Tag: Dramas

Rohit Saraf Feels Like Old-School Romance and I Love It

Rohit Saraf Photo

I often find myself missing the old Bollywood romance era. Films by Yash Chopra or early Karan Johar had a kind of magic that is hard to find today. The lead pairs had real chemistry, the kind that made you feel every emotion with them. When they looked at each other with misty eyes, you felt like you were falling in love too.

But in many new-generation films, that spark seems lost. I don’t know whether it’s the acting, the writing, or the shift in filmmaking trends. Modern romance feels rushed, predictable, too dark, melancholic, or sometimes just flat. The warmth, passion, and emotional storytelling that defined classic Hindi cinema is fading, and I genuinely miss it.

In today’s film landscape, Rohit Saraf feels like a breath of fresh air. He brings back that soft, believable romance many of us grew up loving. One thing that stands out about him is his effortless chemistry with his co-stars.

My favorite project of his isn’t even a Hindi film. It’s the Tamil romance Kamali From Nadukkaveri, where his performance and chemistry with the lead actress, Anandhi, is genuine and sweet. I would also suggest watching his earlier series on Zee5 titled Woh Bhi Din The. He filmed it when he was much younger. The emotional connection between the characters feels very real. Also, let’s not forget his impeccable chemistry with Pearle Maaney in Ludo, which remains one of my favourites.

In Sunny Sanskari Ki Tulsi Kumari, Rohit Saraf continues that image of the ideal romantic partner. His chemistry with Janhvi Kapoor feels natural and much stronger compared to the chemistry between the main lead pair. Honestly, their scenes had more warmth and emotional pull. I found myself wishing the makers had focused on that storyline instead of pushing the romance between Janhvi and Varun Dhawan. It felt like the more organic love story was sitting right there, but never fully explored.

Personnally, I feel Rohit Saraf deserves more recognition for keeping that old-school romantic charm alive.

Maybe it’s time filmmakers start looking for the right lead pair for Rohit Saraf. If they get that pairing right, many of us women could finally relive the era of Kajol and Shah Rukh Khan or Aamir Khan and Juhi Chawla. Those iconic pairs made romance feel real, soft, and unforgettable.

A couple with that kind of natural chemistry is missing in today’s Hindi films, and audiences like me are definitely craving it.


An Ode to Kabhi Main Kabhi Tum

Kabhi Main Kabhi Tum
Hania Aamir plays the character of Sharjeena in Kabhi Main Kabhi Tum

I came to know about the Pakistani drama Kabhi Main Kabhi Tum from YouTube recommendations. This was one of those times when YouTube got its algorithm right.

I wasn’t initially sure whether I would like the drama, but once I started, I was hooked. It is no surprise that Kabhi Main Kabhi Tum has gained popularity in India. The reasons are plenty.

Focus on Relationships

The story focuses on everyday relationships. It does not aim to convey any profound social message. The drama is not entirely progressive, but as the audience, the onus lies on us to accept the fictional world of those characters.

We are at an age where we look into political correctness in every movie or drama. This mentality somehow has ruined the movie-watching experience for people like me who prefer rawness over perfection. Indian filmmakers have become too cautious and afraid to offend, which is understandable considering the polarized times we live in. However, they can still develop unique story ideas that are family-oriented.

Most Indian movies and dramas getting appreciated nowadays are dark. If, by chance, a love story gets released, people are quick to dismiss it as cringe, misogynistic, or fake. Box office numbers also reveal that romantic movies have lost their appeal in India. Or maybe it’s because we are not coming up with a captivating love story. Due to this, many filmmakers stay away from making out-and-out romantic, feel-good movies.

So, considering the lack of romantic content, it’s understandable why many Indians are drifting towards Korean and Pakistani dramas like Kabhi Main Kabhi Tum that keep the old-world romance and family-centered stories alive.

The primary takers of romance are women. Most of us understand that the romance shown in movies is make-believe and not realistic, yet we crave a world that we can deep-dive into when we are stressed. Unfortunately, there are not enough choices for us nowadays. This is why dramas like Kabhi Main Kabhi Tum come as a refresher.

Clean Love Story

Kabhi Main Kabhi Tum meets the bill of sweet, clean love stories that we used to enjoy in the past. No one is making out the moment they meet; no one has an “I am cooler than you” attitude. The chemistry is there for your eyes to see. They look lovingly at each other with slight smiles, enjoy quiet dinners sitting on their bedroom floor, and mesh into each other’s lifestyles even if they are poles apart. Small things that make a significant impact.

Beautiful and Relatable Styling

I absolutely love Sharjeena’s free-flowing Pakistani outfits. The styling gives you a feeling that you, too, can pull off the outfit. The hair is not overstyled; the fit is comfortable and suitable for all body sizes, and there is a feeling of relatability when you see it. Nothing seems out of reach for the regular person.

No Realism Fatigue

I personally do not wish to experience realism fatigue while watching a movie or drama, so a good balance of relatability and aesthetics is ideal. To clarify, you might have seen several scenes in Indian dramas/movies shot in the bathroom where the main character is shown answering nature’s calls. They are realistic but not aesthetic. So, in my opinion, such scenes are better avoided in a make-believe world. We don’t need to know if the character peed or pooped or has a runny nose or sweaty face. Some things are better left for the real world.

Conclusion

I believe Indian filmmakers should take note of the popularity of Korean and Pakistani dramas in India. They should recognize that there is a market for such content, which they are currently neglecting to cater to. To create such wholesome dramas or movies, first and foremost, we need better storytellers. Korean dramas are written by female writers, which brings a unique female perspective to the stories. Perhaps Indian filmmakers should consider hiring female writers to bring back the charm of feel-good content in our films.