I was craving to watch a slice-of-life drama. Something simple, not too heavy or filled with dread. I honestly thought Anuja would be intense, given how the synopsis sounded. Plus, it’s a Hindi short film that was an Academy Award nominee.
Now, why would I mention the Academy Award nomination like it’s a bad thing? I have my reasons.
To be honest, Oscar nominees have rarely worked for me. In Malayalam, we call such films “award padam.” The kind that feels too abstract or complex for ordinary viewers (like yours truly). There was a time in my life, long ago, when I pretended to enjoy such films just to seem intellectual in front of my then-partner. But I couldn’t keep up the act, and that image fell apart the moment that relationship ended. Now, it seems I’m making up for that lost time. All I want to watch are feel-good films.
So when I saw that Anuja was an Oscar nominee, it didn’t excite me enough to hit play right away. It actually made me hesitate. After all, the Oscars have a reputation for picking Indian films that focus on pain and poverty, what many call “poverty porn,” which does not fully represent what India is today.
Still, I decided to give it a chance.
What’s It About?
A 9-year-old girl works with her sister in a garment factory in India. Despite being naturally bright and curious, she doesn’t attend school because of financial struggles. And, truthfully, she doesn’t want to either. Her elder sister, however, recognizes her potential and dreams of giving her the education she deserves.
Thoughts
The film was a pleasant surprise. I loved it. It was just 22 minutes, but packed with emotions.
It tells the story of child labourers. They are presented not as helpless victims, but as resilient children who find joy even in hardship. The truth is, we often see others through our own lens and may view them as “helpless.” But for them, this is simply life. They know no other kind of life, and they’re doing their best with what they have. That’s what the movie captures so beautifully — life as they see it, not as we do.
It’s a social hierarchy. Someone wealthier might be looking at me with pity, thinking I’m suffering. Yet I’m making the most of what I have, because that’s the life I know. We suffer mostly when we lose something we once had, when we can compare the before and after, and we truly miss the before.
I’ve often felt that those not well-off often make the best of what little they have, which is why they find happiness in the smallest things, like a bag of jalebi, for instance. Anuja captures that spirit beautifully: “The present may not be bright, but we can strive for a better tomorrow.”
The film avoids moral preaching or lecturing. It’s simply about two sisters supporting each other in a harsh world.
The most moving part of the film is that Sajda Pathan, who plays Anuja, was once a child labourer in Delhi before being rescued by the Salaam Baalak Trust (SBT). She now lives at the NGO’s Day Care Center, founded in 1988 by filmmaker Mira Nair, who, interestingly, is also the mother of New York’s new Mayor, Zohran Mamdani.
Ananya Shanbhag also delivers an excellent performance as the elder sister, Palak.
I would definitely recommend the short film. Anuja is streaming on Netflix.
It’s Diwali season. This time of year always puts me in the mood for something cozy and family-friendly to watch. But honestly, we just don’t get those kinds of movies anymore. The ones you can enjoy with everyone at home.
Remember the golden ’90s? We’d all sit together and watch Jo Jeeta Wohi Sikandar, Hum Hain Rahi Pyar Ke, or Dilwale Dulhania Le Jayenge without a single dull moment. Okay, not exactly in my family, as I was the only one truly into Bollywood, while the rest were more drawn to Malayalam movies. But I imagine these were the kind of movies that one would typically watch with their families. Nowadays, to relax, I tune into psychological thrillers because family movies do not feel family-oriented anymore.
That’s why I was keen to watch Greater Kalesh when it dropped on Netflix. It’s perfect for people like me who just want to unwind with something light and heartwarming. At under an hour, it’s an easy, breezy watch before jumping right back into Diwali celebrations.
What’s It About?
A young career woman returns home after a long time to celebrate Diwali with her family. She’s excited for a warm, cheerful reunion, but the moment she steps inside, she’s greeted not by laughter, but by chaos. Her family members are in the middle of a heated argument, and she can’t quite figure out what started it.
Thoughts
Greater Kalesh is short, simple, and surprisingly sweet. It doesn’t have high-stakes drama or a strong, twisting storyline. But that’s exactly what makes it refreshing for me. Sometimes you just want something light, easy, and comforting, and this little film delivers that perfectly. It might not be everyone’s cup of tea, especially if you seek something more cerebral or non-woke, but to me it felt like peeking into the everyday life of a next-door family and watching them sort things out in their own warm, relatable way.
Ahsaas Channa and Supriya Shukla truly shine here. Their mother-daughter bond feels real and layered. The kind that might make you think of your own mom with a smile.
It’s definitely worth a quick watch. Greater Kalesh is now streaming on Netflix.
You won’t always find the newest movie or series reviews here. My watchlist is long, and what I finally pick to watch could have been released years ago. That’s how I ended up with Khufiya. In fact, I didn’t even choose it myself, AI did. I simply shared my watchlist because I couldn’t decide what to watch next, and all the options looked interesting. The AI randomly picked Khufiya for me, and I’d say it did a pretty good job.
What’s It About?
An Indian R&AW agent loses a teammate during a failed mission. When the agency discovers there’s a mole in their ranks, they set a trap to catch him, but the plan takes an unexpected turn.
Thoughts
I really enjoyed this movie. It keeps you engaged throughout. Wamiqa Gabbi is the real standout here. Tabu delivers a solid performance, though I wouldn’t call it one of her finest. Wamiqa’s role is the most layered, and she plays it convincingly. There’s also a guruji-like character, seemingly inspired by Sadhguru, who is amusing to watch, though some viewers may find him offensive.
What struck me most was how the film portrays the mindset of traitors. Moles often justify their betrayal by claiming they are “saving the country from conflicts” or “working for peace,” even as they leak sensitive information. In real life, too, Indian spies caught selling secrets often give similar excuses, trying to project themselves as heroes rather than wrongdoers. Khufiya captures this psyche well, showing how enemies exploit such individuals by convincing them they are doing the right thing.
Overall, Khufiya is definitely worth a watch. It is streaming on Netflix.
Wholesome movies are rare these days in Indian cinema, making them feel like an oasis in a desert when they do appear. The demand for feel-good movies is higher than ever, as seen in the success of re-releases like Laila Majnu and Sanam Teri Kasam, which prove that Indian audiences are eager for romance and uplifting cinema. It is during such a time that The Mehta Boys has arrived on OTT (Amazon Prime).
The Mehta Boys is a poignant, understated father-son drama centered on their dysfunctional relationship. Open communication and emotional expression are not their strengths, often leaving them struggling for words. Boman Irani portrays a grieving husband learning to cope with his loss, while Avinash Tiwary plays his talented yet self-doubting son. The heart of the story lies in their journey toward accepting each other’s imperfections.
We often see such father-son dynamics play out in real life. In many Indian families, open displays of affection are rare, making the relationship feel more formal than familial. Conversations typically revolve around daily chores and future plans, with emotions deliberately left out. The Mehta Boys captures this dynamic perfectly, portraying characters who have much to say but choose to hide behind silence.
Boman Irani has done an exceptional job as a first-time director, leaving me eager to see what he creates next. Avinash Tiwary, as always, excels, effortlessly bringing out the angst, anxiety, and awkwardness of a character who gradually finds his voice. He shines, leaving you wondering why you don’t get to see him on-screen more frequently. Instead, audiences are repeatedly offered star kids given endless chances to prove themselves, while talented actors like Avinash, who have already showcased their brilliance in just a film or two, are left waiting. It’s unfair, but all one can do is wait for movies like The Mehta Boys to arrive, offering a well-deserved cinematic experience.
When was the last time you really switched off and relaxed while watching an Indian movie? I remember getting lost in a make-believe world whenever I watched Yash Raj or Karan Johar films. But sadly, over time, these filmmakers were pushed to make more realistic movies, at the cost of “superficial” ones.
Right now, I can’t seem to switch off completely while watching an Indian movie and drift into a world completely different from mine. I don’t watch movies for reality; I watch to escape it. If I wanted reality, I’d just take a walk outside, not sit down for a movie. But times have changed, and I don’t think we can expect Indian filmmakers to go back to creating movies with grand sets, stunning scenery, and actors with natural beauty and amazing chemistry. The current trend is all about violence, gore (often to the point of regression), and hyper-realism (and plastic surgeries).
Nowadays, if by chance a superficial movie gets released, we have to endure actors with little to no acting skills or the kind of magical chemistry we used to see with iconic pairs like Shahrukh Khan-Kajol, Shahrukh Khan-Juhi, basically Shahrukh with any actress, or Aamir-Juhi.
It’s a very dull era for the Indian film industry when it comes to making feel-good movies. Movie-watchers like myself, who want to escape into a world that isn’t focused on realism, end up turning to Korean or Pakistani dramas. The fact that so many Indian viewers are enjoying these shows proves there’s still an audience for feel-good romantic movies. The demand is there, but unfortunately, the quality supply is missing in the Indian film industry.
Part of the blame also lies with the audience, who now look for realism even in make-believe movies. If many of the romantic Korean or Pakistani dramas were released in India, they’d probably face intense criticism, with thousands of critics dissecting every single scene and evaluating it based on reality. This is why feel-good movies from the past (except maybe Wake Up Sid) are heavily criticized in today’s India. Such criticism discourages filmmakers from making more feel-good movies. Movie watchers like me, who yearn for superficial, romantic cinema, end up feeling dejected in the process.
I hope we get to see some romantic films, but since filmmakers are minting more money and fame from realistic and violent movies, I don’t expect the trend to change anytime soon.
We have good-looking actors like Ibrahim Ali Khan making their debut probably this year. Let’s hope he gets cast in some feel-good movies and his acting skills are as impressive as his looks. However, the current crop of actresses seems too focused on plastic surgeries, leading to a lack of diversity in looks. In the 90s and early 2000s, actresses like Kajol, Juhi, Sonali Bendre, Madhuri Dixit, and Raveena Tandon had distinct appearances. Sadly, that can’t be said now. So, the question arises—who will pair well with Ibrahim Ali Khan in a romantic movie? No one really comes to mind, except maybe Pratibha Ranta.
The Kerala Story is back in the limelight. The right wing insists the movie is a must-watch, while the left wing is actively discouraging viewership. However, both sides could not have foreseen unexpected support emerging from unlikely sources – church factions in Kerala.
On Sunday, the Idukki Diocese of Syro-Malabar Catholic Church screened the movie for Class 10-12 children. Other factions are considering similar actions, although this remains unconfirmed at present.
Many seem to have taken offense to this move by the Church and are calling it “Islamophobic.” This opinion is indeed subjective. Personally, I do not think openly talking about extremist groups and their nefarious intentions is Islamophobic. It should not be eyed as such. When someone criticizes the RSS, it is not considered Hinduphobic. In the same way, openness to constructive criticism should be encouraged within all communities. Labeling discussions with terms like “phobia” can hinder healthy discourse about important issues. It’s essential to acknowledge and address problems, even if some individuals attempt to deny them.
Common Takes and Counter-Arguments
Here are a few common retaliations against The Kerala Story and my counter-arguments.
Take #1: The Kerala Story is all lies and propaganda
People who say this probably haven’t watched the movie or made an effort to fact-check the claims individually. Granted, the extrapolated count shown in the trailer was unnecessary. The makers have removed the count in the final cut. The acting and storytelling felt amateurish. There are other misleading claims in the movie. For instance, the movie makes it seem CM Achuthanthan predicted Kerala would become an Islamic state in 20 years. On the contrary, he was talking about PFI’s plan. He said, “They (PFI) want to turn Kerala into a Muslim-majority state in 20 years. They are using money and other inducements to convert people to Islam. They even marry women from outside their community in order to increase the Muslim population.“
That said, to dismiss the entire movie as a lie and propaganda is dangerous, considering there is evidence to show there are indeed some anti-national elements in the state who are actively working to convert and recruit members for not-so-peaceful intentions.
The Shahan Sha case file includes many of the atrocities portrayed in the movie. The following details are mentioned in the PDF, “The inquiry by the Special Branch reveals that fundamental outfits like NDF, PFI, and Campus Front have roots in the college campuses in the City referred to therein. Referring to Campus Front, it is stated in the report thus: As per the available information, the plan of this organization is to trap brilliant upper caste Hindu and Christian girls from well to do family, especially those who are studying for professional courses and employed in IT sectors.”
So, to say the entire story is a lie and propaganda is lazy reporting at its best.
As Ambedkar said, we cannot hide our heads in the sand just because the thought of it hurts our sentiments. The first step to resolving an issue is acknowledgment. Only then can there be proactive steps to prevent cases like Nimisha’s and Sonia’s from happening again. By outright denial, we risk leaving more people vulnerable to similar incidents, as they may not fully grasp the seriousness of the situation.
Take #2: The movie is Islamophobic
Is criticizing terrorists Islamophobic? Why is it that whenever a movie comes out that talks of terrorists, the left wing immediately calls it Islamophobic?
Terrorism has no religion. We should stop equating the two. I would say it’s Islamophobic to correlate the two – terrorism and religion – which is what the left often does with movies like The Kerala Story and Kashmir Files. Kashmir Files, in fact, starts with a Muslim child helping a Hindu child escape terrorists. The Kerala Story predominantly focuses on a radicalized group, not all Muslims. So, to claim the story as Islamophobic is unfair to the Muslims who have no part to play in all of this.
I would even go on to say that even Muslims should watch the movie as they are the most vulnerable. It’s crucial for individuals to recognize that there are extremist groups within the community who are determined to radicalize them. As per the PFI document, “Popular Front of India (PFI) is confident that even if 10% of the total Muslim population rally behind it, PFI would subjugate the coward majority community to their knees.”
TP Sulfath, the BJP member from Malappuram, bravely talked about such groups in Kerala in a video. Alas, the original Marunadan video was blocked or removed. The clip can now only be watched from a Reddit group.
Take #3: Only 2 or 3 cases have been recorded in Kerala
No one has an actual count. The existing ISIS cases in Kerala came to the limelight only when parents filed police cases. Many family members do not openly reveal such things out of shame and prestige issues. However, if you actively google for cases, you will find many. There are sufficient YouTube videos of Malayalee victims, not just two or three. Parents of radicalized children do not go to the police; instead, they seek help from centers like Arshya Vidya Samajam, as they wish to keep their concerns out of the limelight.
The official count of converts is taken from authorized conversion centers in Malappuram and Kozhikode in Kerala. These are state-approved centers. However, conversions happen outside such registered centers, so it is impossible to give an accurate number.
Take #4: We are too educated to fall for such traps, so we don’t need the guidance
I see the new generation saying this. However, love can make us, including the most educated, do illogical things. Anyone who has fallen in love madly and profoundly knows what it is like. We stop becoming rational. I often tell youngsters, “Follow your heart, but take your mind with you.” Love is at its most intense when we are teenagers. This is what radical groups look to exploit. They want you to fall so deep in love that you are ready to do anything, including convert, to be with them.
Maturity involves being open to advice from all sources, even those you may not initially consider necessary, as it equips you with the knowledge to handle similar situations that may arise in the future. The Kerala Story gives away the advice that in love you do not need to convert. If it does, it ceases to become love and more of a “You will get this, only if you do that” kind of transaction deal.
Take #5: The movie is vulgar and has adult scenes
I recently saw a politician saying this. The scenes are sourced from reality. The extremist group is known to enslave and rape women as they think it’s their right. It is a horrifying reality depicted in accounts like Nadia Murad’s The Last Girl. Further reading can offer more profound insight into the atrocities committed by ISIS.
Take #6: The Kerala Story has been released to make Kerala look bad
As a proud Keralite, I didn’t feel offended by the movie; instead, it made me more cautious.
We should reach a stage where not even one Keralite gets radicalized and joins ISIS. Then, we can claim victory as ours. Till then, we should be open to criticism and look for ways to rectify such problems, not hide them. What can we do to stop radicalization? How can we stop terrorist modules from cropping up in our state now and then (even as early as this year, 2024)? How can we stop Malayalee women like Nimisha and Sonia from joining such groups? Should we talk to our youngsters and spread awareness, or would we rather they find it out themselves (if at all they do)?
It’s like teaching kids the difference between good touch and bad touch. You cannot force anyone to follow your rulebook, but you can definitely advise them on what is good and bad. The decision on which route to take ultimately falls on them, but by encouraging active discussions, you are helping them to see through things that they would otherwise have failed to do on their own. At the same time, care should be taken not to generalize an entire community for the sins of a few. A nuanced approach is the need of the hour.
The Monkey Dilemma 
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