Feminichi Fathima is a Malayalam movie I had been waiting to watch for a long time. The film received strong appreciation at several film festivals. Many critics also spoke highly of it in their reviews. Now that it has finally released on OTT, the wait feels worth it. After watching the film, I can say it truly lives up to the praise it received.
The movieis a bold and thoughtful effort by director Fasil Muhammed to explore feminism from the perspective of a Muslim woman. This is a refreshing shift in Indian cinema, where feminist narratives are often shown through a cultural Hindu lens. Films like The Great Indian Kitchen (Mrs. in Hindi) and Thappad shaped much of that earlier conversation. Against that backdrop, this film feels timely and necessary. It adds a new voice to discussions on gender, faith, and everyday patriarchy.
What’s It About?
Fathima is married into a conservative and deeply religious family in the Malappuram district in Kerala. Her husband is a usthad (a religious leader) who expects his household to follow every rule without question. Life in the home is seen only through a strict, conservative lens.
Trouble begins when their young son wets the mattress. Fathima cleans it and leaves it outside to dry, but a dog later urinates on it. Since dogs are viewed as ritually impure, her husband reacts with anger and disgust. What follows is Fathima’s quiet struggle to fix the situation, facing resistance at every step.
The film makes a strong point that a woman in religious clothing can also be a feminichi (a slur often used by Malayalee misogynists to dismiss feminists).
Thoughts
Shamla Hamza and Kumar Sunil deliver standout performances. Shamla Hamza, in particular, is remarkable throughout the movie. It is hard to believe this is only her second project, after 1001 Nunakal, released in 2022. She performs with the ease and control of a seasoned actor. Her expressions carry much of the film’s emotional weight. Shamla winning the Kerala State Film Award for Best Actress feels well deserved. The storyline is fresh and quietly rebellious, which makes her performance even more powerful.
In many ways, the film feels braver than other feminist movies. Dissent is rarely encouraged in conservative Muslim families, which makes this narrative more powerful. The story shows how questioning norms itself becomes an act of courage. That is what sets this Malayalam feminist film apart. It opens space for conversations that are often silenced. Ideally, it will inspire more Feminichi Fathimas to speak up and stand for their rights.
Even though the subject is heavy, the movie never becomes overwhelming. It avoids melodrama and keeps emotions grounded. Light comedy is woven into the narrative. This balance makes the film feel surprisingly breezy. The pacing is tight and engaging throughout. You can easily watch the full 1.5 hours in one sitting without needing a break.
I would call this movie a must-watch for anyone interested in meaningful Malayalam cinema. Feminichi Fathima is now streaming on Manorama Max. You can also watch it via Amazon Prime with a Manorama Max subscription. English subtitles are available.
I recently came across a video featuring an interview with Stalin Devan, the activist managing the legal research and paperwork for Munambam. In this interview with Shajan Skariah, Stalin shares that Father Joshy added him to a WhatsApp group with the Munambam residents and said, “Explain one point from the Act every day in simple words.” Over time, Stalin became their legal guide, and his efforts are one of the main reasons the community now understands the law so well.
The interview was informative in many ways. At a time when there is still no clear update from politicians or the media on what is actually delaying the resolution for Munambam, even after the Waqf Amendment Bill was passed, Stalin explains the situation with complete clarity.
A screenshot of the video
The Three Possible Legal Outcomes for Munambam
According to Stalin, there are three possible solutions for Munambam:
The government restores revenue rights immediately. This can be done at any time if the Chief Minister approves an administrative order restoring those rights.
If the Supreme Court upholds the High Court order declaring the land not Waqf, all cases, tribunal, revenue, and others will automatically end.
If the Supreme Court rules otherwise, the next legal step will rely on the amended law using Section 2A.
Why Section 2A Cannot Be Used Yet
Earlier, I assumed that recent positive court developments were on the basis of Section 2A. I later realised that was incorrect. Stalin’s interview clarified it. He said:
“We must wait for the rules to be notified. Only after the rules come into force can we use the amendment. As soon as the rules are published, we will file a new petition before the Waqf Tribunal. Once the new rules take effect, the Waqf Board’s order cannot survive.”
It was only through him that I learned the rules tied to the amendment have not yet been fully implemented (central rules were notified in July 2025, but further steps, such as central and state compliance and the ongoing Supreme Court matter, are still pending). Once implementation of the rules is complete, Munambam will be able to use the amendment (Section 2A) fully to establish its rights.
This is where politics begins to overlap with law.
Where Politics Meets Law
Stalin said:
“When everything is resolved, people should celebrate and then withdraw the protest with dignity. But politics entered the issue, and some withdrew support — not because the problem is unresolved, but because they feared the BJP might gain political mileage.”
This is why I feel that even though BJP is the party that helped Munambam with the establishment of new Waqf amendments that can prove favourable to Munambam residents, the Congress-led alliance (UDF) may still win the election there.
Strategically, it makes sense. Now that they’ve pushed the BJP to change the Waqf rules, Christian voters can continue supporting the party they feel protects their religious interests, especially one that does not interfere with missionary activity.
UDF has traditionally been the preferred choice of many Christian voters in Kerala. However, their position on the Waqf Amendment has not aligned with what Munambam residents expected or hoped for. Even so, Christian voters may still continue supporting UDF, largely because they align with the coalition’s lack of anti-conversion sentiment.
Why Timing Matters to BJP and CPM
Here’s where it gets interesting. What follows is only my analysis, not a confirmed claim:
As mentioned earlier, the amendment becomes fully usable only after the remaining implementation steps (central and state action, portal uploads, surveys, and Supreme Court clarity). That process can take months, sometimes more than a year.
Because of that, the timing is now in the hands of both the Central Government (BJP) and the Kerala Government (CPM). Residents say Rijiju has not been active recently. It is possible that the central leadership is waiting to see how the political situation evolves before re-engaging. The BJP may already understand that, even with the support they are offering, they might still not gain full trust or support from the Munambam Christian community. Religious identity often influences decisions more than political assistance. BJP may choose to wait and see whether their support translates into goodwill before offering more help or speeding up the process. In short, they might be waiting for election results to analyze public sentiment.
Meanwhile, CPM has not yet updated or published Waqf lists in the state gazette or uploaded them to the central portal. This is of utmost importance to implement the waqf amendment. CPM has not given explicit technical reasons for the delay.
Current Status of the Waqf Amendment Process (December 5, 2025)
Central Government (BJP)
The Act itself was published and came into force in April 2025. Rules were notified in July 2025. But implementation is still pending: WAMSI portal digitization is incomplete, nationwide surveys and audits have not been done, and the Supreme Court stay since September blocks key provisions.
The central government’s delay primarily reflects implementation challenges. However, political considerations may also play a role, as governments often pace sensitive rollouts based on election outcomes and political advantage.
Kerala Government (CPM)
CPM has not published Waqf lists in the Kerala state gazette. Nor have they uploaded lists to the central portal (90-day deadline under Section 2A). Waqf Tribunal and Board procedures are not aligned yet.
The Kerala government’s delay appears more political in nature. They seem to be officially resisting the amendment.
My view is that the full rollout (central setup, state compliance, and Supreme Court resolution) will now unfold at a pace influenced by political timing. Legally, the delay should not be indefinite, but in practice, regulations and execution can remain pending for a long time if the government chooses.
Why Munambam’s Leadership Is Remaining Neutral
Politics has made the situation complicated.
Many in the Munambam Land Protection Council do not want the BJP to gain politically, but they appear to be trying to remain neutral as the process is still unfinished. The ball is still in the court of both CPM and BJP. This may also explain why Church leaders reportedly asked Joseph Benny, the head of the Munambam Land Protection Council, to withdraw from the election as a UDF candidate. Any outright political affiliation may prove disadvantageous to Munambam residents at this stage.
I often find myself missing the old Bollywood romance era. Films by Yash Chopra or early Karan Johar had a kind of magic that is hard to find today. The lead pairs had real chemistry, the kind that made you feel every emotion with them. When they looked at each other with misty eyes, you felt like you were falling in love too.
But in many new-generation films, that spark seems lost. I don’t know whether it’s the acting, the writing, or the shift in filmmaking trends. Modern romance feels rushed, predictable, too dark, melancholic, or sometimes just flat. The warmth, passion, and emotional storytelling that defined classic Hindi cinema is fading, and I genuinely miss it.
In today’s film landscape, Rohit Saraf feels like a breath of fresh air. He brings back that soft, believable romance many of us grew up loving. One thing that stands out about him is his effortless chemistry with his co-stars.
My favorite project of his isn’t even a Hindi film. It’s the Tamil romance Kamali From Nadukkaveri, where his performance and chemistry with the lead actress, Anandhi, is genuine and sweet. I would also suggest watching his earlier series on Zee5 titled Woh Bhi Din The. He filmed it when he was much younger. The emotional connection between the characters feels very real. Also, let’s not forget his impeccable chemistry with Pearle Maaney in Ludo, which remains one of my favourites.
In Sunny Sanskari Ki Tulsi Kumari, Rohit Saraf continues that image of the ideal romantic partner. His chemistry with Janhvi Kapoor feels natural and much stronger compared to the chemistry between the main lead pair. Honestly, their scenes had more warmth and emotional pull. I found myself wishing the makers had focused on that storyline instead of pushing the romance between Janhvi and Varun Dhawan. It felt like the more organic love story was sitting right there, but never fully explored.
Personnally, I feel Rohit Saraf deserves more recognition for keeping that old-school romantic charm alive.
Maybe it’s time filmmakers start looking for the right lead pair for Rohit Saraf. If they get that pairing right, many of us women could finally relive the era of Kajol and Shah Rukh Khan or Aamir Khan and Juhi Chawla. Those iconic pairs made romance feel real, soft, and unforgettable.
A couple with that kind of natural chemistry is missing in today’s Hindi films, and audiences like me are definitely craving it.
It is by chance that I stumbled on the Co-Ed series on Amazon MX Player. The algorithm showed the trailer to me and I thought I would give it a try. I wasn’t expecting much but I was in for a surprise.
Co-Ed looks like a simple school drama at first, but it quickly turns into a lively mix of humour, friendship, and small twists that keep you curious. The writing feels fresh, and the young cast brings an energy that makes every episode, lasting around 20-30 minutes, easy to watch. I found myself hitting the next episode button without even thinking.
What’s It About?
Two twins step into a new chapter when their all-boys and all-girls schools merge to form a co-ed campus. The boy is nervous about sharing space with girls for the first time, while his sister walks in with full confidence. As they try to adjust to this sudden shift, their parents are also dealing with their own set of challenges at home. The mix of teenage chaos and family moments gives the series a relatable, everyday charm that keeps you curious about what happens next.
Thoughts
Co-Ed Season 1 took me by surprise. I didn’t expect to enjoy it this much.
Every actor in the series delivers a heartfelt performance. Honestly, they outshone many big names I watched this year. That says a lot. You slip into the world of the characters so easily that their joys and troubles feel like your own. You laugh with them and you end up tearing up with them too.
The parents in the story add another layer of emotion. Their struggles feel raw and real. I could sense the mother’s pain as she tries to hold everything together while staying proud of her small business. The question is, does her family see the same value in it? On the outside, the parents look like the perfect couple who split chores and support each other. But life is rarely that simple. It is often the quiet moments, the unsaid thoughts and the tiny frustrations that shape a home. Co-Ed captures all of this with surprising depth.
Rajeshwari Sachdev, Varun Badola, Adrija Sinha, Vedant Sinha, and Stuti Sahijwani are impressive in their respective roles. They complemented each other perfectly.
Shows like Co-Ed deserve a lot more attention. Viewers who enjoy warm, slice-of-life stories often find these gems by luck, not because they are promoted by popular reviewers.
For me, this one is a must-watch. You can stream it for free with ads on Amazon MX Player.
What defines horror? We often think of ghosts, possessed souls, or strange creatures with no clear form. Yet I realized there’s another type of horror that hits harder. The ones that combine these supernatural ideas with the harsh truths of real life. This is a type of blend that creates an impact, which stays with you long after the movie is over. This is where Baramulla is about.
What’s It About?
Baramulla opens with a policeman who moves to Kashmir and stays in an old house filled with secrets. He is there to investigate the disappearance of children in the area. Strange events start to unfold at once. The elder daughter senses a foul, “dog-like” smell in the house, even if there are no dogs. The caretaker carries a plate of food every day to a locked room. What lies behind these mysteries? Why are children vanishing? These questions drive the heart of the story.
Thoughts
I can’t, unfortunately, share everything I felt without giving away the main plot. Since I wanted to share my thoughts in full, I placed them in a separate “Spoilers Ahead” block after this section. You can skip it if you prefer to avoid spoilers.
Baramulla left me with many emotions. I was genuinely amazed by how the team crafted it.
The movie tries something that Indian cinema, to my knowledge, hasn’t attempted before in a horror movie. That is, blending the past and the present into a story that’s rooted in historical events. It reminds you that horror has layers. It’s not only about the unknown, but also the known. The horror of trust turning into betrayal. The horror of being dismissed or gaslit. The horror of violence, both mental and physical. Baramulla captures all of this with sharp clarity.
The performances are strong across the board. Personally, I would say it’s a must-watch.
Baramulla is now streaming on Netflix.
**Spoilers Ahead**
I felt emotional through many scenes. The acting was powerful and honest. The pain never felt exaggerated.
By now, you probably know that the film draws from the suffering Kashmiri Hindus faced in the late ’80s and ’90s. Many cast members are Kashmiri Hindus who had to flee their homes. Manav Kaul is one of them. He left Kashmir when he was in grade 4. He moved on to become a competitive swimmer in his late teenage years and participated in state and national-level championships. He has more than 14 national medals in swimming to his credit.
The end scenes also show Sanjay Suri, which is befitting, since his father was killed by terrorists in Srinagar when Suri was just 19. He moved to Delhi after that and became a known face in the film industry.
The producer and writer, Aditya Dhar, who is also Yami Gautam’s husband, is a Kashmiri Pandit. He has been using his craft to share Kashmir’s story with care and technical prowess.
Some Kashmiri Pandit celebrities, like Kunal Khemu, have chosen not to explore their past, and that is their personal choice. In an interview with Smita Prakash, he said he doesn’t know much about that period, even though his own family lived through it.
I feel it’s important for us to understand our history so we don’t repeat old mistakes. Stories like these should be passed from one generation to the next. My only regret is not asking my grandfather about his experiences—how Kerala felt during the Indian freedom struggle, and what life was like then. Those anecdotes have been lost forever, as he did not pass on the stories to his children as well.
It’s remarkable that so many Kashmiri Hindus who had to flee the valley are using art to express their experiences instead of resorting to violence. Their goal is empathy and understanding, something they were denied for a long time, not provocation. Choosing storytelling over violence is admirable, especially in a world where violence is often justified in the name of resistance.
There are also a few Kashmiri Hindus with left-leaning views who defend problematic groups and take part in “Free Kashmir” sloganeering, similar to how a very small number of non-Zionist Israelis speak in ways that don’t reflect the wider population.
Most Kashmiri Hindus (and some Kashmiri Muslims) have appreciated the movie. However, left-leaning Hindus are also criticizing the movie for “propaganda,” even though the events have been well documented. Films that depict and educate the viewers on crimes against Muslims in India are welcomed, while films showing crimes against Hindus are often dismissed as Islamophobic, nationalist, or propaganda. This imbalance is where many activists struggle. They accept one truth but not the other.
People like me have slowly stepped out of that mindset to face the whole truth.
It may take a while, but I really believe the truth will eventually reach wider acceptance sooner or later. And the stories can’t stop until the pain is finally acknowledged. They need to be told, retold, and carried forward. Only then will they finally find the place they deserve.
What surprises me more than the terror attacks in India is the speed with which some Indians dismiss them as “false flag operations.” For instance, a look at the comments under Faye D’Souza’s Instagram post about the Delhi terror blasts shows several users mocking the incident and blaming the Indian government instead of the perpetrators. Many genuinely seem to believe it’s a political ploy to influence votes rather than an act of terror.
The “false flag” narrative isn’t new. It has surfaced after nearly every major terror attack in India. Even the 26/11 Mumbai attacks were, at first, misrepresented by some as an internal operation. The claim gained attention mainly because Ajmal Kasab, one of the attackers, wore a saffron thread on his wrist. Those spreading the theory strangely assumed such a thread could only belong to members of BJP or RSS. They overlooked the possibility that it might have been deliberately used to mislead investigators.
Ajmal Kasab with Saffron Thread on His Wrist
Kasab’s real plan, as later revealed, was to die appearing as a “Hindu” and thus shift suspicion away from Pakistan-based handlers, reinforcing the myth of “saffron terror.” Thankfully, due to the extraordinary courage and sacrifice of Assistant Sub-Inspector Tukaram Omble, Kasab was captured alive and later confessed to being a Pakistani national trained by terrorists.
Tukaram Omble
By then, however, the false-flag theory had already gained widespread circulation. Well-known public figures even released a book titled 26/11: RSS ki Saazish? that promoted the “false flag” theory surrounding the attacks.
Influential Indian Figures Promoting “26/11: RSS ki Saazish?” Book
The “false flag” narrative resurfaced after the Pulwama terror attack, when a suicide bomber from Jaish-e-Mohammed (JeM) drove an explosive-laden vehicle into a CRPF convoy in Pulwama, Jammu & Kashmir, killing 40 soldiers. Following the attack, some voices in Pakistan, including senior officials, suggested that India might have staged the incident to influence the upcoming 2019 elections. Commentators in India echoed similar theories online, framing the tragedy as politically motivated rather than acknowledging it as an act of cross-border terrorism.
Then came the recent Pahalgam attacks, where Pakistani media outlets and online commentators claimed that India had staged the incident to divert attention from domestic issues and influence elections. They described it as part of an alleged “Indian playbook” of false-flag operations. Soon after, similar talking points appeared in sections of Indian social media and commentary spaces.
In each case, claims of “false flag operations” lacked credible evidence and were primarily rooted in conspiracy theories first circulated in Pakistan and later amplified by certain opinion groups in India.
The Global “False Flag” Obsession
It’s worrying that many people in India tend to believe external narratives about terror attacks rather than trusting verified investigations at home.
This pattern might have been up for serious debate if it only happened locally, but the deflection from religious extremism appears to be a global trend. To cite a few examples:
The 9/11 attacks are still viewed by some as a “false flag” orchestrated by the U.S. or Israel to malign Muslims. This is a theory long disproved but still used by extremist groups to recruit followers. They thrive on anger, convincing vulnerable minds that violence is the only response to perceived oppression. In India, extremist recruiters have similarly exploited stories like the Babri Masjid while dismissing events like the Godhra train burning as conspiracies, weaving grievance into a tool for radicalization.
The October 7 attacks in Israel were also met with widespread conspiracy claims, framed as a false flag operation meant to discredit certain groups.
Likewise, criticism of regimes such as Iran’s leadership, the Taliban, or Hamas is often dismissed as Western propaganda. This is another form of deflection that prevents honest introspection.
Conspiracies Shield Extremists
It’s time to move past the overused “false flag” narrative.
Each time a terror attack is dismissed as a conspiracy, it insults the victims, weakens trust, and blurs the line between truth and propaganda. These baseless claims don’t protect anyone. They only embolden extremists and deepen divisions.
Real courage and national unity will come from confronting facts, condemning violence without bias, and demanding accountability from those who spread hate, no matter where it comes from.
Ending the false flag obsession is the first step toward restoring integrity in how we respond to terrorism.
The Monkey Dilemma 
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