When my mother heard Janhvi Kapoor speak Malayalam in Param Sundari, she said, “That’s how Tamilians in Kerala speak.” So I’m guessing Janhvi’s character in Param Sundari is meant to be Tamilian. She does say a line in Tamil at the beginning, which might be the clue.
Still, it’s odd that her ammavan (Renji Panicker) speaks flawless Malayalam, while his son Venu, who grew up in Kerala, speaks Malayalam with a Tamilian accent. Not exactly consistent. Maybe he picked it up from his best friend, Janhvi’s character?
You will have to make similar conclusions and cook up your own stories to stay at peace with several things in the movie.
What’s It About?
Param, a wealthy start-up enthusiast, heads to Kerala to prove to his father that his newly funded dating app is worth the investment. At a resort there, he meetsSundari, and a love story quietly begins to unfold.
Thoughts
If you ignore the stereotypes, the sardar friend’s racist jokes, and the painfully bad Malayalam, it’s actually not such a bad movie. The first word that catches you off guard is when they pronounce Alappuzha as “Aalapozi.” I’m not sure if it was intentional. But yeah, leave behind your brain while watching this one.
The real star, of course, is Kerala. My state has been beautifully captured from start to finish. So, kudos to the filmmakers for that.
Janhvi looks lovely and delivers a stronger performance than Sidharth Malhotra. He also looks way older than her in the movie.
I was craving to watch a slice-of-life drama. Something simple, not too heavy or filled with dread. I honestly thought Anuja would be intense, given how the synopsis sounded. Plus, it’s a Hindi short film that was an Academy Award nominee.
Now, why would I mention the Academy Award nomination like it’s a bad thing? I have my reasons.
To be honest, Oscar nominees have rarely worked for me. In Malayalam, we call such films “award padam.” The kind that feels too abstract or complex for ordinary viewers (like yours truly). There was a time in my life, long ago, when I pretended to enjoy such films just to seem intellectual in front of my then-partner. But I couldn’t keep up the act, and that image fell apart the moment that relationship ended. Now, it seems I’m making up for that lost time. All I want to watch are feel-good films.
So when I saw that Anuja was an Oscar nominee, it didn’t excite me enough to hit play right away. It actually made me hesitate. After all, the Oscars have a reputation for picking Indian films that focus on pain and poverty, what many call “poverty porn,” which does not fully represent what India is today.
Still, I decided to give it a chance.
What’s It About?
A 9-year-old girl works with her sister in a garment factory in India. Despite being naturally bright and curious, she doesn’t attend school because of financial struggles. And, truthfully, she doesn’t want to either. Her elder sister, however, recognizes her potential and dreams of giving her the education she deserves.
Thoughts
The film was a pleasant surprise. I loved it. It was just 22 minutes, but packed with emotions.
It tells the story of child labourers. They are presented not as helpless victims, but as resilient children who find joy even in hardship. The truth is, we often see others through our own lens and may view them as “helpless.” But for them, this is simply life. They know no other kind of life, and they’re doing their best with what they have. That’s what the movie captures so beautifully — life as they see it, not as we do.
It’s a social hierarchy. Someone wealthier might be looking at me with pity, thinking I’m suffering. Yet I’m making the most of what I have, because that’s the life I know. We suffer mostly when we lose something we once had, when we can compare the before and after, and we truly miss the before.
I’ve often felt that those not well-off often make the best of what little they have, which is why they find happiness in the smallest things, like a bag of jalebi, for instance. Anuja captures that spirit beautifully: “The present may not be bright, but we can strive for a better tomorrow.”
The film avoids moral preaching or lecturing. It’s simply about two sisters supporting each other in a harsh world.
The most moving part of the film is that Sajda Pathan, who plays Anuja, was once a child labourer in Delhi before being rescued by the Salaam Baalak Trust (SBT). She now lives at the NGO’s Day Care Center, founded in 1988 by filmmaker Mira Nair, who, interestingly, is also the mother of New York’s new Mayor, Zohran Mamdani.
Ananya Shanbhag also delivers an excellent performance as the elder sister, Palak.
I would definitely recommend the short film. Anuja is streaming on Netflix.
Like many, I found the movie’s name, Diés Iraé, tricky to pronounce. I’m quite sure I’m still saying it wrong. But the offbeat name adds to its charm. For those who don’t know, Diés Iraé is Latin for “Day of Wrath.” It’s a term from Christian theology referring to the day when souls are judged.
The first time I heard about Diés Iraé was when I went to watch Lokah. The trailer of the movie immediately captured my attention. The execution looked stylish, and Pranav Mohanlal looked good. I knew then that I had to watch this movie in a theatre.
What’s It About?
A young, wealthy man who lives life to the fullest begins experiencing strange supernatural events in his home after visiting the house of an ex-fling who was found dead in a well. The restless spirit haunting him seems furious for unknown reasons and determined to destroy his life.
Thoughts
Since Diés Iraé is a horror film, only adults were allowed inside the theatre. An ID card was required. The theatre I went to was almost empty, which I actually didn’t mind. It meant no one was around to make unwanted comments or jokes. This has become a real problem in many Kerala theatres. I faced this issue when I went to watch Bramayugam. I hope the film industry or theatre authorities take strict action against such behavior. If they want to attract more viewers, they must ensure a respectful environment. Otherwise, serious movie lovers will simply wait for the OTT release and enjoy the film peacefully at home.
Getting back to Diés Iraé, I wouldn’t call it mind-blowing. The special effects were impressive, though. Nothing looked fake or unintentionally funny. Pranav Mohanlal delivered a decent performance, and he looked great on screen, which helped balance out a few of his less convincing moments.
There are a few jump scares, so be prepared for that.
Overall, the story felt average. If you’ve seen a lot of horror films, this one might not surprise or scare you much. Still, the execution was solid, and the fact that a film of this scale and quality came from Kerala is definitely something to be proud of.
The creepiest part was seeing the line “inspired by true events.” I didn’t dare look up what those events were. Some things are better left unresearched if you want to sleep peacefully at night.
I would say Diés Iraé is a good one-time watch. At under two hours, it’s a quick and engaging film that keeps you entertained throughout.
Odum Kuthira Chaadum Kuthira is a Malayalam movie that didn’t get glowing reviews. Still, I decided to give it a shot, because over time, I’ve learned that my taste rarely matches what others say. I’ve liked movies that everyone else trashed, and I’ve dropped shows that got rave reviews.
Take Bads of Bollywood, for instance. I quit after three episodes. The humor just didn’t click with me. The Emmy winner, Severance, on Apple TV? I made it to five episodes before giving up. It was too slow for my liking, and yes, I shamelessly looked up the spoilers for both because I couldn’t sit through the rest.
Serious movie fans and critics might think my choices are questionable. And that’s fine. I’m not trying to be anyone’s go-to person for movie recommendations. I watch movies for one simple reason: to be entertained. If a film or show keeps me hooked, that’s all that matters. I’ve also noticed how people often get shamed for liking a movie that others dislike, or for disliking one that everyone praises. This makes many stay silent about their opinions. My attempt at being open is simply to break away from that.
So, with that mindset, I started watching Odum Kuthira Chaadum Kuthira. I didn’t expect much, but I ended up being pleasantly surprised.
What’s It About?
Odum Kuthira Chaadum Kuthira opens with the wedding preparations of a quirky couple. On the night before the wedding, the bride visits the groom with an unusual request: she wants him to arrive at the venue on a horse. It’s her dream, she says. Or rather, it’s something that keeps recurring in her dreams. She believes the dream will stop only if he makes that grand entry for real. The ever-romantic groom agrees without hesitation. But what follows is a chain of chaotic events that quickly spiral out of control.
Thoughts
Unlike most recent Malayalam movies, Odum Kuthira Chaadum Kuthira is not dark, intellectual, or overly smart. The type critics will rave about. And it’s not meant to be. It’s a crackpot of a film filled with quirky, eccentric characters, and that’s exactly why I liked it. I enjoy seeing wacky personalities on screen, the kind you’d find in Andaz Apna Apna. This kind of comedy works for me. It’s not vulgar, it doesn’t demean women, and it’s genuinely funny.
The movie feels like a group of friends coming together to create something chaotic just for fun. More like a personal, experimental project than a polished production. Kudos to Fahadh Faasil and the team for taking that risk. I especially liked Lal’s character as Fahadh’s father, and I thought Revathi Pillai shared better chemistry with Fahadh than Kalyani Priyadarshan did.
I wish the ending were better. It was underwhelming, but that did not take away the fact that I enjoyed the majority of the movie.
Watch it if you’re in the mood for something silly, unserious, and refreshingly offbeat. Don’t expect a masterpiece: just expect a fun, wacky ride to unwind after a long day at work. Odum Kuthira Chaadum Kuthira is now streaming on Netflix.
It’s Diwali season. This time of year always puts me in the mood for something cozy and family-friendly to watch. But honestly, we just don’t get those kinds of movies anymore. The ones you can enjoy with everyone at home.
Remember the golden ’90s? We’d all sit together and watch Jo Jeeta Wohi Sikandar, Hum Hain Rahi Pyar Ke, or Dilwale Dulhania Le Jayenge without a single dull moment. Okay, not exactly in my family, as I was the only one truly into Bollywood, while the rest were more drawn to Malayalam movies. But I imagine these were the kind of movies that one would typically watch with their families. Nowadays, to relax, I tune into psychological thrillers because family movies do not feel family-oriented anymore.
That’s why I was keen to watch Greater Kalesh when it dropped on Netflix. It’s perfect for people like me who just want to unwind with something light and heartwarming. At under an hour, it’s an easy, breezy watch before jumping right back into Diwali celebrations.
What’s It About?
A young career woman returns home after a long time to celebrate Diwali with her family. She’s excited for a warm, cheerful reunion, but the moment she steps inside, she’s greeted not by laughter, but by chaos. Her family members are in the middle of a heated argument, and she can’t quite figure out what started it.
Thoughts
Greater Kalesh is short, simple, and surprisingly sweet. It doesn’t have high-stakes drama or a strong, twisting storyline. But that’s exactly what makes it refreshing for me. Sometimes you just want something light, easy, and comforting, and this little film delivers that perfectly. It might not be everyone’s cup of tea, especially if you seek something more cerebral or non-woke, but to me it felt like peeking into the everyday life of a next-door family and watching them sort things out in their own warm, relatable way.
Ahsaas Channa and Supriya Shukla truly shine here. Their mother-daughter bond feels real and layered. The kind that might make you think of your own mom with a smile.
It’s definitely worth a quick watch. Greater Kalesh is now streaming on Netflix.
Do you ever pick a series solely based on its synopsis? That’s exactly how I do it. I tend to avoid Netflix teasers and trailers as they are way too detailed, giving away too much, and ruining the element of surprise for me. I prefer diving straight into a story with minimal hints, letting the plot unfold organically. It keeps the narrative fresh and exciting. This could also be because I prefer reading over visuals.
That’s how I ended up choosing Wayward. Just a quick read of the synopsis (which felt interesting), and I was in.
What’s It About?
Wayward is set in a school called Tall Pines. It looks like a regular school at first (just kidding!). But trust me, you’d never want your kid saying their school is anything like this one. It’s an academy where parents send troubled, rebellious teens hoping they’ll be “fixed.” But beneath the surface, something darker seems to be going on. There’s a creepy, almost sinister vibe that makes you question what’s really happening behind those closed doors.
Thoughts
I really enjoyed Wayward. Normally, I take ages to finish a series. Not because I’m swamped with work, but because my attention span has been wrecked by endless Instagram reel scrolling. I just can’t deal with shows that drag on forever. And let’s be honest, a lot of series tend to do exactly that. One-hour episodes stuffed with fillers that barely move the story forward.
But Wayward was refreshingly different. Just 8 episodes, and not once did I feel the urge to check my phone or zone out. I also have a soft spot for women-led storylines, so that probably helped keep me hooked.
The rebellious best friends were a bit much for someone like me. I’m naturally more disciplined. But aside from their chaotic energy, nothing really irked my nerves.
The acting was top-notch. Mae Martin as Alex, the transgender young police officer, and Toni Collette as Evelyn, the head teacher of Tall Pines academy, were perfect in their respective roles. The most layered character, I felt, was that of Laura, played by Sarah Gadon. Alyvia Alyn Lind and Sydney Topliffe as Leila and Abbie were convincing as the troubled teens. The ending could’ve been stronger, sure, but I’m not complaining.
Wayward is streaming on Netflix, with each episode running for about 45 minutes.
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