Ithiri Neram: When Old Love Returns Years Later

Ithiri Neram Movie Poster with Roshan Mathew and Zarin Shihab

I picked the Malayalam movie Ithiri Neram randomly last weekend. I usually choose movies based purely on my mood. Because of that, I often ignore films or dramas that are trending or getting a lot of attention. Sometimes I simply may not be in the mood for that genre.

Ithiri Neram had been sitting in my watchlist for quite some time. After my North East trip, I suddenly felt like watching something slow-paced and centered on human interactions. I wanted a quiet Malayalam film that focuses more on emotions than plot twists. Ithiri Neram seemed perfect for that kind of weekend watch.

The story deals with a slightly controversial theme. It follows a married man who reconnects with his college flame. In a way, it reminded me of the Tamil movie 96, but almost in reverse.

Because the story revolves around a married man who still carries unresolved feelings for his ex, the film creates an unusual emotional conflict for the viewer. You enjoy the crackling chemistry (a type of chemistry that conveys a lot through eye contact) between the lead pair, yet at the same time you feel a sense of guilt. You cannot help but think about the wife, who has no idea what her husband really feels about their marriage. According to him, that “special feeling” is missing in the marriage. This aspect of the story also became a point of debate among viewers. Some felt that the movie glorified an extramarital emotional connection. But I don’t think movies always need to function as a vehicle for social messaging. Cinema is also a space to tell stories about human emotions, even the uncomfortable ones.

And the truth is, the idea that someone may still carry feelings for an old love is not unrealistic. It may not be something people openly admit, especially after marriage. But it is a very human experience that exists quietly in many lives.

The chemistry between the two leads is undeniable. Their conversations and silences pull you in emotionally. At times it feels like the film quietly pushes the audience into rooting for something that is not right.

Once you reach your 40s, you also start realizing something uncomfortable. Chemistry is rare. You may settle down with someone you deeply respect and care for. The relationship can be stable and supportive. Yet, like Anish in the film, you might sometimes feel that something extra is missing. That “extra” could be a kind of chemistry you once experienced in the past and have been searching for ever since.

Over time, many people choose stability over chemistry. And in many ways, that decision makes sense. Life cannot run on chemistry alone. Intense chemistry can also bring strong emotions that are hard to manage, and that intensity can sometimes destabilize relationships.

Roshan Mathew and Zarin Shihab deliver beautiful and natural performances. Their screen presence carries the emotional weight of the story very well. The comedy relief also works nicely and matches my kind of humor. I genuinely enjoyed those lighter moments.

The supporting cast adds good balance to the film. Performances by Nandu and Anand Manmadhan help keep the story light so that the emotional tension never becomes overwhelming.

If you enjoy slow movies that focus on relationships, nostalgia, and complicated emotions, Ithiri Neram might be worth adding to your watchlist.

Ithiri Neram is currently streaming on Prime Video.

An Ode to Feminichi Fathima

Feminichi Fathima is a Malayalam movie I had been waiting to watch for a long time. The film received strong appreciation at several film festivals. Many critics also spoke highly of it in their reviews. Now that it has finally released on OTT, the wait feels worth it. After watching the film, I can say it truly lives up to the praise it received.

The movie is a bold and thoughtful effort by director Fasil Muhammed to explore feminism from the perspective of a Muslim woman. This is a refreshing shift in Indian cinema, where feminist narratives are often shown through a cultural Hindu lens. Films like The Great Indian Kitchen (Mrs. in Hindi) and Thappad shaped much of that earlier conversation. Against that backdrop, this film feels timely and necessary. It adds a new voice to discussions on gender, faith, and everyday patriarchy.

What’s It About?

Fathima is married into a conservative and deeply religious family in the Malappuram district in Kerala. Her husband is a usthad (a religious leader) who expects his household to follow every rule without question. Life in the home is seen only through a strict, conservative lens.

Trouble begins when their young son wets the mattress. Fathima cleans it and leaves it outside to dry, but a dog later urinates on it. Since dogs are viewed as ritually impure, her husband reacts with anger and disgust. What follows is Fathima’s quiet struggle to fix the situation, facing resistance at every step.

The film makes a strong point that a woman in religious clothing can also be a feminichi (a slur often used by Malayalee misogynists to dismiss feminists).

Thoughts

Shamla Hamza and Kumar Sunil deliver standout performances. Shamla Hamza, in particular, is remarkable throughout the movie. It is hard to believe this is only her second project, after 1001 Nunakal, released in 2022. She performs with the ease and control of a seasoned actor. Her expressions carry much of the film’s emotional weight. Shamla winning the Kerala State Film Award for Best Actress feels well deserved. The storyline is fresh and quietly rebellious, which makes her performance even more powerful.

In many ways, the film feels braver than other feminist movies. Dissent is rarely encouraged in conservative Muslim families, which makes this narrative more powerful. The story shows how questioning norms itself becomes an act of courage. That is what sets this Malayalam feminist film apart. It opens space for conversations that are often silenced. Ideally, it will inspire more Feminichi Fathimas to speak up and stand for their rights.

Even though the subject is heavy, the movie never becomes overwhelming. It avoids melodrama and keeps emotions grounded. Light comedy is woven into the narrative. This balance makes the film feel surprisingly breezy. The pacing is tight and engaging throughout. You can easily watch the full 1.5 hours in one sitting without needing a break.

I would call this movie a must-watch for anyone interested in meaningful Malayalam cinema. Feminichi Fathima is now streaming on Manorama Max. You can also watch it via Amazon Prime with a Manorama Max subscription. English subtitles are available.

Netflix Movie Spotlight: Odum Kuthira Chaadum Kuthira

Odum Kuthira Chaadum Kuthira Movie Poster

Odum Kuthira Chaadum Kuthira is a Malayalam movie that didn’t get glowing reviews. Still, I decided to give it a shot, because over time, I’ve learned that my taste rarely matches what others say. I’ve liked movies that everyone else trashed, and I’ve dropped shows that got rave reviews.

Take Bads of Bollywood, for instance. I quit after three episodes. The humor just didn’t click with me. The Emmy winner, Severance, on Apple TV? I made it to five episodes before giving up. It was too slow for my liking, and yes, I shamelessly looked up the spoilers for both because I couldn’t sit through the rest.

Serious movie fans and critics might think my choices are questionable. And that’s fine. I’m not trying to be anyone’s go-to person for movie recommendations. I watch movies for one simple reason: to be entertained. If a film or show keeps me hooked, that’s all that matters. I’ve also noticed how people often get shamed for liking a movie that others dislike, or for disliking one that everyone praises. This makes many stay silent about their opinions. My attempt at being open is simply to break away from that.

So, with that mindset, I started watching Odum Kuthira Chaadum Kuthira. I didn’t expect much, but I ended up being pleasantly surprised.

What’s It About?

Odum Kuthira Chaadum Kuthira opens with the wedding preparations of a quirky couple. On the night before the wedding, the bride visits the groom with an unusual request: she wants him to arrive at the venue on a horse. It’s her dream, she says. Or rather, it’s something that keeps recurring in her dreams. She believes the dream will stop only if he makes that grand entry for real. The ever-romantic groom agrees without hesitation. But what follows is a chain of chaotic events that quickly spiral out of control.

Thoughts

Unlike most recent Malayalam movies, Odum Kuthira Chaadum Kuthira is not dark, intellectual, or overly smart. The type critics will rave about. And it’s not meant to be. It’s a crackpot of a film filled with quirky, eccentric characters, and that’s exactly why I liked it. I enjoy seeing wacky personalities on screen, the kind you’d find in Andaz Apna Apna. This kind of comedy works for me. It’s not vulgar, it doesn’t demean women, and it’s genuinely funny.

The movie feels like a group of friends coming together to create something chaotic just for fun. More like a personal, experimental project than a polished production. Kudos to Fahadh Faasil and the team for taking that risk. I especially liked Lal’s character as Fahadh’s father, and I thought Revathi Pillai shared better chemistry with Fahadh than Kalyani Priyadarshan did.

I wish the ending were better. It was underwhelming, but that did not take away the fact that I enjoyed the majority of the movie.

Watch it if you’re in the mood for something silly, unserious, and refreshingly offbeat. Don’t expect a masterpiece: just expect a fun, wacky ride to unwind after a long day at work. Odum Kuthira Chaadum Kuthira is now streaming on Netflix.