this refreshing, especially today when many youngsters tend to be more casual, even rude, with their parents. As an old-school millennial who values parental respect, this stands out to me.

The podcast drew me into Zarna’s world. I ended up binge-watching episodes where the family openly discusses topics like dating, marriage, interracial relationships, and finances. All of them, including the children, are articulate and express themselves clearly and thoughtfully. As someone unmarried and child-free, I couldn’t help but compare their conversations to those my cousins and siblings have with their children. One of my nieces is dating a white man (and she has a history of dating only white men), so Zarna and her husband’s confusion and concerns felt very relatable. The podcast not only helps you reflect on your own feelings but also offers a fresh perspective from the younger generation. This is something new-gen parents can highly benefit from.

What endears me most to Zarna is her unapologetic Indianness. Many Indians abroad change their attire, avoid Indian clothes or bindis, culture, and even end up cooking less traditional food so that the masala smell doesn’t linger on their clothes. They have to compromise on their Indianness, just to blend in, be accepted, and respected. Despite these compromises, racism still continues. So, how much of this “blending in” has proven effective?

I’m of the belief that to enjoy Indian culture fully and unabashedly, one needs to stay back in India. Other countries, unfamiliar with the Indian, especially Hindu, way of life, may not be as accepting or comfortable with it. Living abroad often means diluting many aspects of your culture just to make others feel at ease. Zarna, however, proudly wears her Indian identity on her sleeve. She wears Indian outfits and a bindi on stage, despite admitting she constantly faces racist remarks in the USA over it. Her refusal to shed her identity to fit in is admirable. It takes courage and conviction to stay true to oneself in a foreign land, and Zarna has that in abundance. As racism against Indians has reached new heights globally, Zarna’s pride in her identity is truly inspiring. She shows that we should not cower before hate but instead embrace and celebrate our culture and traditions without fear.

***

Picture Source: Instagram/ZarnaGarg

Interracial Romance and the Indian Mindset

Interracial Romance in Indian Families

I recently watched a thoughtful discussion by Zarna Garg on interracial romance, featuring her own family. Based in the US, their candid conversation offers a refreshing glimpse into how Indian-American families are navigating such topics. It was heartening to see everyone, parents and kids, engage so openly. In many Indian households, these conversations either happen too late or not at all, often wrapped in hesitation or silence. But here was a family talking honestly about dating, identity, and interracial relationships. A big shoutout to them for their openness and clarity. It’s these dialogues that make a real difference.

Watch the video below:

Thoughts

I’ve spent most of my life abroad before choosing to return to India. Yet even while living overseas, I always knew my relationships would be with Indian men. Perhaps it’s because I studied in an Indian school and mostly socialized within the Indian community, even outside the country. I look Indian, dress Indian, and speak with an Indian accent. So it was natural to feel more comfortable with Indian men.

However, in today’s globalized world, with increasing interracial mingling, millennials like me must come to terms with the fact that more non-Indians are likely to become part of our families. Someone recently remarked how the world is blending in such a way that you can no longer easily tell someone’s ethnicity. Even appearances are getting “globalized.” It was an eye-opener. I’ve come to realize this holds especially true in the Indian context. Today’s new-generation kids often no longer look or sound traditionally Indian, especially the kids in Indian metros. Their accents, fashion, and even body language reflect a more global identity.

A few months ago, a relative married a Spanish man, the first white partner in our family. Surprisingly, everyone, including the older generation, was welcoming. No drama. No resistance. That in itself feels like progress. Our extended family no longer fusses over caste or religion in love marriages. Marrying someone from a “lower caste” has become normal (though I personally reject terms like “lower” and “upper” caste, which are inherently divisive). Only a few super-senior relatives seem to hold on to rigid views, but even that seems to be fading.

I wonder if this shift is due to the older generation’s growing access to YouTube and social media. Many now watch global discussions on love, identity, and acceptance. One moment really stood out: a senior aunt watched Kaathal, a Malayalam film about same-sex love, and casually remarked, “Being gay or lesbian is fine. It’s not a disease.” That kind of acceptance would’ve been unthinkable even a decade ago. But it’s happening now, and that matters.

More recently, one of my nieces fell in love with a white guy. It’s a bit more delicate because it hits closer to home. While I’m happy she found someone, I can’t help but feel a bit anxious. Our cultures are worlds apart, and it’s not just the couple that has to adjust, but the families too. At this age, do I or her parents have the patience? I’m unsure. On second thought, it doesn’t concern me or her family, as the relationship is hers to navigate. Still, as Zarna Garg wisely said in her family discussion, any relationship can thrive if the core values align: education, family, career, loyalty, and health. Everything else is secondary and can be worked around.

One comment from Zarna’s husband lingered with me. He mentioned that their eldest daughter has only dated white men, and he took it personally. He had read somewhere that girls whose fathers aren’t ideal husbands are more likely to do this. That struck a chord. My niece also has a pattern of dating white men, and to be honest, her father isn’t exactly the perfect partner either. Could there be a subconscious link? I wouldn’t dare bring it up now, especially since she lives abroad, but maybe someday in person.

There’s so much our generation is still figuring out. As millennials in our 40s, we stand between tradition and transition. We want to be open-minded and inclusive, but also grounded. At times, it worries us to see the younger generation drifting away from tradition. There’s a quiet fear: will our culture someday fade into oblivion? But these are changing times, and change demands a degree of acceptance. We may not always agree, but we must learn to adapt. I also see a growing trend among young parents today: trying too hard to be politically correct, often avoiding difficult conversations just to stay in their children’s good books. This might be a measure to ensure they don’t repeat their parents’ mistakes of being too restrictive. But experience teaches us that hard truths, spoken with love, are just as necessary today as it was yesterday.

Some of the advice I dismissed in my 20s now makes perfect sense. You only begin to understand your parents once you reach their age. That’s how life unfolds. You gain clarity with time. Until then, all we can do is trust, adapt, and hope it all works out in the end.

***

Photo by Bhavitya Indora

Comedy Movie Review: Prince and Family

Prince and Family

I think it’s safe to say I’m seriously craving a good comedy film. The genre seems to be fading in Indian cinema. I’m not enjoying that shift one bit. Remember the Andaz Apna Apna era? Pure classic. Even Malayalam cinema had its fair share of timeless comedies that still hold up today. That comedy void is exactly what led me to subscribe to Zee5, just to watch the Malayalam film Prince and Family.

To be honest, I’ve become quite disconnected from new movie releases. Life in your 40s tends to be more news-oriented and less in touch with the entertainment world. And to make it worse, the kind of feel-good content I enjoy seems to be rare these days. I was brought up in the era of Yash Chopra and Karan Johar movies. So it’s natural that I miss the soft aesthetics of good ol’ Bollywood romance and the comedy movies of Malayalee actors like Mohanlal and Sreenivasan.

Considering my disconnect, I actually discovered Prince and Family through Instagram Reels. It was the viral dance entry of Chinju Rani that caught my eye and motivated me to subscribe to Zee5.

What’s It About?

Prince and Family tells the story of Prince Chakkalakkal, a well-known fashion designer in his 40s working in Kerala. He carries the weight of his entire family, including his two unemployed brothers and their families, on his shoulders. Despite his success, Prince remains unmarried, struggling to find the right partner.

Enter Chinju Rani. A hyper-energetic woman in her 20s and a popular social media influencer. Their match is arranged through an online matrimonial site.

Chinju Rani lives for the ‘likes.’ Every decision she makes is filtered through the lens of her followers. So much so that on her wedding night, she’s busy editing and posting her wedding video, while her husband waits and eventually falls asleep.

Can two people from such different worlds build a happy marriage? That’s the heart of Prince and Family.

Thoughts

I enjoyed Prince and Family overall. It had a promising comic tone at the start. I only wish they had stuck with that all the way through. While I understand the film’s intention, that is to highlight the dangers of living through social media at the cost of real-life connections, the shift to a more serious tone felt a bit abrupt. Honestly, the world of influencers offers plenty of material for comedy, and the film could have explored that further in a subtle manner without losing its message.

Some of the emotional scenes felt exaggerated. But not to the point of losing interest. The film kept its entertainment quotient intact throughout.

Dileep’s character is particularly interesting. He’s choosy about marriage proposals, with one preference that seems to be clearly dominant over all others even though it’s not explicitly stated: he wants a young, unmarried, attractive woman. Despite being in his 40s, this mindset makes him dismiss proposals from women his own age with a certain disdain. It’s old-school thinking, but it mirrors real-life attitudes in India that still persist. This is why we see 50-year-old Indian male actors romancing 20-year-olds on-screen, while actresses of the same age group play their mothers.

The real star of the movie, though, is Raniya Raanaa. Some might say she’s overacting, but I think she nails the hyper energy of a social media influencer who lives for the camera. Her performance is full of life, and she handles emotional scenes with ease. Siddique and Bindu Panicker are excellent in their supporting roles as well.

All in all, Prince and Family is worth a watch. Just don’t expect too much logic or nuance. It’s streaming now on Zee5.