Why ‘The Girlfriend’ Left Me Thinking About Parenting and Love

The Girlfriend Telugu Movie Photo

I started watching the Telugu film The Girlfriend with low expectations. I assumed it would be yet another romantic drama that glorifies toxic relationships and emotional manipulation in the name of love. To my surprise, the movie took a more thoughtful and layered route.

Minor spoilers ahead for context

The Girlfriend doesn’t just explore unhealthy love. It also dives into toxic parenting and how childhood conditioning shapes adult behaviour. The female lead is quiet, agreeable, and used to shrinking herself. The film makes it clear that her personality isn’t random. Her upbringing trained her to feel guilty for wanting space, choices, or independence. So when she picks a controlling partner, it feels strangely familiar to her. She’s not frightened of it at first, but she faces a tinge of uncertainty throughout. She tries to treat her partner’s behaviour towards her as normal because she has spent years adjusting to her father’s controlling behaviour. But deep down, there’s a quiet discomfort she can’t ignore. Something feels off, and her instincts begin to push back. This duality is what makes the character so different. This push and pull that many of us have experienced in our own relations with others who are not right for us.

The male lead, on the other hand, is aggressive, impulsive, and driven by ego. He worships Virat Kohli, maybe because he admires the cricketer’s aggressiveness and his devotion towards his wife, Anushka Sharma. He has a charming personality and enjoys a lot of attention. People around him like him, and he knows it. He’s used to getting what he wants, even in friendships. His behaviour reflects a narcissistic mindset where his needs come first, and empathy barely exists. Yet he remains popular, which feels very realistic. In real life, people like him often get the benefit of the doubt because their confidence and charm make them likable, even when behind closed doors, they’re not. This is why it’s often hard for someone with a narcissistic partner to justify leaving. People around them struggle to believe anything is wrong. The scene where he delivers that long, dramatic monologue in front of everyone when she ends the relationship is unforgettable and true to life. It’s an attempt to stage himself as the victim, even when he himself was the one in the relationship with the problematic dynamic.

When the movie shows the male lead’s mother, the pattern becomes clear. She mirrors the heroine’s personality. Anxious. Passive. Always accommodating. His father dominated the household, and his mother absorbed the behaviour without protest. In his partner, he doesn’t just see love. He sees a repetition of his family dynamic. In his own dysfunctional world, this is the definition of love.

This is what makes the film interesting. Many romantic movies in Indian cinema focus only on the lovers. But The Girlfriend highlights how family culture, parenting style, and generational trauma influence relationships. It reminds you that behaviour has context.

It made me think of my own past. My ex-husband had a similar attitude at home. I remember watching him take all his mother’s freshly washed clothes and throw them outside the house, onto the dirt-filled ground, just because she left them drying near the house’s entrance. She didn’t scold him. She didn’t even react. She simply smiled and picked them up to wash again. She later told me she was once abandoned on the roadside at night by her husband after an argument. She narrated it casually, as if it were normal. That’s when I understood why her son expected unquestioning loyalty and forgiveness from his own partner, me.

Watching the movie felt personal because it portrayed something many Indian families silently live with. Not abuse in the usual cinematic sense, but the subtle cycle of fear, guilt, silence, and acceptance.

I liked The Girlfriend mainly because of how honestly it handled the parenting angle. The performances were solid, especially from Rashmika Mandanna and Dheekshith Shetty. Their chemistry felt natural, and the relationship dynamics never felt exaggerated or forced. The emotional tension, confusion, fear, and hope all felt real. It’s rare to see an Indian movie explore love, trauma, and family influence with this level of subtlety. If you enjoy character-driven cinema with emotionally complex and layered characters, this one is worth watching.

The Girlfriend is streaming on Netflix and runs for 2 hours and 18 minutes.

Horror Movie Spotlight: Diés Iraé

Dies Irae Movie Poster

Like many, I found the movie’s name, Diés Iraé, tricky to pronounce. I’m quite sure I’m still saying it wrong. But the offbeat name adds to its charm. For those who don’t know, Diés Iraé is Latin for “Day of Wrath.” It’s a term from Christian theology referring to the day when souls are judged.

The first time I heard about Diés Iraé was when I went to watch Lokah. The trailer of the movie immediately captured my attention. The execution looked stylish, and Pranav Mohanlal looked good. I knew then that I had to watch this movie in a theatre.

What’s It About?

A young, wealthy man who lives life to the fullest begins experiencing strange supernatural events in his home after visiting the house of an ex-fling who was found dead in a well. The restless spirit haunting him seems furious for unknown reasons and determined to destroy his life.

Thoughts

Since Diés Iraé is a horror film, only adults were allowed inside the theatre. An ID card was required. The theatre I went to was almost empty, which I actually didn’t mind. It meant no one was around to make unwanted comments or jokes. This has become a real problem in many Kerala theatres. I faced this issue when I went to watch Bramayugam. I hope the film industry or theatre authorities take strict action against such behavior. If they want to attract more viewers, they must ensure a respectful environment. Otherwise, serious movie lovers will simply wait for the OTT release and enjoy the film peacefully at home.

Getting back to Diés Iraé, I wouldn’t call it mind-blowing. The special effects were impressive, though. Nothing looked fake or unintentionally funny. Pranav Mohanlal delivered a decent performance, and he looked great on screen, which helped balance out a few of his less convincing moments.

There are a few jump scares, so be prepared for that.

Overall, the story felt average. If you’ve seen a lot of horror films, this one might not surprise or scare you much. Still, the execution was solid, and the fact that a film of this scale and quality came from Kerala is definitely something to be proud of.

The creepiest part was seeing the line “inspired by true events.” I didn’t dare look up what those events were. Some things are better left unresearched if you want to sleep peacefully at night.

I would say Diés Iraé is a good one-time watch. At under two hours, it’s a quick and engaging film that keeps you entertained throughout.

An Ode to the Things I Am Scared Of

An ode to the things I am scared of
Photo by Taryn Elliott

I feel being scared is good. It makes me feel human and relieved over the fact that none of the new-age technologies has successfully managed to kill the entirety of my emotions and turn me into a robot.

Two of the sweet somethings that technology did rob me of, though, include:

  • that feeling of missing people – when we are connected 24×7, where’s the time to miss?
  • connection (ironically) – everyone around me, young and old, is so immersed in their phones that I find it hard to reach out to them or get their undivided attention. Meaningful conversations have dwindled. One line of dialogue is followed by a quick glance at the phone. Eventually, you are distracted by some meme, TikTok, or reel that takes the magic away from the present.

Currently, in my mid-30s, I feel less scared compared to my early formative years. This might be because of added experiences or because of the dullness that adulthood brings with it. You learn to grow an invisible shield that protects you from uncomfortable experiences. But in between all that, you lose some of your vulnerability, a part of your personality that was quick to embrace things without second-guessing them. It had a charm of its own.

So here’s an ode to the things I am scared of in my mid-30s, the things that make my heart race and the hair on the back of my head stand (well, that’s a stretch, but they do make my emotional wires wonky).

  • losing near and dear ones – the end is inevitable. It is something we cannot control. As I age, it is frightening to know we are that much closer to the end. How painful will it be? Can’t all deaths be peaceful? Questions no one can answer.
  • not being able to take care of myself – by seeing the seniors around me who are heavily reliant on their kids for the slightest of things, I worry if I will ever reach a stage where I won’t be able to take care of myself, be it physically, financially, or emotionally.
  • running out of time – I worry if I will ever be able to do all the things I want to in this limited lifespan. Will I find time to do it all? Will I be able to go on all my bucket list travels and explore the world? Will I have the health and abundance to provide for myself and my family’s needs?
  • working my life away – here, I am typing all this out in between work because what if I never get enough time to write, the one thing I love doing? Imagine spending more than half of your life at your workplace, not getting to do any of the stuff you want to do to your heart’s desire because you have a home to run, tummies to fill, and many obligations and responsibilities. You are expected to work till you can’t anymore. Unfortunately, most will only get time for leisure in their old age. And by that time, it might be too late to deep-dive into everything we used to enjoy before.

It is a coincidence that most of the things I noted here concern time. But what else is more precious? Without time, we cease to function. All we crave is more time – to spend with our loved ones, to do the things we love. Only time can correctly predict your destiny. You need to live through life to see what will happen and what you will feel. Till then, it’s all talk.

Sometimes you have to let go of these thoughts. Because there are no answers. But on other occasions, I hold these thoughts dear. When I get older, these fears will probably be replaced by new ones. Till then, these emotions will work to keep me human. They will keep me sane.