Feminichi Fathima is a Malayalam movie I had been waiting to watch for a long time. The film received strong appreciation at several film festivals. Many critics also spoke highly of it in their reviews. Now that it has finally released on OTT, the wait feels worth it. After watching the film, I can say it truly lives up to the praise it received.
The movieis a bold and thoughtful effort by director Fasil Muhammed to explore feminism from the perspective of a Muslim woman. This is a refreshing shift in Indian cinema, where feminist narratives are often shown through a cultural Hindu lens. Films like The Great Indian Kitchen (Mrs. in Hindi) and Thappad shaped much of that earlier conversation. Against that backdrop, this film feels timely and necessary. It adds a new voice to discussions on gender, faith, and everyday patriarchy.
What’s It About?
Fathima is married into a conservative and deeply religious family in the Malappuram district in Kerala. Her husband is a usthad (a religious leader) who expects his household to follow every rule without question. Life in the home is seen only through a strict, conservative lens.
Trouble begins when their young son wets the mattress. Fathima cleans it and leaves it outside to dry, but a dog later urinates on it. Since dogs are viewed as ritually impure, her husband reacts with anger and disgust. What follows is Fathima’s quiet struggle to fix the situation, facing resistance at every step.
The film makes a strong point that a woman in religious clothing can also be a feminichi (a slur often used by Malayalee misogynists to dismiss feminists).
Thoughts
Shamla Hamza and Kumar Sunil deliver standout performances. Shamla Hamza, in particular, is remarkable throughout the movie. It is hard to believe this is only her second project, after 1001 Nunakal, released in 2022. She performs with the ease and control of a seasoned actor. Her expressions carry much of the film’s emotional weight. Shamla winning the Kerala State Film Award for Best Actress feels well deserved. The storyline is fresh and quietly rebellious, which makes her performance even more powerful.
In many ways, the film feels braver than other feminist movies. Dissent is rarely encouraged in conservative Muslim families, which makes this narrative more powerful. The story shows how questioning norms itself becomes an act of courage. That is what sets this Malayalam feminist film apart. It opens space for conversations that are often silenced. Ideally, it will inspire more Feminichi Fathimas to speak up and stand for their rights.
Even though the subject is heavy, the movie never becomes overwhelming. It avoids melodrama and keeps emotions grounded. Light comedy is woven into the narrative. This balance makes the film feel surprisingly breezy. The pacing is tight and engaging throughout. You can easily watch the full 1.5 hours in one sitting without needing a break.
I would call this movie a must-watch for anyone interested in meaningful Malayalam cinema. Feminichi Fathima is now streaming on Manorama Max. You can also watch it via Amazon Prime with a Manorama Max subscription. English subtitles are available.
I started watching the Telugu film The Girlfriend with low expectations. I assumed it would be yet another romantic drama that glorifies toxic relationships and emotional manipulation in the name of love. To my surprise, the movie took a more thoughtful and layered route.
Minor spoilers ahead for context
The Girlfriend doesn’t just explore unhealthy love. It also dives into toxic parenting and how childhood conditioning shapes adult behaviour. The female lead is quiet, agreeable, and used to shrinking herself. The film makes it clear that her personality isn’t random. Her upbringing trained her to feel guilty for wanting space, choices, or independence. So when she picks a controlling partner, it feels strangely familiar to her. She’s not frightened of it at first, but she faces a tinge of uncertainty throughout. She tries to treat her partner’s behaviour towards her as normal because she has spent years adjusting to her father’s controlling behaviour. But deep down, there’s a quiet discomfort she can’t ignore. Something feels off, and her instincts begin to push back. This duality is what makes the character so different. This push and pull that many of us have experienced in our own relations with others who are not right for us.
The male lead, on the other hand, is aggressive, impulsive, and driven by ego. He worships Virat Kohli, maybe because he admires the cricketer’s aggressiveness and his devotion towards his wife, Anushka Sharma. He has a charming personality and enjoys a lot of attention. People around him like him, and he knows it. He’s used to getting what he wants, even in friendships. His behaviour reflects a narcissistic mindset where his needs come first, and empathy barely exists. Yet he remains popular, which feels very realistic. In real life, people like him often get the benefit of the doubt because their confidence and charm make them likable, even when behind closed doors, they’re not. This is why it’s often hard for someone with a narcissistic partner to justify leaving. People around them struggle to believe anything is wrong. The scene where he delivers that long, dramatic monologue in front of everyone when she ends the relationship is unforgettable and true to life. It’s an attempt to stage himself as the victim, even when he himself was the one in the relationship with the problematic dynamic.
When the movie shows the male lead’s mother, the pattern becomes clear. She mirrors the heroine’s personality. Anxious. Passive. Always accommodating. His father dominated the household, and his mother absorbed the behaviour without protest. In his partner, he doesn’t just see love. He sees a repetition of his family dynamic. In his own dysfunctional world, this is the definition of love.
This is what makes the film interesting. Many romantic movies in Indian cinema focus only on the lovers. But The Girlfriend highlights how family culture, parenting style, and generational trauma influence relationships. It reminds you that behaviour has context.
It made me think of my own past. My ex-husband had a similar attitude at home. I remember watching him take all his mother’s freshly washed clothes and throw them outside the house, onto the dirt-filled ground, just because she left them drying near the house’s entrance. She didn’t scold him. She didn’t even react. She simply smiled and picked them up to wash again. She later told me she was once abandoned on the roadside at night by her husband after an argument. She narrated it casually, as if it were normal. That’s when I understood why her son expected unquestioning loyalty and forgiveness from his own partner, me.
Watching the movie felt personal because it portrayed something many Indian families silently live with. Not abuse in the usual cinematic sense, but the subtle cycle of fear, guilt, silence, and acceptance.
I liked The Girlfriend mainly because of how honestly it handled the parenting angle. The performances were solid, especially from Rashmika Mandanna and Dheekshith Shetty. Their chemistry felt natural, and the relationship dynamics never felt exaggerated or forced. The emotional tension, confusion, fear, and hope all felt real. It’s rare to see an Indian movie explore love, trauma, and family influence with this level of subtlety. If you enjoy character-driven cinema with emotionally complex and layered characters, this one is worth watching.
The Girlfriend is streaming on Netflix and runs for 2 hours and 18 minutes.
I waited a while before watching Neeraj Ghaywan’s Homebound on Netflix. Even with glowing reviews and friends urging me to watch it, I knew it wouldn’t be an easy experience. It’s heavy in more ways than one, because the film doesn’t just explore caste discrimination, it also shines a light on the prejudice faced by Muslims in India. So from the beginning, you know you’re stepping into something intense and uncomfortable.
Neeraj Ghaywan holds an important place in Indian cinema as he’s one of the very few Dalit directors who publicly acknowledge his Dalit identity. As viewers, most of us don’t sit and think about a filmmaker’s caste or religion when watching a movie. But the uncomfortable truth is that opportunities in the film industry still seem to be uneven. If he is the first Dalit filmmaker in decades because of gatekeeping rather than lack of talent, then that says a lot about how deep systemic bias still runs in India, even in an artistic platform like the film industry. This is something the film industries across India need to acknowledge and work on.
As expected, the story in Homebound was heartwrenching. It’s based on a real incident, which sadly doesn’t come as a surprise. The film also draws inspiration from the Bhim-Meem idea, a political expression that promotes Dalit-Muslim unity, adding another layer of depth and context to its narrative.
For me, the most heartbreaking scene was when Ishaan’s character, a young Muslim boy, is accused of being Pakistani after an India vs Pakistan cricket match. That moment was infuriating and hard to sit through.
At the same time, I feel Indian films need to move beyond the usual “General Category vs Dalit” and “Hindu vs Muslim” framework when addressing oppression. Recent incidents, including the honour killing of a Dalit man by an OBC family because he dared to love their girl, show that reality is much more complex in India, and discrimination doesn’t come from one direction. It exists across castes and religions. Dalit Christians, Pasmanda Muslims, and many others face layered forms of exclusion, yet these conversations rarely enter mainstream media or pop culture.
I recently spoke to someone from the Yadav community who felt that Yadavs should be getting more opportunities than others in Bihar. It surprised me, because it shows how deeply caste identity shapes expectations, even among groups that aren’t “upper caste.” It’s even sadder to see communities that once faced discrimination now repeating the same mindset toward those they see as lower in the hierarchy. Many people assume caste hierarchy is a simple top-to-bottom structure, but in reality, it behaves more like overlapping layers of status, power, and regional identity.
I also think about the discrimination that exists within minority communities. My neighbour, a very liberal Muslim woman in Kerala, once told me that some of her extended family members won’t eat food cooked by non-Muslims. So who addresses that side of prejudice?
If we want a more equal and united India, we need to acknowledge and call out all forms of discrimination. But if someone tries to make a film exploring other angles, it often gets labelled propaganda or agenda-driven. That makes honest conversation difficult.
We’ve seen similar themes in films like Dhadak 2 this year, and even the first Dhadak explored the same kind of social divide. Something that stood out to me across movies in this space was the prominent placement of Ambedkar’s photograph. It’s a small detail, but it says a lot. Ambedkar himself is a layered and complex figure. His critique was not limited to Hinduism, and he questioned multiple belief systems with the same sharpness. But that side of him rarely enters public discussion, because even many of his admirers seem hesitant or defensive about acknowledging it.
Many of us are ready to recognise discrimination against Muslims and Dalits, and those conversations are important. But there should also be space to talk about other traumatic histories like the Kashmiri Pandit exodus without being dismissed or judged. Empathy and understanding shouldn’t stop at one group. If injustice matters, it should matter universally.
This isn’t a rant. Just a hope that our films, stories, and discussions grow braver and more layered. Because India isn’t simple. It’s diverse, complicated, emotional, and full of uncomfortable truths. And storytelling feels meaningful when it reflects that reality rather than just one slice of it.
I recently came across a video featuring an interview with Stalin Devan, the activist managing the legal research and paperwork for Munambam. In this interview with Shajan Skariah, Stalin shares that Father Joshy added him to a WhatsApp group with the Munambam residents and said, “Explain one point from the Act every day in simple words.” Over time, Stalin became their legal guide, and his efforts are one of the main reasons the community now understands the law so well.
The interview was informative in many ways. At a time when there is still no clear update from politicians or the media on what is actually delaying the resolution for Munambam, even after the Waqf Amendment Bill was passed, Stalin explains the situation with complete clarity.
A screenshot of the video
The Three Possible Legal Outcomes for Munambam
According to Stalin, there are three possible solutions for Munambam:
The government restores revenue rights immediately. This can be done at any time if the Chief Minister approves an administrative order restoring those rights.
If the Supreme Court upholds the High Court order declaring the land not Waqf, all cases, tribunal, revenue, and others will automatically end.
If the Supreme Court rules otherwise, the next legal step will rely on the amended law using Section 2A.
Why Section 2A Cannot Be Used Yet
Earlier, I assumed that recent positive court developments were on the basis of Section 2A. I later realised that was incorrect. Stalin’s interview clarified it. He said:
“We must wait for the rules to be notified. Only after the rules come into force can we use the amendment. As soon as the rules are published, we will file a new petition before the Waqf Tribunal. Once the new rules take effect, the Waqf Board’s order cannot survive.”
It was only through him that I learned the rules tied to the amendment have not yet been fully implemented (central rules were notified in July 2025, but further steps, such as central and state compliance and the ongoing Supreme Court matter, are still pending). Once implementation of the rules is complete, Munambam will be able to use the amendment (Section 2A) fully to establish its rights.
This is where politics begins to overlap with law.
Where Politics Meets Law
Stalin said:
“When everything is resolved, people should celebrate and then withdraw the protest with dignity. But politics entered the issue, and some withdrew support — not because the problem is unresolved, but because they feared the BJP might gain political mileage.”
This is why I feel that even though BJP is the party that helped Munambam with the establishment of new Waqf amendments that can prove favourable to Munambam residents, the Congress-led alliance (UDF) may still win the election there.
Strategically, it makes sense. Now that they’ve pushed the BJP to change the Waqf rules, Christian voters can continue supporting the party they feel protects their religious interests, especially one that does not interfere with missionary activity.
UDF has traditionally been the preferred choice of many Christian voters in Kerala. However, their position on the Waqf Amendment has not aligned with what Munambam residents expected or hoped for. Even so, Christian voters may still continue supporting UDF, largely because they align with the coalition’s lack of anti-conversion sentiment.
Why Timing Matters to BJP and CPM
Here’s where it gets interesting. What follows is only my analysis, not a confirmed claim:
As mentioned earlier, the amendment becomes fully usable only after the remaining implementation steps (central and state action, portal uploads, surveys, and Supreme Court clarity). That process can take months, sometimes more than a year.
Because of that, the timing is now in the hands of both the Central Government (BJP) and the Kerala Government (CPM). Residents say Rijiju has not been active recently. It is possible that the central leadership is waiting to see how the political situation evolves before re-engaging. The BJP may already understand that, even with the support they are offering, they might still not gain full trust or support from the Munambam Christian community. Religious identity often influences decisions more than political assistance. BJP may choose to wait and see whether their support translates into goodwill before offering more help or speeding up the process. In short, they might be waiting for election results to analyze public sentiment.
Meanwhile, CPM has not yet updated or published Waqf lists in the state gazette or uploaded them to the central portal. This is of utmost importance to implement the waqf amendment. CPM has not given explicit technical reasons for the delay.
Current Status of the Waqf Amendment Process (December 5, 2025)
Central Government (BJP)
The Act itself was published and came into force in April 2025. Rules were notified in July 2025. But implementation is still pending: WAMSI portal digitization is incomplete, nationwide surveys and audits have not been done, and the Supreme Court stay since September blocks key provisions.
The central government’s delay primarily reflects implementation challenges. However, political considerations may also play a role, as governments often pace sensitive rollouts based on election outcomes and political advantage.
Kerala Government (CPM)
CPM has not published Waqf lists in the Kerala state gazette. Nor have they uploaded lists to the central portal (90-day deadline under Section 2A). Waqf Tribunal and Board procedures are not aligned yet.
The Kerala government’s delay appears more political in nature. They seem to be officially resisting the amendment.
My view is that the full rollout (central setup, state compliance, and Supreme Court resolution) will now unfold at a pace influenced by political timing. Legally, the delay should not be indefinite, but in practice, regulations and execution can remain pending for a long time if the government chooses.
Why Munambam’s Leadership Is Remaining Neutral
Politics has made the situation complicated.
Many in the Munambam Land Protection Council do not want the BJP to gain politically, but they appear to be trying to remain neutral as the process is still unfinished. The ball is still in the court of both CPM and BJP. This may also explain why Church leaders reportedly asked Joseph Benny, the head of the Munambam Land Protection Council, to withdraw from the election as a UDF candidate. Any outright political affiliation may prove disadvantageous to Munambam residents at this stage.
I often find myself missing the old Bollywood romance era. Films by Yash Chopra or early Karan Johar had a kind of magic that is hard to find today. The lead pairs had real chemistry, the kind that made you feel every emotion with them. When they looked at each other with misty eyes, you felt like you were falling in love too.
But in many new-generation films, that spark seems lost. I don’t know whether it’s the acting, the writing, or the shift in filmmaking trends. Modern romance feels rushed, predictable, too dark, melancholic, or sometimes just flat. The warmth, passion, and emotional storytelling that defined classic Hindi cinema is fading, and I genuinely miss it.
In today’s film landscape, Rohit Saraf feels like a breath of fresh air. He brings back that soft, believable romance many of us grew up loving. One thing that stands out about him is his effortless chemistry with his co-stars.
My favorite project of his isn’t even a Hindi film. It’s the Tamil romance Kamali From Nadukkaveri, where his performance and chemistry with the lead actress, Anandhi, is genuine and sweet. I would also suggest watching his earlier series on Zee5 titled Woh Bhi Din The. He filmed it when he was much younger. The emotional connection between the characters feels very real. Also, let’s not forget his impeccable chemistry with Pearle Maaney in Ludo, which remains one of my favourites.
In Sunny Sanskari Ki Tulsi Kumari, Rohit Saraf continues that image of the ideal romantic partner. His chemistry with Janhvi Kapoor feels natural and much stronger compared to the chemistry between the main lead pair. Honestly, their scenes had more warmth and emotional pull. I found myself wishing the makers had focused on that storyline instead of pushing the romance between Janhvi and Varun Dhawan. It felt like the more organic love story was sitting right there, but never fully explored.
Personnally, I feel Rohit Saraf deserves more recognition for keeping that old-school romantic charm alive.
Maybe it’s time filmmakers start looking for the right lead pair for Rohit Saraf. If they get that pairing right, many of us women could finally relive the era of Kajol and Shah Rukh Khan or Aamir Khan and Juhi Chawla. Those iconic pairs made romance feel real, soft, and unforgettable.
A couple with that kind of natural chemistry is missing in today’s Hindi films, and audiences like me are definitely craving it.
I recently came to know that there is an Apple TV series based on Bonnie Garmus’s Lessons in Chemistry. Still, like many book lovers who believe the original story is always better than any adaptation, I chose to read the book first. And I am glad I did.
Lessons in Chemistry is warm, quirky, and emotional. It begins at a quick pace and later slows down to let the reader focus on how the characters are feeling. The fictional novel explores women empowerment, career, ambition, love, grief, and self discovery.
The story is about two unconventional scientists who view the world through logic. Their relationship feels unusual to others because their conversations revolve around research, experiments, and what most people would call nerdy banter. But the connection they feel with each other is real. They believe they are soulmates.
The female scientist eventually steps into an unexpected phase of her life and has to leave her career only to soon become the host of a cooking show. The show goes on to gain popularity dude to her unique, scientific approach towards food. She treats every recipe like a science experiment. She explains why each ingredient matters and the chemical composition that affects taste and cooking. This fresh perspective inspires her audience and transforms the way they think about cooking.
If you enjoy fiction that blends romance, feminism, science, and character driven storytelling, Lessons in Chemistry is worth adding to your reading list.
I also want to list some of my favourite thought-provoking quotes from the book. Hope you enjoy them as much as I did.
One thing I’ve learned, Calvin: people will always yearn for a simple solution to their complicated problems.
It’s a lot easier to have faith in something you can’t see, can’t touch, can’t explain, and can’t change, rather than to have faith in something you actually can.
From his own lessons, he knew repetition was important. The key was not to overdo the repetition—not to make it so tiresome that it actually had an inverse result and caused the student to forget. That was called boredom. According to Elizabeth, boredom was what was wrong with education today.
No wonder people didn’t understand animals. They could barely understand each other.
Having a baby, Elizabeth realized, was a little like living with a visitor from a distant planet. There was a certain amount of give and take as the visitor learned your ways and you learned theirs, but gradually their ways faded and your ways stuck. Which she found regrettable. Because unlike adults, her visitor never tired of even the smallest discovery; always saw the magic in the ordinary.
“What I find interesting about rowing,” Dr. Mason was saying, “is that it’s always done backwards. It’s almost as if the sport itself is trying to teach us not to get ahead of ourselves.” He opened his car door. “Actually, when you think about it, rowing is almost exactly like raising kids. Both require patience, endurance, strength, and commitment. And neither allow us to see where we’re going—only where we’ve been. I find that very reassuring, don’t you? Except for the flip-outs—of course. I could really do with fewer flip-outs.”
But as she read, she’d found herself wondering—did the artist ever get distracted? Ink an asp instead of a goat? And if so, did he have to let it stand? Probably. On the other hand, wasn’t that the very definition of life? Constant adaptations brought about by a series of never-ending mistakes?
“I don’t have hopes,” Mad explained, studying the address. “I have faith.” He looked at her in surprise. “Well, that’s a funny word to hear coming from you.” “How come?” “Because,” he said, “well, you know. Religion is based on faith.” “But you realize,” she said carefully, as if not to embarrass him further, “that faith isn’t based on religion. Right?”
“Whenever you start doubting yourself,” she said, turning back to the audience, “whenever you feel afraid, just remember. Courage is the root of change—and change is what we’re chemically designed to do. So when you wake up tomorrow, make this pledge. No more holding yourself back. No more subscribing to others’ opinions of what you can and cannot achieve. And no more allowing anyone to pigeonhole you into useless categories of sex, race, economic status, and religion. Do not allow your talents to lie dormant, ladies. Design your own future.
When you go home today, ask yourself what you will change. And then get started.”
The Monkey Dilemma 
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