Tag: movie

An Ode to Feminichi Fathima

Feminichi Fathima Movie Poster

Feminichi Fathima is a Malayalam movie I had been waiting to watch for a long time. The film received strong appreciation at several film festivals. Many critics also spoke highly of it in their reviews. Now that it has finally released on OTT, the wait feels worth it. After watching the film, I can say it truly lives up to the praise it received.

The movie is a bold and thoughtful effort by director Fasil Muhammed to explore feminism from the perspective of a Muslim woman. This is a refreshing shift in Indian cinema, where feminist narratives are often shown through a cultural Hindu lens. Films like The Great Indian Kitchen (Mrs. in Hindi) and Thappad shaped much of that earlier conversation. Against that backdrop, this film feels timely and necessary. It adds a new voice to discussions on gender, faith, and everyday patriarchy.

What’s It About?

Fathima is married into a conservative and deeply religious family in the Malappuram district in Kerala. Her husband is a usthad (a religious leader) who expects his household to follow every rule without question. Life in the home is seen only through a strict, conservative lens.

Trouble begins when their young son wets the mattress. Fathima cleans it and leaves it outside to dry, but a dog later urinates on it. Since dogs are viewed as ritually impure, her husband reacts with anger and disgust. What follows is Fathima’s quiet struggle to fix the situation, facing resistance at every step.

The film makes a strong point that a woman in religious clothing can also be a feminichi (a slur often used by Malayalee misogynists to dismiss feminists).

Thoughts

Shamla Hamza and Kumar Sunil deliver standout performances. Shamla Hamza, in particular, is remarkable throughout the movie. It is hard to believe this is only her second project, after 1001 Nunakal, released in 2022. She performs with the ease and control of a seasoned actor. Her expressions carry much of the film’s emotional weight. Shamla winning the Kerala State Film Award for Best Actress feels well deserved. The storyline is fresh and quietly rebellious, which makes her performance even more powerful.

In many ways, the film feels braver than other feminist movies. Dissent is rarely encouraged in conservative Muslim families, which makes this narrative more powerful. The story shows how questioning norms itself becomes an act of courage. That is what sets this Malayalam feminist film apart. It opens space for conversations that are often silenced. Ideally, it will inspire more Feminichi Fathimas to speak up and stand for their rights.

Even though the subject is heavy, the movie never becomes overwhelming. It avoids melodrama and keeps emotions grounded. Light comedy is woven into the narrative. This balance makes the film feel surprisingly breezy. The pacing is tight and engaging throughout. You can easily watch the full 1.5 hours in one sitting without needing a break.

I would call this movie a must-watch for anyone interested in meaningful Malayalam cinema. Feminichi Fathima is now streaming on Manorama Max. You can also watch it via Amazon Prime with a Manorama Max subscription. English subtitles are available.

Rohit Saraf Feels Like Old-School Romance and I Love It

Rohit Saraf Photo

I often find myself missing the old Bollywood romance era. Films by Yash Chopra or early Karan Johar had a kind of magic that is hard to find today. The lead pairs had real chemistry, the kind that made you feel every emotion with them. When they looked at each other with misty eyes, you felt like you were falling in love too.

But in many new-generation films, that spark seems lost. I don’t know whether it’s the acting, the writing, or the shift in filmmaking trends. Modern romance feels rushed, predictable, too dark, melancholic, or sometimes just flat. The warmth, passion, and emotional storytelling that defined classic Hindi cinema is fading, and I genuinely miss it.

In today’s film landscape, Rohit Saraf feels like a breath of fresh air. He brings back that soft, believable romance many of us grew up loving. One thing that stands out about him is his effortless chemistry with his co-stars.

My favorite project of his isn’t even a Hindi film. It’s the Tamil romance Kamali From Nadukkaveri, where his performance and chemistry with the lead actress, Anandhi, is genuine and sweet. I would also suggest watching his earlier series on Zee5 titled Woh Bhi Din The. He filmed it when he was much younger. The emotional connection between the characters feels very real. Also, let’s not forget his impeccable chemistry with Pearle Maaney in Ludo, which remains one of my favourites.

In Sunny Sanskari Ki Tulsi Kumari, Rohit Saraf continues that image of the ideal romantic partner. His chemistry with Janhvi Kapoor feels natural and much stronger compared to the chemistry between the main lead pair. Honestly, their scenes had more warmth and emotional pull. I found myself wishing the makers had focused on that storyline instead of pushing the romance between Janhvi and Varun Dhawan. It felt like the more organic love story was sitting right there, but never fully explored.

Personnally, I feel Rohit Saraf deserves more recognition for keeping that old-school romantic charm alive.

Maybe it’s time filmmakers start looking for the right lead pair for Rohit Saraf. If they get that pairing right, many of us women could finally relive the era of Kajol and Shah Rukh Khan or Aamir Khan and Juhi Chawla. Those iconic pairs made romance feel real, soft, and unforgettable.

A couple with that kind of natural chemistry is missing in today’s Hindi films, and audiences like me are definitely craving it.


Netflix Movie Spotlight: Baramulla

Baramulla Movie Poster

What defines horror? We often think of ghosts, possessed souls, or strange creatures with no clear form. Yet I realized there’s another type of horror that hits harder. The ones that combine these supernatural ideas with the harsh truths of real life. This is a type of blend that creates an impact, which stays with you long after the movie is over. This is where Baramulla is about.

What’s It About?

Baramulla opens with a policeman who moves to Kashmir and stays in an old house filled with secrets. He is there to investigate the disappearance of children in the area. Strange events start to unfold at once. The elder daughter senses a foul, “dog-like” smell in the house, even if there are no dogs. The caretaker carries a plate of food every day to a locked room. What lies behind these mysteries? Why are children vanishing? These questions drive the heart of the story.

Thoughts

I can’t, unfortunately, share everything I felt without giving away the main plot. Since I wanted to share my thoughts in full, I placed them in a separate “Spoilers Ahead” block after this section. You can skip it if you prefer to avoid spoilers.

Baramulla left me with many emotions. I was genuinely amazed by how the team crafted it.

The movie tries something that Indian cinema, to my knowledge, hasn’t attempted before in a horror movie. That is, blending the past and the present into a story that’s rooted in historical events. It reminds you that horror has layers. It’s not only about the unknown, but also the known. The horror of trust turning into betrayal. The horror of being dismissed or gaslit. The horror of violence, both mental and physical. Baramulla captures all of this with sharp clarity.

The performances are strong across the board. Personally, I would say it’s a must-watch.

Baramulla is now streaming on Netflix.

**Spoilers Ahead**

I felt emotional through many scenes. The acting was powerful and honest. The pain never felt exaggerated.

By now, you probably know that the film draws from the suffering Kashmiri Hindus faced in the late ’80s and ’90s. Many cast members are Kashmiri Hindus who had to flee their homes. Manav Kaul is one of them. He left Kashmir when he was in grade 4. He moved on to become a competitive swimmer in his late teenage years and participated in state and national-level championships. He has more than 14 national medals in swimming to his credit.

The end scenes also show Sanjay Suri, which is befitting, since his father was killed by terrorists in Srinagar when Suri was just 19. He moved to Delhi after that and became a known face in the film industry.

The producer and writer, Aditya Dhar, who is also Yami Gautam’s husband, is a Kashmiri Pandit. He has been using his craft to share Kashmir’s story with care and technical prowess.

Some Kashmiri Pandit celebrities, like Kunal Khemu, have chosen not to explore their past, and that is their personal choice. In an interview with Smita Prakash, he said he doesn’t know much about that period, even though his own family lived through it.

I feel it’s important for us to understand our history so we don’t repeat old mistakes. Stories like these should be passed from one generation to the next. My only regret is not asking my grandfather about his experiences—how Kerala felt during the Indian freedom struggle, and what life was like then. Those anecdotes have been lost forever, as he did not pass on the stories to his children as well.

It’s remarkable that so many Kashmiri Hindus who had to flee the valley are using art to express their experiences instead of resorting to violence. Their goal is empathy and understanding, something they were denied for a long time, not provocation. Choosing storytelling over violence is admirable, especially in a world where violence is often justified in the name of resistance.

There are also a few Kashmiri Hindus with left-leaning views who defend problematic groups and take part in “Free Kashmir” sloganeering, similar to how a very small number of non-Zionist Israelis speak in ways that don’t reflect the wider population.

Most Kashmiri Hindus (and some Kashmiri Muslims) have appreciated the movie. However, left-leaning Hindus are also criticizing the movie for “propaganda,” even though the events have been well documented. Films that depict and educate the viewers on crimes against Muslims in India are welcomed, while films showing crimes against Hindus are often dismissed as Islamophobic, nationalist, or propaganda. This imbalance is where many activists struggle. They accept one truth but not the other.

People like me have slowly stepped out of that mindset to face the whole truth.

It may take a while, but I really believe the truth will eventually reach wider acceptance sooner or later. And the stories can’t stop until the pain is finally acknowledged. They need to be told, retold, and carried forward. Only then will they finally find the place they deserve.

Movie Review: The One I Love

The One I Love Movie Poster

A lot of love stories released lately haven’t worked for me. I tried Saiyaara, but it felt more Gen Z-oriented. While they cried, I yawned. As a 40+ year-old, I am not quite sure if that yawn stemmed from a vitamin deficiency or because I was genuinely bored. It’s a tricky age group.

Then, I gave Metro In Dino a shot, only to find every character cheating on their partner… while singing songs, of course, because that’s how it is in Bollywood. Your loved one could have died, but you still end up singing a romantic song for your partner. Remember Suraj Hua Maddham?

While I was on this quest for a good love story, I realized there’s no chance of my stumbling upon a feel-good romcom that meets my dreamy requirements. So I thought, why not pick an old movie that already matches my soul? That’s how I ended up choosing this dark, unsettling Black Mirror-type romance, The One I Love.

What’s It About?

A couple struggling with marital issues goes on a retreat to a remote resort. This place, recommended by their therapist, is where many of his former patients have found healing. The home is warm and spacious, disconnected from the outside world, seemingly perfect for reconciliation. But soon, strange and unexpected events happen, which draw out very different responses from each partner.

Thoughts

I enjoyed the movie. It was gripping and featured some excellent performances.

I felt that even though the movie was released in 2014, it resonates with today’s AI age, where many people turn to artificial means to fulfill emotional needs their partners can’t always meet. The filmmaker probably foresaw a future where this would take shape in some shape or form.

I especially felt for the female lead, who genuinely seemed happy with the new experience. She was finally getting what she had always craved, even if it couldn’t last. It leaves you wondering what you might have done in her place. If you’re emotionally craving for a deeper bond, and you accidentally stumble upon it after years of acceptance that you would never experience it in your lifetime, how would you react?

You look at the character, see her face light up with a happiness that was missing in the previous scenes, and you can’t help but wish she could experience that bliss a bit longer. Routine has a way of dulling your emotions. You do not wish to take things for granted, but it happens anyway. These relatable human emotions make you empathize as well as get annoyed with Sophie (played by the talented Elisabeth Moss).

I would say The One I Love was a good watch. It’s currently available for free (not on rent in India, thankfully) on Amazon Prime.

Netflix Movie Review: Inspector Zende

Inspector Zende Poster with Manoj Bajpayee and other Actors

I was in the mood for something light and funny. Since I’m a bit under the weather, my brain just can’t deal with anything too serious right now. I needed some humour to melt the moodiness away. The sticky Kerala humidity, returning after a long bout of pleasant rainy weather, hasn’t helped either. So when I read the synopsis of Inspector Zende, I thought, yup, this is exactly what I need to watch.

What’s It About?

Inspector Zende is inspired by the real-life story of the officer who caught Charles Sobhraj not once, but twice. In the film, the criminal goes by the name Carl Bhojraj, and the plot follows the inspector’s relentless pursuit to nab him a second time.

Thoughts

I really enjoyed the way the movie was narrated. It was light-hearted and fun. Sure, it drags a little in the middle, but overall, I loved how they kept the tone humorous from start to finish. Given the serious subject, they could easily have gone for a heavy treatment, but thankfully, they didn’t. This is exactly the kind of film I’d like to see more of.

Manoj Bajpayee was brilliant as Inspector Zende. We’ve seen him excel in intense police roles before, but here he shines just as much in a lighter, comic avatar. And honestly, I can’t think of anyone other than Jim Sarbh who could have pulled off Carl Bhojraj so well.

If you’re in the mood for something breezy, I’d definitely recommend Inspector Zende on Netflix.

Comedy Movie Review: Prince and Family

Prince and Family

I think it’s safe to say I’m seriously craving a good comedy film. The genre seems to be fading in Indian cinema. I’m not enjoying that shift one bit. Remember the Andaz Apna Apna era? Pure classic. Even Malayalam cinema had its fair share of timeless comedies that still hold up today. That comedy void is exactly what led me to subscribe to Zee5, just to watch the Malayalam film Prince and Family.

To be honest, I’ve become quite disconnected from new movie releases. Life in your 40s tends to be more news-oriented and less in touch with the entertainment world. And to make it worse, the kind of feel-good content I enjoy seems to be rare these days. I was brought up in the era of Yash Chopra and Karan Johar movies. So it’s natural that I miss the soft aesthetics of good ol’ Bollywood romance and the comedy movies of Malayalee actors like Mohanlal and Sreenivasan.

Considering my disconnect, I actually discovered Prince and Family through Instagram Reels. It was the viral dance entry of Chinju Rani that caught my eye and motivated me to subscribe to Zee5.

What’s It About?

Prince and Family tells the story of Prince Chakkalakkal, a well-known fashion designer in his 40s working in Kerala. He carries the weight of his entire family, including his two unemployed brothers and their families, on his shoulders. Despite his success, Prince remains unmarried, struggling to find the right partner.

Enter Chinju Rani. A hyper-energetic woman in her 20s and a popular social media influencer. Their match is arranged through an online matrimonial site.

Chinju Rani lives for the ‘likes.’ Every decision she makes is filtered through the lens of her followers. So much so that on her wedding night, she’s busy editing and posting her wedding video, while her husband waits and eventually falls asleep.

Can two people from such different worlds build a happy marriage? That’s the heart of Prince and Family.

Thoughts

I enjoyed Prince and Family overall. It had a promising comic tone at the start. I only wish they had stuck with that all the way through. While I understand the film’s intention, that is to highlight the dangers of living through social media at the cost of real-life connections, the shift to a more serious tone felt a bit abrupt. Honestly, the world of influencers offers plenty of material for comedy, and the film could have explored that further in a subtle manner without losing its message.

Some of the emotional scenes felt exaggerated. But not to the point of losing interest. The film kept its entertainment quotient intact throughout.

Dileep’s character is particularly interesting. He’s choosy about marriage proposals, with one preference that seems to be clearly dominant over all others even though it’s not explicitly stated: he wants a young, unmarried, attractive woman. Despite being in his 40s, this mindset makes him dismiss proposals from women his own age with a certain disdain. It’s old-school thinking, but it mirrors real-life attitudes in India that still persist. This is why we see 50-year-old Indian male actors romancing 20-year-olds on-screen, while actresses of the same age group play their mothers.

The real star of the movie, though, is Raniya Raanaa. Some might say she’s overacting, but I think she nails the hyper energy of a social media influencer who lives for the camera. Her performance is full of life, and she handles emotional scenes with ease. Siddique and Bindu Panicker are excellent in their supporting roles as well.

All in all, Prince and Family is worth a watch. Just don’t expect too much logic or nuance. It’s streaming now on Zee5.