Korean Drama Spotlight: Gangnam Beauty

One thing is sure, Gangnam Beauty made me rethink my perspective on those opting for plastic surgery. I was of the opinion that people should learn to embrace their natural selves. But what to do when you get bullied and ridiculed for your looks? It’s easy to say, “Ignore and move on.” Let’s face it, we are a world obsessed with superficial beauty. We say beauty is skin deep, but our actions prove otherwise. There is indeed a pretty privilege. As a woman who was not considered conventionally beautiful as a youngster, I can empathize with the feelings of those who never got positive validation for their appearance. It’s a brutal world out there, and that’s what Gangnam Beauty tries to address. It nudges us to be more kind instead of judgmental.

Disclaimer: This post shouldn’t be treated as a review because I am far from qualified to give an objective and professional take on dramas. It should be treated as a subjective viewpoint of a cinephile who loves to watch movies and dramas purely for entertainment. I have only one criterion – I shouldn’t get bored. The drama will be judged on that factor alone.

What’s It About?

Gangnam Beauty starts with a young girl anxiously standing at the door of a surgery room, tightly grasping her mother’s hands, frightened yet hopeful of a brighter future. She wants acceptance, and her physical transformation could just prove to be the key. How Mi-rae’s story unfolds post-surgery once she enters college forms the crux of the story. Does life get simpler? Or will there be other unpleasant obstacles?

Thoughts

I liked how the story showed the “other side” of plastic surgery. We often mock and ridicule people who end up doing too many cosmetic surgeries. But Gangnam Beauty shifts your perspective by showing how “natural beauties” don’t always fare better.

The drama cleverly avoids revealing Mi-rae’s appearance before her surgery. This decision highlights the subjectivity of beauty. While Kyung-seok, the main character, and Mi-rae’s father considered her cute before the surgery, disclosing her former appearance would imply conforming to societal beauty standards.

Jo Woo-ri’s portrayal of Sua stood out as my favorite performance. Sua embodies natural beauty and a charming personality, effortlessly winning people over. Yet, beneath her exterior lies a complex character with hidden depths. Jo Woo-ri masterfully brings this multifaceted persona to life, a rarity to witness on-screen.

Though Gangnam Beauty has its imperfections, I would say it’s worth a watch, simply because it has a social message I feel everyone should be aware of.

Gangnam Beauty is available on Netflix. It has 16 episodes, with each episode lasting an hour.

Korean Drama Spotlight: Happiness

After a long stint with romantic Korean dramas, I watched two horror series back-to-back – one being The Revenant and the other one, Happiness. To be honest, I selected the latter because I had read wonderful things about the chemistry between the lead pair. I was not left disappointed!

Disclaimer: This post shouldn’t be treated as a review because I am far from qualified to give an objective and professional take on cinema. It should be treated as a subjective viewpoint of a cinephile who loves to watch movies and dramas purely for entertainment. I have only one criterion – I shouldn’t get bored. The film will be judged on that factor alone.

What’s It About?

Happiness is not a typical horror or zombie series, as the trailer might make you believe. It’s about a medical drug gone wrong, causing severe side effects, leading the infected to develop zombie-like symptoms.

Thoughts

“Happiness” is anything but happy. It is frightening, frustrating, and emotional. Either the makers were playing games with us by choosing that title or maybe there is a deeper meaning to it (“Be happy today, because tomorrow you might turn into a zombie”). Or, maybe, for them, zombies equate to happiness (who am I to judge?). The meaning is left to the viewer’s discretion.

Supernatural stories often feel artificial, but when the horror elements are scientific, you can’t help but sit back and ponder its possibility.

The series takes inspiration from the recent pandemic, especially the human psyche. I almost wanted to pull my hair out because of the irrational behavior of the residents who wanted to venture out when they were given explicit instructions not to. No one followed the rules. Sounds familiar?

When I set aside my annoyance, I realized this is precisely how people behaved during the pandemic. Many flaunted rules by avoiding masks and ventured out even if lockdowns were imposed in the country out of sheer frustration, ego, loneliness, and desperation. You saw people quick to call out, ostracize, and shame others infected with the virus but were notoriously silent when it concerned their own family members. You see glimpses of these traits (and more) in Happiness, and you can’t help but applaud the reality of it all.

The quiet romance between the leads is not the main plot, but it still makes a mark. Park Hyung Sik and Han Hyo Joo have fantastic chemistry, and I wish they act in a full-on romantic story in the future. The way they have their moments, with that beautiful melody playing in the background, makes it a wholesome treat overall.

I would definitely recommend the series. Streaming on Netflix.

An Ode to the Non-Nepo Actors in Class (Netflix) and What Bollywood Should Learn From the Show’s Success

Class is the official Indian adaptation of the popular Netflix series Elite. But I am not here to talk about how good the show is or how different it is from the original. There are enough online reviews for that. I am here to stress the impact the actors had on me.

I was totally involved and immersed in the entire universe of Hampton International School. A big credit for that goes to the actors in the show. How often do you get to experience this engagement in Hindi movies nowadays? There are many reasons why it is not happening as much as you would like, but the predominant one is: most lead actors in Bollywood tend to look like they are acting. You see the actor, not their performance, which stops you from entirely immersing in their world, being one with them, feeling what they are feeling, and making you react to their scenes. You only observe them and see them as a part of the story. It’s difficult to connect with them because their star power often tends to overshadow their acting prowess.

This is where Class and its cast of actors come in. I see them as the torchbearers of hope in the industry and an example of how you could make a show or movie with non-famous faces and still have a successful project. These actors do not have a mainstream Bollywood filmy background and had to work hard to get where they were. And that effort is reflected in their performances. There is so much conviction and a feeling of realism so strong that you can relate to them.

When you see a show like Class with a talented set of actors, you immediately tag along with them on their journey without any effort. You become fully involved and feel intense hatred for some characters and love and sympathy for others. This is what good acting does. This is what immersive cinema is. You want more of these.

I was taken aback by how the young actors and actresses in Class had to wait years (some even 7-8 years) to get their first big break. By their age, star kids like Alia Bhatt had already become superstars. Celeb kids get a head start in their teens or early 20s, obtain enough time to star in good movies, and make a mark. By the time they are in the Class actors’ age group, they are financially stable enough to move to the next phase (marriage, parenthood, etc.). This is okay if you are a male actor. Still, in the case of a female actor, this can prove detrimental in a male-dominated movie industry like Bollywood. It is astonishing to see how middle-aged Indian actors are often paired with young women while their female counterparts of the same age are cast to play their mothers.

There’s nothing we can do about the nepotism prevalent in the Hindi movie industry except contemplate the unfairness of it all. It happens in all sectors and is not just restricted to Bollywood. But, in other industries, there are people to help the new kids in case they are not adept at their job. In movies, you can’t really make anyone perform for you. You have to do it yourself. So to compare it to other industries is not fair because such biases in the movie industry directly affect the experience you and I have, the actual consumers of entertainment. All viewers covet an immersive experience. It’s what we watch movies for. To escape reality for a while and to merge with another world cut off from your own. We have nothing to do with where the actors come from. But it is infuriating when the filmmakers take on celeb kids who have failed to impress even after a couple of chances, as it stops us, the viewers, from an immersive cinematic experience. There are exceptions, like Abhay Deol, who fit into any type of role you give him and make you connect with him.

I would love to see the cast of Class in more projects. I would love more casting directors to be like Sanjeev Maurya, who take actual effort to dig out talent, instead of going the lazy-ass way of trying the already-tested, the already-famous, who contribute nothing extra to the project, except maybe popularity and glamour. But we don’t need cinema that’s only about glamour, celebs with the perfect body and model-like features, or famous celebrities. People like me would love more relatability, good stories, and acting.

Until Bollywood learns its lessons, most of its movies will continue bombing at the box office, and people will continue to prefer OTT entertainment. OTTs have ensured all talented people get a platform to perform, which might be one reason why more people prefer to skip the theatres to watch content at home. Why pay to watch mediocre content when you can get quality entertainment at home?

An Ode to Schitt’s Creek

I remember watching the show at a snail’s pace. Maybe because it did not seem very interesting at the point.

But I am so glad I held on.

When I saw David, Moira, John, Alexis dancing to “Precious Love”, I knew I was hooked. I felt a gush of warmth all over and I knew this family was special.

Schitt’s Creek became a regular breakfast watch. A good, sunny way to start off my day with. It put me in a good mood to deal with the rest of the day. I will, without a trace of doubt, miss Moira’s impeccable English, John’s wide-eyed surprised looks, Alexis’ gestures and “boop”, and David’s expressions.

And may I also credit the fabulous way in which the LGBTQ+ community has been represented in the show? None of those preachy lectures or emotional outbursts that we usually see with kids coming out to their parents. I witnessed the same in “Never Have I Ever” on Netflix.

In a perfect world, this is it. A long, comforting embrace of acceptance and inclusion. Schitt’s creek has an abundance of heartwarming moments. Let’s hope this spills over to the real world.