Rohit Saraf Feels Like Old-School Romance and I Love It

I often find myself missing the old Bollywood romance era. Films by Yash Chopra or early Karan Johar had a kind of magic that is hard to find today. The lead pairs had real chemistry, the kind that made you feel every emotion with them. When they looked at each other with misty eyes, you felt like you were falling in love too.

But in many new-generation films, that spark seems lost. I don’t know whether it’s the acting, the writing, or the shift in filmmaking trends. Modern romance feels rushed, predictable, too dark, melancholic, or sometimes just flat. The warmth, passion, and emotional storytelling that defined classic Hindi cinema is fading, and I genuinely miss it.

In today’s film landscape, Rohit Saraf feels like a breath of fresh air. He brings back that soft, believable romance many of us grew up loving. One thing that stands out about him is his effortless chemistry with his co-stars.

My favorite project of his isn’t even a Hindi film. It’s the Tamil romance Kamali From Nadukkaveri, where his performance and chemistry with the lead actress, Anandhi, is genuine and sweet. I would also suggest watching his earlier series on Zee5 titled Woh Bhi Din The. He filmed it when he was much younger. The emotional connection between the characters feels very real. Also, let’s not forget his impeccable chemistry with Pearle Maaney in Ludo, which remains one of my favourites.

In Sunny Sanskari Ki Tulsi Kumari, Rohit Saraf continues that image of the ideal romantic partner. His chemistry with Janhvi Kapoor feels natural and much stronger compared to the chemistry between the main lead pair. Honestly, their scenes had more warmth and emotional pull. I found myself wishing the makers had focused on that storyline instead of pushing the romance between Janhvi and Varun Dhawan. It felt like the more organic love story was sitting right there, but never fully explored.

Personnally, I feel Rohit Saraf deserves more recognition for keeping that old-school romantic charm alive.

Maybe it’s time filmmakers start looking for the right lead pair for Rohit Saraf. If they get that pairing right, many of us women could finally relive the era of Kajol and Shah Rukh Khan or Aamir Khan and Juhi Chawla. Those iconic pairs made romance feel real, soft, and unforgettable.

A couple with that kind of natural chemistry is missing in today’s Hindi films, and audiences like me are definitely craving it.

Movie Review: Param Sundari

When my mother heard Janhvi Kapoor speak Malayalam in Param Sundari, she said, “That’s how Tamilians in Kerala speak.” So I’m guessing Janhvi’s character in Param Sundari is meant to be Tamilian. She does say a line in Tamil at the beginning, which might be the clue.

Still, it’s odd that her ammavan (Renji Panicker) speaks flawless Malayalam, while his son Venu, who grew up in Kerala, speaks Malayalam with a Tamilian accent. Not exactly consistent. Maybe he picked it up from his best friend, Janhvi’s character?

You will have to make similar conclusions and cook up your own stories to stay at peace with several things in the movie.

What’s It About?

Param, a wealthy start-up enthusiast, heads to Kerala to prove to his father that his newly funded dating app is worth the investment. At a resort there, he meets Sundari, and a love story quietly begins to unfold.

Thoughts

If you ignore the stereotypes, the sardar friend’s racist jokes, and the painfully bad Malayalam, it’s actually not such a bad movie. The first word that catches you off guard is when they pronounce Alappuzha as “Aalapozi.” I’m not sure if it was intentional. But yeah, leave behind your brain while watching this one.

The real star, of course, is Kerala. My state has been beautifully captured from start to finish. So, kudos to the filmmakers for that.

Janhvi looks lovely and delivers a stronger performance than Sidharth Malhotra. He also looks way older than her in the movie.

Param Sundari is streaming on Amazon Prime Video.

Horror Movie Spotlight: Diés Iraé

Like many, I found the movie’s name, Diés Iraé, tricky to pronounce. I’m quite sure I’m still saying it wrong. But the offbeat name adds to its charm. For those who don’t know, Diés Iraé is Latin for “Day of Wrath.” It’s a term from Christian theology referring to the day when souls are judged.

The first time I heard about Diés Iraé was when I went to watch Lokah. The trailer of the movie immediately captured my attention. The execution looked stylish, and Pranav Mohanlal looked good. I knew then that I had to watch this movie in a theatre.

What’s It About?

A young, wealthy man who lives life to the fullest begins experiencing strange supernatural events in his home after visiting the house of an ex-fling who was found dead in a well. The restless spirit haunting him seems furious for unknown reasons and determined to destroy his life.

Thoughts

Since Diés Iraé is a horror film, only adults were allowed inside the theatre. An ID card was required. The theatre I went to was almost empty, which I actually didn’t mind. It meant no one was around to make unwanted comments or jokes. This has become a real problem in many Kerala theatres. I faced this issue when I went to watch Bramayugam. I hope the film industry or theatre authorities take strict action against such behavior. If they want to attract more viewers, they must ensure a respectful environment. Otherwise, serious movie lovers will simply wait for the OTT release and enjoy the film peacefully at home.

Getting back to Diés Iraé, I wouldn’t call it mind-blowing. The special effects were impressive, though. Nothing looked fake or unintentionally funny. Pranav Mohanlal delivered a decent performance, and he looked great on screen, which helped balance out a few of his less convincing moments.

There are a few jump scares, so be prepared for that.

Overall, the story felt average. If you’ve seen a lot of horror films, this one might not surprise or scare you much. Still, the execution was solid, and the fact that a film of this scale and quality came from Kerala is definitely something to be proud of.

The creepiest part was seeing the line “inspired by true events.” I didn’t dare look up what those events were. Some things are better left unresearched if you want to sleep peacefully at night.

I would say Diés Iraé is a good one-time watch. At under two hours, it’s a quick and engaging film that keeps you entertained throughout.

Netflix Movie Spotlight: Greater Kalesh

It’s Diwali season. This time of year always puts me in the mood for something cozy and family-friendly to watch. But honestly, we just don’t get those kinds of movies anymore. The ones you can enjoy with everyone at home.

Remember the golden ’90s? We’d all sit together and watch Jo Jeeta Wohi Sikandar, Hum Hain Rahi Pyar Ke, or Dilwale Dulhania Le Jayenge without a single dull moment. Okay, not exactly in my family, as I was the only one truly into Bollywood, while the rest were more drawn to Malayalam movies. But I imagine these were the kind of movies that one would typically watch with their families. Nowadays, to relax, I tune into psychological thrillers because family movies do not feel family-oriented anymore.

That’s why I was keen to watch Greater Kalesh when it dropped on Netflix. It’s perfect for people like me who just want to unwind with something light and heartwarming. At under an hour, it’s an easy, breezy watch before jumping right back into Diwali celebrations.

What’s It About?

A young career woman returns home after a long time to celebrate Diwali with her family. She’s excited for a warm, cheerful reunion, but the moment she steps inside, she’s greeted not by laughter, but by chaos. Her family members are in the middle of a heated argument, and she can’t quite figure out what started it.

Thoughts

Greater Kalesh is short, simple, and surprisingly sweet. It doesn’t have high-stakes drama or a strong, twisting storyline. But that’s exactly what makes it refreshing for me. Sometimes you just want something light, easy, and comforting, and this little film delivers that perfectly. It might not be everyone’s cup of tea, especially if you seek something more cerebral or non-woke, but to me it felt like peeking into the everyday life of a next-door family and watching them sort things out in their own warm, relatable way.

Ahsaas Channa and Supriya Shukla truly shine here. Their mother-daughter bond feels real and layered. The kind that might make you think of your own mom with a smile.

It’s definitely worth a quick watch. Greater Kalesh is now streaming on Netflix.

Netflix Thriller Spotlight: Wayward

Do you ever pick a series solely based on its synopsis? That’s exactly how I do it. I tend to avoid Netflix teasers and trailers as they are way too detailed, giving away too much, and ruining the element of surprise for me. I prefer diving straight into a story with minimal hints, letting the plot unfold organically. It keeps the narrative fresh and exciting. This could also be because I prefer reading over visuals.

That’s how I ended up choosing Wayward. Just a quick read of the synopsis (which felt interesting), and I was in.

What’s It About?

Wayward is set in a school called Tall Pines. It looks like a regular school at first (just kidding!). But trust me, you’d never want your kid saying their school is anything like this one. It’s an academy where parents send troubled, rebellious teens hoping they’ll be “fixed.” But beneath the surface, something darker seems to be going on. There’s a creepy, almost sinister vibe that makes you question what’s really happening behind those closed doors.

Thoughts

I really enjoyed Wayward. Normally, I take ages to finish a series. Not because I’m swamped with work, but because my attention span has been wrecked by endless Instagram reel scrolling. I just can’t deal with shows that drag on forever. And let’s be honest, a lot of series tend to do exactly that. One-hour episodes stuffed with fillers that barely move the story forward.

But Wayward was refreshingly different. Just 8 episodes, and not once did I feel the urge to check my phone or zone out. I also have a soft spot for women-led storylines, so that probably helped keep me hooked.

The rebellious best friends were a bit much for someone like me. I’m naturally more disciplined. But aside from their chaotic energy, nothing really irked my nerves.

The acting was top-notch. Mae Martin as Alex, the transgender young police officer, and Toni Collette as Evelyn, the head teacher of Tall Pines academy, were perfect in their respective roles. The most layered character, I felt, was that of Laura, played by Sarah Gadon. Alyvia Alyn Lind and Sydney Topliffe as Leila and Abbie were convincing as the troubled teens. The ending could’ve been stronger, sure, but I’m not complaining.

Wayward is streaming on Netflix, with each episode running for about 45 minutes.

Movie Review: The One I Love

A lot of love stories released lately haven’t worked for me. I tried Saiyaara, but it felt more Gen Z-oriented. While they cried, I yawned. As a 40+ year-old, I am not quite sure if that yawn stemmed from a vitamin deficiency or because I was genuinely bored. It’s a tricky age group.

Then, I gave Metro In Dino a shot, only to find every character cheating on their partner… while singing songs, of course, because that’s how it is in Bollywood. Your loved one could have died, but you still end up singing a romantic song for your partner. Remember Suraj Hua Maddham?

While I was on this quest for a good love story, I realized there’s no chance of my stumbling upon a feel-good romcom that meets my dreamy requirements. So I thought, why not pick an old movie that already matches my soul? That’s how I ended up choosing this dark, unsettling Black Mirror-type romance, The One I Love.

What’s It About?

A couple struggling with marital issues goes on a retreat to a remote resort. This place, recommended by their therapist, is where many of his former patients have found healing. The home is warm and spacious, disconnected from the outside world, seemingly perfect for reconciliation. But soon, strange and unexpected events happen, which draw out very different responses from each partner.

Thoughts

I enjoyed the movie. It was gripping and featured some excellent performances.

I felt that even though the movie was released in 2014, it resonates with today’s AI age, where many people turn to artificial means to fulfill emotional needs their partners can’t always meet. The filmmaker probably foresaw a future where this would take shape in some shape or form.

I especially felt for the female lead, who genuinely seemed happy with the new experience. She was finally getting what she had always craved, even if it couldn’t last. It leaves you wondering what you might have done in her place. If you’re emotionally craving for a deeper bond, and you accidentally stumble upon it after years of acceptance that you would never experience it in your lifetime, how would you react?

You look at the character, see her face light up with a happiness that was missing in the previous scenes, and you can’t help but wish she could experience that bliss a bit longer. Routine has a way of dulling your emotions. You do not wish to take things for granted, but it happens anyway. These relatable human emotions make you empathize as well as get annoyed with Sophie (played by the talented Elisabeth Moss).

I would say The One I Love was a good watch. It’s currently available for free (not on rent in India, thankfully) on Amazon Prime.