Tag: writers

Book Review: “A House Without Windows” by Nadia Hashimi

Afghan women walking in front of a blue building image

I just finished A House Without Windows by Afghan-American writer Nadia Hashimi. These days, I gravitate more toward non-fiction and find it more engaging. Still, I’m not ready to give up fiction entirely. A House Without Windows was my fiction pick of the month.

What’s It About?

The story begins with a murder in an Afghan home. A woman, Zeba, is accused of killing her husband and is detained, with almost no chance of survival under Afghanistan’s strict laws for women in such cases. An Afghan-American lawyer, Yusuf, arrives in the country to connect with his roots, stumbles upon her case, and decides to defend her.

Thoughts

I really enjoyed the storyline, though I found the narration slow and somewhat predictable. What stood out most was how Nadia Hashimi portrayed the Afghan-American lawyer’s struggle to balance two cultures in America. This is a story familiar to many migrants. They want to embrace the new, yet can’t fully let go of their roots.

When Yusuf starts dating, everything boils down to one question: Will she bond well with my mother? That’s such a desi trait: wanting your partner to get along with your parents, and if there’s friction, it’s often the partner who pays the price. I also liked the part where he decides to travel to Afghanistan to reconnect with his roots, eventually making peace with the country’s imperfections, because where there’s love, hate doesn’t stand a chance.

The storyline is unique, with a blend of mystique, magic, and sacrifice. I wouldn’t say I strongly recommend the book, as I personally found it slow. However, what’s slow for me might be perfectly paced for someone else.

Ending this post with some quotable quotes from the book:

Alone and free of angst and sorrow
I’ve bled enough for today and tomorrow
Now it is time for my bud to bloom
I’m a sparrow in love with solitude
All my secrets contained within me
I sing aloud—I’m alone, finally!

SHE DID NOT REGRET THE CHILDREN, BUT AT TIMES SHE DID resent them. All mothers did, didn’t they? How could they not bear a little resentment toward people who took took took all the time? How could she be expected to feed them all? Where was Kamal when they were sick or tired or unreasonable?

Medicine is what this man calls his liquor
Strange is the remedy that only makes him sicker.

“And women?” she asked thoughtfully. “What is the world to us?”
Gulnaz offered a meek smile. “Do you not know, my daughter? Our world is the spaces between the rocks and meat. We see the face that should but doesn’t smile, the sliver of sun between dead tree branches. Time passes differently through a woman’s body. We are haunted by all the hours of yesterday and teased by a few moments of tomorrow. That is how we live—torn between what has already happened and what is yet to come.”

People only say nice things about the dead, so you never know what the truth is. You can be a brute in life, but the moment you die, all is forgiven. It used to make me mad, but now that I’m old and know what people say about me, I’m glad for it.

Men were always so frightened by their mortality that they obsessed over ways to live forever: sons to carry on their work, grandsons to carry on their name, their legacies in books, on streets, or in newspapers. Some became more desperate as their black hairs turned silver.

***

Photo by Wasim Mirzaie

7 Memorable Quotes from The Love Queen of Malabar

Kamala Surayya

The Love Queen of Malabar is a captivating exploration of the life of Kamala Das, also known as Kamala Surayya, one of India’s most celebrated poets. Written by Merrily Weisbord, the book is thought-provoking, highly controversial, poetic, melancholic, and at times, shocking.

Kamala Das shares her deepest emotions with Merrily, treating her as a confidante in revealing thoughts that range from lyrical to unexpected. While the book may not appeal to everyone, it left a lasting impression on me—an eye-opener that offered a rare glimpse into the intimate world of a literary icon.

I have carefully selected some non-controversial quotes from the book. Not everything Kamala says can be shared publicly due to its sensitive nature. However, the quotes listed here provide insight into Kamala’s thoughtful persona and capture the essence of Merrily’s book.

“A writer moves away from family, old relationships, very far with the speed of a falling star,” she says. “Otherwise the writer is destroyed, and only the member of the family remains: the mother, sister, daughter, wife. The writer at some point must ask, Do I want to be a well-loved member of the family? Or do I want to be a good writer? You can’t be both at the same time. The days when you are with the children and are being a very good mother, you cease to be the writer. You feel repelled by the pen and the paper, which are definitely going to come between you and your loved ones.”

“Because the writer can give all of herself only to that task of writing. She will have to write against her loved one, put him under the microscope, dissect him, analyze his thoughts, his words. After a while he is no longer the man you held in your arms at night. You have cut him into little slivers, everything is burst open, he is seeds and pulp and juice all spread out in little bits on your writer’s table. After that, you can’t go to his arms the same way.”

If I had not learned to write how would I have written away my loneliness or grief? Garnering them within my heart would have grown heavy as a vault, one that only death might open, a release then I would not be able to feel or sense.

“Ask the books that I read why I changed,” she says. “Ask the authors dead and alive who communicated with me and gave me the courage to be myself.”

“Make a woman laugh, then make her cry, that is the secret of a good film. Not make her cry, cry, cry. What message is that for women today?”

Her dislike of organized religion is so much more pronounced than on my last visit that I wonder if any beliefs remain to comfort her. “Yes,” she answers. “A concept of God. A presence in my room. I’m not alone. I visualize a shower of moonlight falling on someone in prayer. It is a soothing exercise. I feel bathed in light, and I know there is a God.”

She tells me that even in Kerala, which prides itself on religious coexistence, she is still being attacked from both sides. The Hindu Sangh Parivar, an association of Hindu nationalist organizations, protests her ownership of the snake shrine on her own ancestral property at Nalapat because she is a Muslim. The Muslims are “disgusted” with her because she speaks against their practices and clergy, refusing to support sectarian politics she finds unpalatable. “They feel they are losing their grip on me.”