An Ode to the Non-Nepo Actors in Class (Netflix) and What Bollywood Should Learn From the Show’s Success

Netflix Series Class

Class is the official Indian adaptation of the popular Netflix series Elite. But I am not here to talk about how good the show is or how different it is from the original. There are enough online reviews for that. I am here to stress the impact the actors had on me.

I was totally involved and immersed in the entire universe of Hampton International School. A big credit for that goes to the actors in the show. How often do you get to experience this engagement in Hindi movies nowadays? There are many reasons why it is not happening as much as you would like, but the predominant one is: most lead actors in Bollywood tend to look like they are acting. You see the actor, not their performance, which stops you from entirely immersing in their world, being one with them, feeling what they are feeling, and making you react to their scenes. You only observe them and see them as a part of the story. It’s difficult to connect with them because their star power often tends to overshadow their acting prowess.

This is where Class and its cast of actors come in. I see them as the torchbearers of hope in the industry and an example of how you could make a show or movie with non-famous faces and still have a successful project. These actors do not have a mainstream Bollywood filmy background and had to work hard to get where they were. And that effort is reflected in their performances. There is so much conviction and a feeling of realism so strong that you can relate to them.

When you see a show like Class with a talented set of actors, you immediately tag along with them on their journey without any effort. You become fully involved and feel intense hatred for some characters and love and sympathy for others. This is what good acting does. This is what immersive cinema is. You want more of these.

I was taken aback by how the young actors and actresses in Class had to wait years (some even 7-8 years) to get their first big break. By their age, star kids like Alia Bhatt had already become superstars. Celeb kids get a head start in their teens or early 20s, obtain enough time to star in good movies, and make a mark. By the time they are in the Class actors’ age group, they are financially stable enough to move to the next phase (marriage, parenthood, etc.). This is okay if you are a male actor. Still, in the case of a female actor, this can prove detrimental in a male-dominated movie industry like Bollywood. It is astonishing to see how middle-aged Indian actors are often paired with young women while their female counterparts of the same age are cast to play their mothers.

There’s nothing we can do about the nepotism prevalent in the Hindi movie industry except contemplate the unfairness of it all. It happens in all sectors and is not just restricted to Bollywood. But, in other industries, there are people to help the new kids in case they are not adept at their job. In movies, you can’t really make anyone perform for you. You have to do it yourself. So to compare it to other industries is not fair because such biases in the movie industry directly affect the experience you and I have, the actual consumers of entertainment. All viewers covet an immersive experience. It’s what we watch movies for. To escape reality for a while and to merge with another world cut off from your own. We have nothing to do with where the actors come from. But it is infuriating when the filmmakers take on celeb kids who have failed to impress even after a couple of chances, as it stops us, the viewers, from an immersive cinematic experience. There are exceptions, like Abhay Deol, who fit into any type of role you give him and make you connect with him.

I would love to see the cast of Class in more projects. I would love more casting directors to be like Sanjeev Maurya, who take actual effort to dig out talent, instead of going the lazy-ass way of trying the already-tested, the already-famous, who contribute nothing extra to the project, except maybe popularity and glamour. But we don’t need cinema that’s only about glamour, celebs with the perfect body and model-like features, or famous celebrities. People like me would love more relatability, good stories, and acting.

Until Bollywood learns its lessons, most of its movies will continue bombing at the box office, and people will continue to prefer OTT entertainment. OTTs have ensured all talented people get a platform to perform, which might be one reason why more people prefer to skip the theatres to watch content at home. Why pay to watch mediocre content when you can get quality entertainment at home?

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