Tag: Indians

Kerala Story 2 Trailer: My Honest Take on Extremism, Politics, and the Real Kerala

Kerala 2 Story Photo

I finally watched The Kerala Story 2 trailer because the noise around it became impossible to avoid. I had stayed away from watching it till then, hoping we would collectively ignore it.

The trailer begins with a call to “convert India into a Muslim nation.” That kind of rhetoric comes from extremist outfits like PFI, not from everyday Muslims. It’s in PFI’s “India 1947” doctrine, available online. But the moment a film shows Islamist extremists, people immediately react as if the entire Muslim community is being insulted. That jump is what frustrates me. The trailer is clearly about extremists, not ordinary people (also confirmed by the makers).

I keep seeing reels saying, “Where in Kerala is this? This is nothing like Kerala.” Exactly. It is not about the regular Muslims we meet every day. It is about fringe groups.

When the movies, Bombay or Empuraan, showed Hindu extremists attacking Muslims, no one claimed the film insulted all Hindus, and that it was an insult to Bombay and a generalization. When films show fringe Hindutva groups, we do not accuse the filmmakers of attacking every Hindu. So why is criticism of Islamist extremism treated as an attack on Muslims as a whole? This inability to separate ideology from community makes any honest conversation impossible. And political groups thrive on that confusion.

I thought the film would be ignored this time. I watched the trailer only to understand the hype. Otherwise, I would not have bothered. And once again, the makers got free publicity because controversy sells.

The director’s NDTV interview

In an NDTV interview, the director was asked why he named it after Kerala again even though the film covers incidents in multiple states. His answer was very simple. He said he got attention for the first film because of the name “Kerala.” So he used it again to get the same effect. It was a marketing strategy. And we fell for it.

He also mentioned that the film connects certain cases to networks like Chhangur Baba’s. According to him, these networks have a specific goal in mind. Again, he presented this as the reasoning behind the storyline, not as a statement on all Muslims.

The song and the real-life cases

The song O Maayi Ri, sung beautifully by Shreya Ghoshal, reminded me of the emotional interviews with the mothers of victims (some notable victims include Nimisha, Sonia Sebastian, and Merrin Jacob). They begged for their daughters to be brought back from ISIS camps in Afghanistan. The girls, as per officials, were too radicalized to be brought back home. No country easily brings back citizens who have a soft corner for a terror group. Many countries around the world refuse repatriation because of national security concerns.

And Kerala has had some troubling conversion-related cases too.

  • There is the case of Sona Eldhose, who was allegedly forced to go to Ponnani for conversion.
  • There is also the story of Kamala Surayya, discussed in the book The Love Queen of Malabar. According to the book, she was encouraged to convert with the promise of marriage made by a mainstream political figure. Once she converted, he backed away. The book also mentions foreign funding from the Gulf that influenced the situation.

These cases do not define Kerala as a state, but they exist. They cannot be erased from the larger conversation.

Kerala’s habit of defending itself too quickly

What irritates me is how quickly Keralites jump into defensive mode. The moment someone brings up extremist incidents or conversion cases, people post “This is the real Kerala story” along with photos of communal harmony and Onam celebrations. Those moments are beautiful, but they do not cancel out the darker stories. Kerala can be progressive and safe while still having pockets of extremism. That duality is real. Acceptance does not mean defamation. In fact, acceptance is the first step toward accountability.

My issue with the beef discourse

Beef in Kerala has become a political symbol. I eat beef, but I am not here to prove that “I am a Hindu who eats beef. I’m so cool.” I am also not going to claim that Hindus who eat beef are not real Hindus. Those extremes mean nothing to me.

There are actual cases of people being forced to eat beef by partners or relatives. A basic online search shows plenty of such stories. So mocking that scene in the trailer becomes insensitive because coercion is not fictional for some people.

What makes the discourse more insensitive is the constant use of beef as a political prop in Kerala. Historically, beef has been used to hurt Hindu sentiments and harass certain groups. As someone who eats beef, I have never felt proud of it in a political sense. It is food. We can all eat what we like, but weaponising it feels disrespectful.

Even the MSF, the youth wing of the Muslim League, called out the SFI beef fests happening on campuses. They said it is insulting to those Hindus in Kerala who consider beef unholy. They added that they themselves would find it offensive if there were pork fests. Whether political or not, they made a fair point. Sensitivity should work both ways.

The political angle behind the controversy

This is something I have been observing closely. In my opinion, the controversy did not naturally explode. It was amplified politically. The first major reaction came from CM Pinarayi Vijayan on X. Once he reacted, his supporters followed, and the discussion spiralled from there.

I believe his response was a political strategy to position himself as the protector of secularism in Kerala. He had lost support earlier due to his association with Vellapally Natesan and also the Sabarimala gold case. His tweet seemed carefully framed as the Kerala election is near. He even highlighted that Kerala has not seen any communal riots in the last ten years, which also happens to be the period during which he served as Chief Minister.

Whether intentional or not, the film’s visibility multiplied because of this political reaction.

Why the title still annoys me

The title “Kerala Story Goes Beyond” suggests that Kerala is some central hub of Islamist extremism, which is simply not true. Kerala is safe. Hindus are safe. Fringe groups exist, but the narrative of “Hindu genocide” is false.

At the same time, filmmakers have always used region names to provoke reactions.
Movies like Bombay did not lead anyone to generalise the entire city.
Shows like Delhi Crime did not make people say Delhi is entirely unsafe.

But names like Kashmir or Kerala grab attention instantly. Filmmakers know this. It is part of the business. And audiences fall for it every single time.

Final thoughts

Kerala has many stories of harmony, culture, and peaceful coexistence. But Kerala also has some unsettling stories involving extremism, manipulation, and political strategy. Both realities can exist together. Loving a state does not mean denying the uncomfortable parts. Real progress and intellect come from honest acknowledgement.

Tu Juliet Jatt Di is The Lighthearted Hindi Romcom We’ve Been Missing

Tu Juliet Jatt Di Picture

With dark and heavy content flooding streaming platforms these days, my old soul keeps craving simple old school romance. I still enjoy serious shows, no doubt about that, but when the real world already feels intense, I prefer feel-good stories when I sit down to unwind. The type of content that I grew up watching.

I have stepped away from Pakistani dramas and films on YouTube because I didn’t want my views or money indirectly going anywhere near causes I don’t support. The disrespectful remarks on India after Pahalgam from their celebrities didn’t help either. The mental distance I felt afterwards was enough for me to stop endorsing their entertainment. Everyone is free to choose what they watch though. I chose to stop out of personal preference. People say politics and art/sports/religion should not be mixed, but in reality, they often overlap.

There’s definitely a void now that I’ve stopped watching Pakistani dramas, so I’ve been hunting for lighthearted Indian content instead that would lift my mood. And I’m happy I found it in the new romcom series Tu Juliet Jatt Di.

I cannot believe this is Jasmeet Kaur’s first project. She performs like a seasoned professional and is already more competent than many Hindi industry actresses who’ve been around for years. Syed Raza is impressive.

The chemistry between Syed Raza and Jasmeet Kaur is electric. I haven’t seen such crackling romance on screen in a long time. Most modern romances feel too serious. Think of movies like Saiyaara and Aashiqui 2, where the mood stays melancholic instead of happy or dreamy. There’s definitely an audience for that kind of storytelling, but I usually prefer something lighter and a little more positive.

We don’t get that fun vibe in Hindi movies anymore, the kind we once loved in Salaam Namaste, Kuch Kuch Hota Hai, Dilwale Dulhaniya Le Jayenge, Kal Ho Naa Ho, or, if we are to talk about something comparatively newer, then Wake Up Sid. Stories where silence and lingering eye contact made an impression, where romance was a slow-burn and intense, yet positive. When you watch stories like these, your mood shifts almost instantly. You walk away feeling lighter and a little happier than before. You feel like you yourself are in love, the feeling of butterflies in your stomach. That’s missing nowadays, isn’t it?

Critics and serious cinema lovers have been pushing the industry to take up more logical, serious, and believable stories that have put romcom fans like me in a fix. That’s why Tu Juliet Jatt Di feels refreshing. It’s playful, flirty, and full of swoonworthy moments. Sure, there are emotional scenes and melodramatic scenes, which may not feel like reality, but they don’t drag the mood down. Also, the heroine refuses to wallow. She’s bold, sharp, and unafraid to call out nonsense. Syed Raza as Nawab adds the right amount of mischief, something that’s missing in many love stories today.

Tu Juliet Jatt Di is loud, lively, chaotic, just like the old times. It’s not here to spread a social message or make you think. It’s here to offer pure entertainment that isn’t enveloped in hopelessness, violence, and despair. And what can be more entertaining than love?

If you enjoy Korean dramas or Pakistani romantic shows, you will, in full certainty, like this new Hindi series too.

Tu Juliet Jatt Di is currently streaming on Colors TV and Jio Hotstar.

Haq: When a Film About Muslim Women Speaks to All Women

Haq Movie Poster

For the most part, Haq is not a story only about Muslim women. It is a story about women in general. Almost all of us know someone, married or unmarried, who has been cheated in love. We have seen that heartbreak up close, and we understand the emotional toll it takes.

When Shazia feels betrayed, we feel it too. When she wants the best for her children, that emotion feels familiar. When she fights for her rights, it resonates deeply. And when her father stands by her without hesitation, it reminds us of our own fathers and the quiet strength that support brings. These are emotions that are universal to women, cutting across religion, culture, and background.

The narrative becomes specifically about Muslim women only when the legal issues come into focus. That is where the real differences emerge, and the film clearly highlights how laws and systems can shape a woman’s fight for justice. It is to be noted that soon after the Triple Talaq ban was implemented in India, many Muslim women began approaching the courts to seek justice. While there was no open praise for the current government for such a ban, there was a quiet acceptance of the relief and protection the law offered them in real life. Many Muslim men, however, continue to view the ban as an insult to their faith rather than as a legal safeguard for women.

Getting back to the movie, Yami’s final monologue is powerful and leaves a strong impact. Emraan feels completely natural throughout and never once seems like he is performing. Sheeba Chaddha is equally convincing and brings depth to her role.

I especially want to credit Emraan for choosing to act in a film that openly talks about Muslim women’s rights. It takes conviction to support a story like this, especially as a Muslim, without dismissing it as Islamophobic. The film is clearly not that. Instead, it focuses on real issues and lived experiences, and his decision to back the narrative adds credibility and strength to the message being told.

Overall, I liked the film. The background music could have been better, and Yami is not fully convincing in a few scenes. Still, she more than makes up for it in the final act, which stays with you long after the film ends.

Haq is now streaming on Netflix.

The Truth Behind Why Bail Was Denied to Umar Khalid and Sharjeel Imam

Umar Khalid and Sharjeel Imam Photo

With the Umar Khalid and Sharjeel Imam cases once again drawing global attention, especially after Umar Khalid’s father met US politician Zohran Mamdani, it’s the right time to scrutinize why the Supreme Court rejected bail pleas for both activists. The issue has sparked renewed discussion around India’s anti-terror law, the UAPA, and how it is applied in high-profile cases.

In the age of social media, misinformation often travels across the world long before the truth gets its moment. That makes it all the more important to examine each argument carefully and understand the reasoning behind the court’s responses. We are living in a time where selective fact-checking is common, misinformation is circulated to serve political agendas, and inconvenient truths are pushed out of sight. From what I have seen, some of the material relevant to this case has still not reached the wider public because it is rarely covered by mainstream media. As a result, distrust continues to linger.

Of course, for some people, no amount of truth really matters. What they seek is validation for their existing biases or political leanings. This post is not meant for that audience. No amount of proof can change such a mindset. It is written for readers willing to acknowledge facts when presented.

Getting back to the case, according to the prosecution, Umar Khalid and Sharjeel Imam were not just participants but masterminds who mobilised or influenced others during the events in question. The defence, however, put forward two key arguments while seeking their release on bail. Let’s take a closer look at what those arguments were and why the court chose not to accept them.

Defense Argument #1:
Not Directly Involved in Violence

Sharjeel Imam Umar Khalid Bail Defense Argument #1 Photo

One of the most repeated arguments, especially in Umar Khalid’s case, is that he was not present at the riot spots when the violence took place.

Court Response

The court indicated that the act of masterminding the riots, even without direct presence, was in itself sufficient. The court’s position was clear and firm: nothing comes above the interests of national security. On a prima facie assessment of the material placed before it, which includes videos, audios, posts, and messages, the court held that both Umar Khalid and Sharjeel Imam faced similar allegations of being the masterminds, which weighed heavily against granting bail. Due to their involvement in the larger plan, several people were killed and injured, including an intelligence officer.

Sharjeel Imam Umar Khalid Bail Defense Argument #1 Court Response Photo

It should be noted that provocative words alone can be enough to incite violence. This is not something new. Something similar was seen even before the Gujarat riots, where RSS members were found to have mobilised people through provocative speeches. Many who provoked never participated in the violence, but their words were enough. They were taken into custody and remained there for years.

This raises an important question: what makes those cases different from the cases of Sharjeel Imam and Umar Khalid, so that the latter deserves bail? Both instances were the same: provocative speeches leading to mass mobilization. The 2020 Delhi riots too had a communal angle, with tensions between different communities being stirred during the violence. Videos of the provocative communal speeches are available widely on X. WhatsApp groups were formed along religious lines, which added to the sense of division at the time.

Rather than relying on political influencers or commentators, I recommend reading the official case files to understand the facts as presented in court. You can find these by searching Google with terms like “Delhi NCT Sharjeel Imam pdf” and then looking within the document for specific details.

Often, religion is used as a tool to strengthen or manipulate one’s case, and that appears to have happened here as well. As someone who has gone through the provocative videos and social media posts of the two, it is difficult to see them as innocent. I cannot quote or reproduce those statements here because of their sensitive nature, but they are publicly available and can be found on social media platforms like X by searching their names.

Sharjeel Imam’s Facebook account is still active, while Umar Khalid has deleted his. I would recommend going through Sharjeel’s Facebook posts to see for yourself how passionately he tried to convince people to hit the streets. Some posts had a communal dimension as well. The content includes rhetoric that can be interpreted as calls for violence and even secession, which adds serious weight to the charges against them.

Defense Argument #2:
The Trial Delay

One more argument that often comes up is the long delay in the trials of Sharjeel Imam and Umar Khalid.

Sharjeel Imam Umar Khalid Bail Defense Argument #2 Photo

Court Response

The court maintained that a delay in the trial does not dilute the gravity of the case.

Also Read: CJI’s Remarks on Umar Khalid’s Trial Delays

Sharjeel Imam Umar Khalid Bail Defense Argument #1 Court Response Photo

The Final Verdict

The court observed that the polarising material appeared prima facie true, and this played a key role in denying bail to them as alleged masterminds.

Sharjeel Imam Umar Khalid Bail Rejection Decision Image
Sharjeel Imam Umar Khalid Proof Prima Facie True Image

The court admitted that balancing individual rights with the nation’s security is never an easy task.

Sharjeel Imam Umar Khalid Bail Is a Difficult and Sensitive Balancing Exercise Image
Sharjeel Imam Umar Khalid Liberty Subject to Stringent Conditions Image
Sharjeel Imam Umar Khalid Bail Rejection Summary Image

Umar Khalid and Sharjeel Imam were not denied bail because of unfairness or a failure of the legal system. Their bail was rejected because the court found the material presented before it to be valid and credible.

However, unless this material, such as videos or posts, is made available for public viewing in a structured and responsible manner, many people will continue to believe that the legal system itself is fractured. Since I have seen the provocative videos and social media posts and gone through the case details, I do not doubt the court’s reasoning.

But the lack of transparency leaves room for misunderstanding. It also creates space for political parties and interest groups to selectively present facts and shape narratives for their own benefit. Should there not be a mechanism to clearly explain why and how such decisions are taken, along with supporting material, so that the ordinary citizen does not have to rely on fragments found on their own?

Real Kashmir Football Club on Sony Liv Shows the Power of Football and Hope

Real Kashmir Football Club Series Photo

I wanted to watch the Real Kashmir Football Club series on Sony Liv the moment the teaser dropped. It felt positive and full of hope. The story promised a future built on progress, peace, and development through football. That feeling stayed with me through the series. I was not disappointed.

Real-Life Inspiration

While most stories about Kashmir focus on pain and instability, this one chooses a different path. It highlights the positive side of the region in a quiet, honest way. The story is not entirely fictional. It is inspired by a real football club in Kashmir, started by a Kashmiri Hindu and a Muslim.

To quote Wikipedia:

Real Kashmir Football Club is an Indian professional football club based in Srinagar, Jammu and Kashmir. Incorporated in 2016, the club currently competes in I-League, the second tier of the Indian football league system. Real Kashmir with its reserve side also participates in the Jammu & Kashmir Premier Football League regionally.

Nicknamed “Sheeni Seh” (transl. Snow Leopards), Real Kashmir is the first club from Jammu and Kashmir to earn promotion in any top flight football league of the country. They also won the IFA Shield title in 2022. Club’s futsal section has been competing in the state league, as well as AIFF Futsal Club Championship, the highest division in the country.

The origin of Real Kashmir FC date to 2014 after devastating floods swept through the region causing massive loss of life and property. To keep the youth, who had lost much during the floods—engaged, Shamim Meraj, editor of a local newspaper named “Kashmir Monitor”, and Sandeep Chattoo, a local businessman, came together to arrange footballers.

What began as a community outreach programme garnered support from the local populace and it soon started evolving into something more. Real Kashmir FC as a club, formalised in 2016, and affiliated with Jammu & Kashmir Football Association (JKFA) under the tireless efforts by Chattoo. Founded in 2016, Real Kashmir FC emerged as the first ever top flight professional football club in Jammu and Kashmir.

Back to the Series…

The goal of the series is simple and meaningful. It is all about guiding the youth toward something productive through football.

The star of the show is Mohd Zeeshan Ayub, who plays the Muslim founder. He delivers a strong performance, his expressions changing effortlessly as the situation shifts. He’s a natural and perfectly suited for the role of the calm, steady, and rarely perturbed founder. Manav Kaul, meanwhile, plays the Kashmiri Hindu founder who’s quiet yet exhibits all the traits of an effective entrepreneur. He has a vision, and he wants it achieved. Together, they form the heart of the series.

Beyond the two main characters, Abhishant Rana stands out as the Kashmiri youngster searching for direction. His character is mischievous and witty, but he’s also a youngster without goals. Watching him find hope just when his life could have taken a darker turn was heartwarming.

I would easily call it a must-watch series. It is uplifting, relevant, and rooted in reality. The story leaves you with a sense of calm and optimism. It is a good watch for anyone looking for a positive story set in Kashmir.

If you enjoy meaningful sports dramas, this one fits well. The series is currently streaming on Sony Liv.

Dhurandhar Lingers Long After the Credits Roll

Dhurandhar Movie Poster

I watched Dhurandhar a few days back, and it has stayed with me ever since. It keeps running in my head – the songs, the action sequences, the passion for the country. The nationalist in me is satisfied.

For the first time in a long while, an Indian spy movie moved away from humanizing terrorism. That shift feels bold and necessary. The film forces you to sit with harsh truths instead of offering easy heroes and neat endings. It does not try to make violence look noble or harmless. That honesty is what makes Dhurandhar powerful, and also hard to shake off.

Personally, I felt a quiet mix of angst and sorrow when I saw some people brush the film off as propaganda or political. This view is subjective, but it still made me uneasy. The events shown are not opinions or theories. They happened. Calling a film like Dhurandhar propaganda does a disservice to the people who lost their lives in terrorist attacks. It dismisses real events that happened and real pain that was lived. These truths were not addressed openly for years, often out of fear or sheer convenience. When cinema finally creates space to tell these stories, the instinct should be to listen, not reject. The strong box office response shows that many people are ready to face uncomfortable realities. That response matters. Aditya Dhar deserves credit for choosing honesty over comfort. I have admired his films for consistently daring to tell stories most would rather avoid.

When the screen turned red, I could not hold back my tears. It made me emotional. But I also wondered if anyone watched that moment and felt nothing at all. That thought itself felt disturbing. Not feeling the pain of fellow Indians, or even a flicker of anger, says something deeper. In a country where apathy is already common, it is easy to believe some viewers saw it with blank eyes. For them, everything uncomfortable becomes propaganda, dismissed as an attempt to show Pakistan in a bad light.

Sometimes it feels like a lost cause to expect people to stand firmly with the country, without hesitation or filters. Many of us avoid the truth because it feels uncomfortable. We prefer to hide behind safe words like peace and love. But years of doing that came at a cost. We were taken for granted. Our suffering was questioned. Our stories were dismissed as lies or branded as conspiracy theories.

I think it is time for India to stand up for itself. We need to acknowledge our truth and stop looking away. Facing reality head-on is not hatred or extremism. It is honesty. Only when we accept what went wrong can we learn from it. Growth does not come from denial. It comes from clarity, courage, and accountability.

Now there are people who argue that this much truth does not belong on screen. If that were true, then why do we make social films like Homebound at all? Those films are also hard-hitting and deeply uncomfortable. Cinema has always helped bring difficult issues to the public in a more digestible way. Stopping that only pushes reality back into silence.

The violence in the movie is also being criticised, but real-world events prove how close such scenes are to the truth. The recent lynching of a Hindu man in Bangladesh is a grim reminder that brutality is not exaggerated fiction. Dhurandhar does not sugarcoat this reality, and that honesty is exactly why it matters.

Coming to the performances, while many are praising Akshaye Khanna, for me it was Ranveer Singh who truly stood out. His eyes did most of the talking, and it was brilliant to watch. There was a quiet intensity in his acting that stayed with me. Sara Arjun also impressed me with her performance and screen presence. She brought both grace and emotional weight to her role. The music deserves special mention too. It lingers in your mind and pulls you back into the world of Dhurandhar long after the film ends.

Overall, I would say Dhurandhar is a must-watch. It is not an easy film, but it is an important one. It stays with you long after the credits roll. I most probably would end up watching it again.