It’s Okay to Not Be Okay: Moon Gang-tae Has Officially Ruined Men for Women Everywhere

It's Okay to Not Be Okay Poster

I kept delaying watching It’s Okay to Not Be Okay because I have a bit of an aversion to hospital dramas. Several friends had recommended this popular Korean drama to me, but I kept putting it off. I was judging the series by its title, and honestly, I wasn’t in the mood for what I assumed would be an intense emotional rollercoaster.

I finally took the plunge a couple of weeks ago.

It took me some time to finish the series because each episode runs for over an hour, and there are 16 episodes in total. I am also not much of a binge-watcher, especially when a series deals with serious or emotionally heavy topics. So yes, completing It’s Okay to Not Be Okay took me a while.

But the time I took to finish it doesn’t take away from the fact that It’s Okay to Not Be Okay is an entertaining, thoughtful and beautifully layered K-drama.

Let’s talk about the male lead first.

Moon Gang-tae, played by the enigmatic Kim Soo-hyun, is such a major green flag that he might just make pursuing relationships in the real world a tad more difficult for women. Because honestly, who can even compete with this kind of surreal charm, patience and thoughtfulness?

He is calm, sorted, emotionally aware and dependable. He is the person you would want beside you when things get difficult. He handles uncomfortable situations with a level of maturity and emotional intelligence that makes you think, “Yes, this is exactly how my partner should behave.”

Basically, Moon Gang-tae is the ultimate go-to guy.

Go Moon-young, played by Seo Yea-ji, is completely different.

She is volatile, unpredictable and unapologetically herself. But beneath all that intensity, she also shows moments of compassion when the situation calls for it. She has a magnetic personality. What makes her even more interesting is that she knows exactly how powerful her presence can be and the effect she has on people.

She is not the easiest character to understand, but she is definitely difficult to ignore.

For me, though, the real star of It’s Okay to Not Be Okay was Oh Jung-se. He plays Moon Sang-tae, the autistic older brother of the male lead, and his performance was so convincing that there were moments when I genuinely wondered whether he was autistic in real life. Yes, I actually Googled him. That, in itself, says a lot about how convincing his portrayal was.

His performance was heartfelt, nuanced and incredibly believable. In my opinion, he absolutely deserved every award and recognition that came his way for this role.

At its core, It’s Okay to Not Be Okay is a serious drama that explores mental well-being, emotional healing, trauma, relationships and the process of learning to accept oneself.

But despite its heavier subjects, the series doesn’t feel emotionally exhausting all the time. I enjoyed the little moments of humour scattered throughout the episodes. They provide some much-needed lightness and make the story feel more balanced.

And the BTS scenes towards the end were absolutely adorable. Seeing the camaraderie between the cast members behind the scenes was a lovely bonus after spending so much time with these characters.

Overall, I found It’s Okay to Not Be Okay to be an entertaining and thoughtful Korean drama. It took me a while to finish, but by the end of it, I was glad I finally gave this much-recommended series a chance.

It’s Okay to Not Be Okay is currently streaming on Netflix.

Musafir Cafe: For The Ones We Loved and Lost

Musafir Cafe Poster

If you’ve ever loved and lost, you’ll probably relate to Musafir Cafe.

The yearning, confusion, helplessness, and desperate search for closure all felt incredibly real. It is one of those rare romance dramas that understands that moving on isn’t as simple as people make it seem.

Love is rarely a straight road, yet many Bollywood romance films still portray it that way. Boy meets girl, they fall in love, and the conflicts are usually external, whether it’s parents, caste, or society.

While those issues absolutely continue to exist today, many modern relationships fall apart for entirely different reasons. Ego clashes, incompatibility, poor communication, bad timing, emotional baggage, and countless other factors play a role.

Relationships are layered and complicated, so why are we still confined to the typical boy-meets-girl stories?

That is where Musafir Cafe stands out. Instead of polishing relationships into something easy to consume, it embraces the messiness of love. The emotions feel raw, honest, and deeply human.

Even when the characters move forward with their lives, the past never completely disappears. And that’s exactly how real life works. We all carry pieces of our past relationships with us. They shape who we become. Some people turn them into lessons, while others carry the bitterness into every relationship that follows.

I haven’t read the book that Musafir Cafe is based on, and I actually think that worked in my favor. Once you’ve read the original book, comparisons are almost impossible to avoid. Going into the Netflix series without those expectations allowed me to experience the story exactly as it unfolded, without constantly measuring it against the source material.

The standout performance for me was Vedika Pinto as Sudha. A very close second was Mahima Makwana as Preeti, only because she wasn’t given enough screen time. But the moment she broke down in sheer helplessness, I found myself tearing up too. That fear of losing everything precious to you felt painfully relatable.

What resonated with me even more was her attempt to handle the situation with maturity despite the emotional turmoil. That part felt deeply personal because I’m exactly the same when it comes to matters of love. I don’t create a scene. I create space for the other person to process their emotions, even when it hurts.

Another refreshing aspect of Musafir Cafe was how natural everyone looked on screen. No obvious lip fillers or overly polished appearances. It reminded me of the 90s, when actors looked more relatable and expressive.

It was also nice to see small black bindis, black kajal, long earrings, and flowy Indian outfits take center stage again. These were once iconic Bollywood fashion staples but have become less common with the rise of minimalist beauty trends. Whether you prefer minimalism or not, there’s no denying that these little details add a certain charm and charisma to female characters.

Personally, I’ve always felt that black kajal has a depth that brown kajal simply doesn’t. It frames the eyes in a way that’s hypnotic. It’s probably one of the reasons people on Reddit still bring up Alia Bhatt’s looks in films like 2 States and Badrinath Ki Dulhania. Her bold black kajal became such a defining part of those looks.

If you’re looking for a heartwarming yet emotionally honest Netflix series, I’d definitely recommend giving Musafir Cafe a watch. It has around 8 episodes, making it an easy binge.

This Netflix Romance Took Me Back to the 90s

Voicemails for Isabelle Image

As a fan of 90s romance movies, I often feel that many modern love stories just don’t have the same warmth. They tend to focus more on physical attraction and glamour, while the emotional connection takes a back seat. After watching many newer English romantic movies, I usually find myself switching back to a Korean drama because that’s where I still find storytelling that caters to my old soul.

It’s exactly why I was skeptical before starting Voicemails for Isabelle on Netflix. I wasn’t sure if I would connect with the characters or the story. Thankfully, the movie proved me wrong within the first 15 minutes.

Watching it felt like stepping back into the 90s. The story unfolded naturally, the emotional moments felt genuine, and the chemistry between the characters never seemed forced. My favourite part was the relationship between the siblings. It reminded me so much of my own elder sister and the bond we share.

Zoey Deutch shines as Jill and easily becomes the heart of the film. Nick Robinson also delivers a wonderful performance as Wes. Together, they share the kind of chemistry that makes you forget you’re watching actors on screen.

If you’ve been searching for a heartwarming romantic movie that captures the charm of 90s love stories, Voicemails for Isabelle is well worth watching. It’s emotional, sincere, and beautifully acted. Don’t be surprised if you find yourself tearing up more than once (but in a good way).

Voicemails for Isabelle is currently streaming on Netflix.

Off Campus: The Friendship Was the Real Love Story

Off Campus Representative Image

I started watching Off Campus because of all the social media hype surrounding the series. It took me almost two weeks to finish it, but honestly, that is how I watch almost every show these days.

In fact, it is not limited to web series alone. I often break movies into 30-minute sessions and watch them over several days like a series. I used to think it was because my attention span had become shorter. But then I watched both parts of Dhurandhar, which were over three hours each, in the theatre without feeling bored for a second. That made me realize the issue probably is not my attention span. The story simply has to hook me enough.

Anyway, back to Off Campus.

One thing I appreciated about this Amazon Prime series is that it fully embraces the campus drama setting and focuses on the lives of young adults. That said, I found it a little difficult to relate to the “college student” aspect because most of the cast looked quite grown-up and remarkably sorted out for their age.

As someone who belongs firmly to the K-drama enthusiast camp, I also struggled a bit with how physical the relationships felt compared to the emotional depth I am used to seeing in Korean dramas. The show does explore trauma, vulnerability, and personal growth, but it never quite reaches the level of empathy and layered storytelling that many K-dramas excel at. Because of that, the series did not emotionally move me as much as I expected.

At the same time, I completely understand why Off Campus has resonated with younger audiences. Beneath the romance, it talks about important themes like dealing with complicated feelings, open communication, consent, emotional support, and empathy. These may sound basic, but they are often easier said than done.

Personally, I enjoyed the friendship between Hannah and Allie even more than some of the main romantic storylines. The scene where Hannah finally chooses to share her story with Allie was an absolute tearjerker for me. Truly, blessed are those who have a friend like that in their lives.

I also found Allie’s romantic arc far more nuanced and interesting. She desperately wants to prove she can be alone without using relationships as a crutch and, in the process, makes some questionable decisions. Honestly, that felt very relatable because most of us have done our fair share of nonsense while trying to convince ourselves we have everything figured out.

Her confusion is what makes the storyline compelling. She has a partner who is not a bad person by any measure, but he is not quite the right person for her either. That grey area, where nobody is necessarily wrong yet things still do not feel right, makes for a much more engaging relationship story. Mika Abdalla aces the role. Her resemblance to the Indian actress, Mahima Chaudhry, is also uncanny.

For me, the overall vibe of Off Campus felt like a blend of 13 Reasons Why and Beartown. Because of that, it did not feel particularly fresh or groundbreaking. A quick Google search tells me that the Off Campus books were published around the same period as Beartown, and some even earlier. Still, my point is simply that the storyline felt familiar to me.

Overall, I think Off Campus is a decent one-time watch if you enjoy young adult romance. It may not have offered anything entirely new, but it was engaging enough to keep me watching.

Off Campus is currently streaming on Amazon Prime Video.

Do Deewane Seher Mein: Simple Love, Real Insecurities

Do Deewane Seher Main Poster

I recently watched Do Deewane Seher Mein on Netflix. Since it’s backed by Sanjay Leela Bhansali, I was naturally curious. We hardly get old-school romantic movies anymore, the kind where love feels simple, and tradition is not mocked. That’s also what pushed me to check out Bada Naam Karenge on Sony Liv, created by Sooraj Barjatya.

If you’ve grown up watching Barjatya and Bhansali films, both these productions will feel familiar in a comforting way. At a time when romance on screen often leans heavily into physicality, these stories bring back themes like family, matchmaking, and mutual respect. They are the kind of feel-good watches you’d pick for a relaxed weekend.

Coming back to Do Deewane Seher Mein, the story revolves around two individuals dealing with their own insecurities and how those insecurities affect their relationship. The female lead struggles with her appearance, shaped by years of comments and comparisons, especially with her sister. That part felt very real to me. Growing up, I was the “ugly duckling” in my family too. I had thick glasses, was painfully shy, and very thin. It was only in my 20s that I began to fit into what society considers “good-looking.” Even now, compliments feel a bit superficial to me. That’s what constant criticism during your formative years can do. So I completely understood her emotional journey.

The male lead’s insecurity is also relatable, but I wish the film had spent more time building these emotional layers. The foundation is there, but the depth feels slightly underdeveloped. Because of that, when the characters reach their breaking point, it doesn’t hit as hard as it could have. The story had strong potential but seemed to lose momentum along the way.

That said, both Siddhant Chaturvedi and Mrunal Thakur deliver solid performances and do justice to their roles.

Overall, Do Deewane Seher Mein is a decent one-time watch, especially if you enjoy classic-style romantic storytelling. It’s currently streaming on Netflix.

Current Affairs, My Way: Iran War, Monalisa’s Marriage, and the Kavya Maran Debate

Representational Image for Iran War, Monalisa Bhosle Interfaith Marriage, Kavya Maran Abrar Ahmed Controversy

So I’m thinking of making this a regular feature on the blog. I usually have slightly contrarian takes on most news stories anyway, so putting them together in a quick post feels like a good idea. Think of this as a simple roundup where I share my thoughts on a few current issues making headlines.

Here’s today’s quick take.

Iran–US/Israel War

The ongoing Iran–US–Israel conflict is dominating global news. From what I am seeing online, most Muslims and leftists appear to be supporting Iran in this war. The primary reason is Iran’s long-standing pro-Palestine position and its support for Palestinian causes and groups.

However, in my opinion, Iran is equally in the wrong for dragging Gulf countries into this conflict.

Iranian officials have said they are only targeting US bases in the region. But the reality seems very different. Civilian infrastructure is being hit, and innocent people have lost their lives. That cannot be justified.

At this point, it is important to acknowledge responsibility on both sides. The US and Israel are certainly to blame for starting the conflict, hitting a girl’s school, and causing massive damage and loss of civilian lives. At the same time, Iran also bears responsibility for expanding the war into countries in the GCC.

Several Gulf countries had already assured Iran that their land would not be used to attack Iran. Yet they are now facing retaliation simply because US bases exist on their soil.

Personally, this issue also feels close to home because I have relatives living in the GCC. It is extremely unsettling to see those countries becoming targets when they are not directly part of the conflict.

At the same time, expecting these countries to suddenly remove US military bases is not practical. Those bases exist largely as a security arrangement, especially considering long-standing tensions with Iran.

Instead of taking sides in this Iran–Israel–US conflict, the best outcome would simply be for all parties involved to step back and find a way to de-escalate the situation before it gets worse.

Monalisa’s Interfaith Marriage in Kerala

Another story that caught attention recently is the marriage of Monalisa Bhosle, the viral Kumbh Mela girl, who married her Muslim partner in Kerala.

On the surface, this is good news. Two people who liked each other decided to get married. Interfaith marriages should not automatically be seen negatively.

At the same time, it is natural to feel a little concerned about the girl’s situation. From what we know publicly, she did not receive much formal education and appears quite naive. The relationship reportedly developed online, and the couple had known each other for only around six months, when the girl was still a minor, before deciding to get married. The guy, as per reports, is 7-8 years older than her. That combination can make anyone a bit worried, regardless of religion.

Kerala already has a controversial reputation in some circles. Because of that, it felt unnecessary for state government officials to publicly participate in what was essentially a private wedding ceremony.

If, unfortunately, the marriage faces problems in the future (I hope not), the same incident could easily be used to criticize Kerala again.

A more mature approach by Kerala’s state government would have been to stay away from the public spotlight while offering quiet support if needed. Not every personal decision needs to be turned into a political or symbolic event.

Kavya Maran and Abrar Ahmed

The next topic is from the cricket world.

Kavya Maran’s decision to include Pakistani cricketer Abrar Ahmed in her Hundred League team, Sunrisers Leeds, has sparked debate among fans. Given the current political climate between India and Pakistan, reactions were bound to be strong.

But there is another angle to this story that people are not discussing enough.

In February 2026, reports suggested that league members were warned of strict action if there was any discrimination against Pakistani players.

So one possible explanation is that Kavya Maran was simply trying to follow league rules.

Other team owners may have quietly avoided selecting Pakistani players, but technically that could still be seen as discrimination if the league had issued such warnings.

I can somewhat relate to this situation on a psychological level. Many of us have experienced moments where we strictly follow rules, while others casually ignore them and face no consequences.

To be clear, this is not meant as a justification for selecting a Pakistani player. As an Indian, I stand with my country. But it may explain the thinking behind the decision.

Sometimes people are simply trying to stay within the rules, even when others around them are not.


That’s my quick roundup for now.