Dear Indian Filmmakers: It’s Time to Bring Back Superficiality in Cinema

When was the last time you really switched off and relaxed while watching an Indian movie? I remember getting lost in a make-believe world whenever I watched Yash Raj or Karan Johar films. But sadly, over time, these filmmakers were pushed to make more realistic movies, at the cost of “superficial” ones.

Right now, I can’t seem to switch off completely while watching an Indian movie and drift into a world completely different from mine. I don’t watch movies for reality; I watch to escape it. If I wanted reality, I’d just take a walk outside, not sit down for a movie. But times have changed, and I don’t think we can expect Indian filmmakers to go back to creating movies with grand sets, stunning scenery, and actors with natural beauty and amazing chemistry. The current trend is all about violence, gore (often to the point of regression), and hyper-realism (and plastic surgeries).

Nowadays, if by chance a superficial movie gets released, we have to endure actors with little to no acting skills or the kind of magical chemistry we used to see with iconic pairs like Shahrukh Khan-Kajol, Shahrukh Khan-Juhi, basically Shahrukh with any actress, or Aamir-Juhi.

It’s a very dull era for the Indian film industry when it comes to making feel-good movies. Movie-watchers like myself, who want to escape into a world that isn’t focused on realism, end up turning to Korean or Pakistani dramas. The fact that so many Indian viewers are enjoying these shows proves there’s still an audience for feel-good romantic movies. The demand is there, but unfortunately, the quality supply is missing in the Indian film industry.

Part of the blame also lies with the audience, who now look for realism even in make-believe movies. If many of the romantic Korean or Pakistani dramas were released in India, they’d probably face intense criticism, with thousands of critics dissecting every single scene and evaluating it based on reality. This is why feel-good movies from the past (except maybe Wake Up Sid) are heavily criticized in today’s India. Such criticism discourages filmmakers from making more feel-good movies. Movie watchers like me, who yearn for superficial, romantic cinema, end up feeling dejected in the process.

I hope we get to see some romantic films, but since filmmakers are minting more money and fame from realistic and violent movies, I don’t expect the trend to change anytime soon.

We have good-looking actors like Ibrahim Ali Khan making their debut probably this year. Let’s hope he gets cast in some feel-good movies and his acting skills are as impressive as his looks. However, the current crop of actresses seems too focused on plastic surgeries, leading to a lack of diversity in looks. In the 90s and early 2000s, actresses like Kajol, Juhi, Sonali Bendre, Madhuri Dixit, and Raveena Tandon had distinct appearances. Sadly, that can’t be said now. So, the question arises—who will pair well with Ibrahim Ali Khan in a romantic movie? No one really comes to mind, except maybe Pratibha Ranta.

Cultural Surprises and Shocks in Zard Patton Ka Bunn

I have only completed one episode of Zard Patton Ka Bunn (I have no idea what this means) so far on YouTube, but I already have a feeling I will like this Pakistani drama better than Kabhi Main Kabhi Tum. Sharjeena and Mustafa were cute and the series started off well but I didn’t find the story engrossing enough towards the end.

The first episode of ZPKB is endearing. A girl is praying intensely that she passes her exams, while the Maulawi (religious scholar) requests everyone through the mic in the mosque to pray for her. He says it’s admirable that a girl in the village wants to study more.

This Maulawi is hilarious! When a village officer visits the mosque to announce a population control drive, the Maulawi asks, “What’s the population of Pakistan?” The officer replies, “It’s now 22 crore.” The Maulawi then mumbles to himself in a lighthearted moment, “What’s the use of these 22 crore people if they can’t even sponsor one motor for the mosque well!”

It’s funny how the Maulawi is shown as a comical character who no one in the village takes seriously. It’s surprising because I always thought Maulawis were treated with utmost respect. On the contrary, this series treats the Maulawi exactly like how some Indian movies show swamis and gurus in a funny light. In the first episode, the villagers are shown berating him for overusing the mosque mic. He’s on it every other minute, asking for donations for the motor.

Now, the shocking part was how casually a female character scolded her husband for waking up late, saying, “You’re a Muslim, not a kafir,” as if it were normal, everyday language. The way the word “kafir” (non-believer) was used so casually suggests it’s deeply ingrained in the cultural discourse. To a Hindu, like me, the word hit me like a jolt. In contemporary times, the word kafir can be seen as an insult by non-Muslims, especially when it is used to highlight the superiority of one religion over another. As a tolerant kafir, I’ll let it slide and move on, but it does make me wonder about its impact, especially among impressionable Indian youth who are into Pakistani dramas. My concern is that it could reinforce divisive ideas, encouraging people to see others through a binary lens of “believers” and “kafirs”. That’s a troubling thought in any diverse, multi-faith society. But here’s hoping Pakistani dramas will be more mindful of such polarized language in the future. As the world becomes more interconnected and local entertainment reaches a global audience, paying attention to details like language can help ensure you don’t alienate anyone who appreciates your work.

That said, I have no intention of boycotting the series. I look forward to watching the remaining episodes on YouTube. It’s not every day you come across such feel-good wholesome witty content. I will savor every moment of it.

‘Nobody Wants This’ Delves into a Rarely Explored Topic

I decided to watch “Nobody Wants This”, starring Adam Brody and Kristen Bell, after reading positive reviews by friends and acquaintances on social media. The synopsis on Netflix initially failed to interest me, so it never made it to my watchlist. However, after going through reviews, I decided to give it a try. “I could always stop if I didn’t enjoy it,” I reasoned. Thankfully, I found the romcom drama refreshing.

I enjoyed the side characters more than the main leads, especially the Jewish family members. They were quirky, hilarious, and surprisingly felt close to home. My country, India, is not exactly the most open when it comes to interfaith relationships. Sure, it is happening more than ever, but some questions persist.

“How will the two adjust to different religious beliefs?”

“Whose religion would the kids inherit?”

“Would we lose our child to another religion?”

These are some common questions that arise in the minds of many Hindu families when their child’s interfaith relationship progresses to the marriage stage.

Netflix’s ‘Nobody Wants This’ interestingly tackles a subject that not many interfaith romcoms have done before – conversion. Should you convert if your partner from another faith insists on it, claiming (or emotionally blackmailing) marriage is impossible otherwise? I will be honest. I do not think one has to sacrifice their identity in love. Requiring conversion as a condition for marriage feels manipulative and unfair. If your partner truly loves you, why would they expect you to change your identity?

I wouldn’t have hesitated to convert for love in my younger days. Back then, love mattered more to me than anything else, even religion. However, as I matured and understood life better, I realized you can follow your heart without leaving your brain behind. You don’t have to bend over backward in love. That’s the beauty of aging – you realize that sacrificing your identity is never an option. Your partner has to accept the way you are.

Yet, some people, unable to disappoint their parents, push their partners to take this extreme step. If they can’t disagree with their parents over an important issue such as the partner’s identity, how will they ever be able to support the partner when issues involving parents over less important matters pop up in the future? Once you let go of your identity, more demands pour in – you are expected to raise your children following only one belief and break off all ties with your “old” religion. It is an overwhelming decision no one should be subjected to, especially on the people you love. One sacrifice is often followed by umpteen other sacrifices.

I am glad this aversion to conversion is gaining traction in India, with many refusing to convert for marriage. In fact, some people are even choosing to end their relationships over it. Why convert when our legal system allows couples from different faiths to marry in court?

The romcom touches on this sensitive topic of conversion and the ideological differences between the two communities. One is liberal, the other conservative. How to tackle differing opinions? The main characters aspire to provide you with an answer.

‘Nobody Wants This’ is streaming on Netflix. It has a total of 10 episodes, with each lasting around 30 minutes.

An Ode to Kabhi Main Kabhi Tum

I came to know about the Pakistani drama Kabhi Main Kabhi Tum from YouTube recommendations. This was one of those times when YouTube got its algorithm right.

I wasn’t initially sure whether I would like the drama, but once I started, I was hooked. It is no surprise that Kabhi Main Kabhi Tum has gained popularity in India. The reasons are plenty.

Focus on Relationships

The story focuses on everyday relationships. It does not aim to convey any profound social message. The drama is not entirely progressive, but as the audience, the onus lies on us to accept the fictional world of those characters.

We are at an age where we look into political correctness in every movie or drama. This mentality somehow has ruined the movie-watching experience for people like me who prefer rawness over perfection. Indian filmmakers have become too cautious and afraid to offend, which is understandable considering the polarized times we live in. However, they can still develop unique story ideas that are family-oriented.

Most Indian movies and dramas getting appreciated nowadays are dark. If, by chance, a love story gets released, people are quick to dismiss it as cringe, misogynistic, or fake. Box office numbers also reveal that romantic movies have lost their appeal in India. Or maybe it’s because we are not coming up with a captivating love story. Due to this, many filmmakers stay away from making out-and-out romantic, feel-good movies.

So, considering the lack of romantic content, it’s understandable why many Indians are drifting towards Korean and Pakistani dramas like Kabhi Main Kabhi Tum that keep the old-world romance and family-centered stories alive.

The primary takers of romance are women. Most of us understand that the romance shown in movies is make-believe and not realistic, yet we crave a world that we can deep-dive into when we are stressed. Unfortunately, there are not enough choices for us nowadays. This is why dramas like Kabhi Main Kabhi Tum come as a refresher.

Clean Love Story

Kabhi Main Kabhi Tum meets the bill of sweet, clean love stories that we used to enjoy in the past. No one is making out the moment they meet; no one has an “I am cooler than you” attitude. The chemistry is there for your eyes to see. They look lovingly at each other with slight smiles, enjoy quiet dinners sitting on their bedroom floor, and mesh into each other’s lifestyles even if they are poles apart. Small things that make a significant impact.

Beautiful and Relatable Styling

I absolutely love Sharjeena’s free-flowing Pakistani outfits. The styling gives you a feeling that you, too, can pull off the outfit. The hair is not overstyled; the fit is comfortable and suitable for all body sizes, and there is a feeling of relatability when you see it. Nothing seems out of reach for the regular person.

No Realism Fatigue

I personally do not wish to experience realism fatigue while watching a movie or drama, so a good balance of relatability and aesthetics is ideal. To clarify, you might have seen several scenes in Indian dramas/movies shot in the bathroom where the main character is shown answering nature’s calls. They are realistic but not aesthetic. So, in my opinion, such scenes are better avoided in a make-believe world. We don’t need to know if the character peed or pooped or has a runny nose or sweaty face. Some things are better left for the real world.

Conclusion

I believe Indian filmmakers should take note of the popularity of Korean and Pakistani dramas in India. They should recognize that there is a market for such content, which they are currently neglecting to cater to. To create such wholesome dramas or movies, first and foremost, we need better storytellers. Korean dramas are written by female writers, which brings a unique female perspective to the stories. Perhaps Indian filmmakers should consider hiring female writers to bring back the charm of feel-good content in our films.

Quick Bytes: As a Centrist Hindu, I Did Not Find Netflix’s Maharaj Problematic

Indian politics cannot be easily categorized as “right” or “left” in the truest sense. However, it is easier for an apolitical person to understand whom you are referring to when you mention “left” (parties like CPI(M), but we generally include any non-BJP party in India) and “right” (NDA). I would call myself a centrist as I find a lot of things from both sides problematic. I can never swear allegiance to any one party, as I often look at the party’s performance and form my judgments based on that.

Now, the left-leaning crowd is naturally praising Maharaj, Netflix’s new movie starring Aamir Khan’s son, Junaid Khan. In contrast, the right-wing supporters are asking Hindus to boycott the movie. Truth be told, I haven’t read much about the Maharaj libel case, so I cannot pinpoint with utmost certainty which part of it is anti-Hindu. My opinion here is based on what I saw in the movie. Here’s why I, a centrist Hindu, did not find the movie problematic.

In Maharaj, Karsandas is portrayed as a reformist who is a practicing Hindu, but he asks questions and is not swayed easily by godmen. There is a monologue at the end where he says he fell more in love with his religion when he studied it in detail. He accuses the religious leader, Maharaj, of misusing it, misinterpreting the Sanskrit Vedas to further his vulgar agendas. This is not anti-Hindu in any manner. The court must have thought the same as well, which is why it got a clean chit.

The only material I referred to after watching the movie was a Wikipedia article on Karsandas. Interestingly, I found the following information, which was not covered in the movie.

He was deeply influenced by the English culture to an extent that he had dislike for institutional religious authority and had penchant for reading Christian sermons and later started translating English sermons & conduct manuals into Gujarati, thereby also bringing a distinctively Protestant ethic into Gujarati’s cultural world.

I am of the belief that community members and religious leaders should openly criticize the bad elements of their religion. If there is an extremist misusing and spoiling the name of your religion, why not openly oppose them? This applies to all communities. It’s only when you distance yourself from the fringe elements of religion that society truly reforms. As long as haters get support in the form of words or silence, radicals will continue to flourish.

An Ode to Coke Studio Pakistan

I haven’t posted in a while. Work was so hectic that I couldn’t find time to watch the news, binge-watch Netflix shows, listen to songs, or indulge in leisure activities, including writing on this blog. Now that I am back on track and slowly letting my panic mode subside, I am finding time again for the good stuff in life. As I was catching up on things I missed, something caught my attention – Coke Studio Pakistan’s new season!

I’ve always been a big fan of Coke Studio Pakistan. I loved most of the songs from the previous season, and they are still on my playlist. I often expect the same quality from Coke Studio in India, but the music doesn’t quite measure up. Pakistan truly excels when it comes to producing songs.

Here are my top favorites from Season 15:

Maghron La – Sabri Sisters x Rozeo

A song that celebrates women in all her free-spiritedness, swag, and glory. I have been playing Maghron La on repeat, and it currently tops the list of songs that spark joy. It makes me feel good – something we don’t get enough of in this day and age where dark content has become the norm, whether online or offline.

The video matches the vibe of the song. Exceptionally well shot. It could very well have been a video from India. The culture, language, and outfits feel close to home. However, we don’t get to see such videos in India anymore. We are, unfortunately, trying to emulate the West in the way our movies are presented, often ignoring distinct cinematic elements unique to our country, such as song and dance. The sad part is that if you miss these elements, you have no choice but to wait for them to reappear. In such a circumstance, you can imagine my joy when I come across happy and peppy numbers like Maghron La.

I couldn’t help but notice the woman at the end, looking longingly at the young, energetic girls dancing unabashedly. Is there a deeper meaning? Perhaps she craves a similar freedom that she was denied at their age. Maybe she wants to break free from the chains holding her back but considers it too late. The beauty of the video lies in its open interpretation, allowing viewers to find their own meanings.

Aayi Aayi – Noman Ali Rajper x Babar Mangi x Marvi Saiban

This song is special as it pays tribute to Thar. For the uninitiated, the Thar desert is shared by both Sindh in Pakistan and Rajasthan in India. The desert, also known as the Great Indian Desert, spans an area of about 200,000 square kilometers (77,000 square miles) and forms a natural boundary between the two countries. However, despite the boundaries, the culture of the people on both sides of the desert remains the same.

I got goosebumps watching the video. There was an indescribable feeling of oneness. A tingling reminder that we were one once upon a time.

Chal Chaliye – Sajjad Ali x Farheen Raza Jaffry

This one is for the romantics. A slow, soulful song that nudges you to follow your dreams. Sajjad Ali and Farheen have the most beautiful voices. Together they create magic.