Short Film Spotlight: Anuja

I was craving to watch a slice-of-life drama. Something simple, not too heavy or filled with dread. I honestly thought Anuja would be intense, given how the synopsis sounded. Plus, it’s a Hindi short film that was an Academy Award nominee.

Now, why would I mention the Academy Award nomination like it’s a bad thing? I have my reasons.

To be honest, Oscar nominees have rarely worked for me. In Malayalam, we call such films “award padam.” The kind that feels too abstract or complex for ordinary viewers (like yours truly). There was a time in my life, long ago, when I pretended to enjoy such films just to seem intellectual in front of my then-partner. But I couldn’t keep up the act, and that image fell apart the moment that relationship ended. Now, it seems I’m making up for that lost time. All I want to watch are feel-good films.

So when I saw that Anuja was an Oscar nominee, it didn’t excite me enough to hit play right away. It actually made me hesitate. After all, the Oscars have a reputation for picking Indian films that focus on pain and poverty, what many call “poverty porn,” which does not fully represent what India is today.

Still, I decided to give it a chance.

What’s It About?

A 9-year-old girl works with her sister in a garment factory in India. Despite being naturally bright and curious, she doesn’t attend school because of financial struggles. And, truthfully, she doesn’t want to either. Her elder sister, however, recognizes her potential and dreams of giving her the education she deserves.

Thoughts

The film was a pleasant surprise. I loved it. It was just 22 minutes, but packed with emotions.

It tells the story of child labourers. They are presented not as helpless victims, but as resilient children who find joy even in hardship. The truth is, we often see others through our own lens and may view them as “helpless.” But for them, this is simply life. They know no other kind of life, and they’re doing their best with what they have. That’s what the movie captures so beautifully — life as they see it, not as we do.

It’s a social hierarchy. Someone wealthier might be looking at me with pity, thinking I’m suffering. Yet I’m making the most of what I have, because that’s the life I know. We suffer mostly when we lose something we once had, when we can compare the before and after, and we truly miss the before.

I’ve often felt that those not well-off often make the best of what little they have, which is why they find happiness in the smallest things, like a bag of jalebi, for instance. Anuja captures that spirit beautifully: “The present may not be bright, but we can strive for a better tomorrow.”

The film avoids moral preaching or lecturing. It’s simply about two sisters supporting each other in a harsh world.

The most moving part of the film is that Sajda Pathan, who plays Anuja, was once a child labourer in Delhi before being rescued by the Salaam Baalak Trust (SBT). She now lives at the NGO’s Day Care Center, founded in 1988 by filmmaker Mira Nair, who, interestingly, is also the mother of New York’s new Mayor, Zohran Mamdani.

Ananya Shanbhag also delivers an excellent performance as the elder sister, Palak.

I would definitely recommend the short film. Anuja is streaming on Netflix.

Netflix Movie Spotlight: Greater Kalesh

It’s Diwali season. This time of year always puts me in the mood for something cozy and family-friendly to watch. But honestly, we just don’t get those kinds of movies anymore. The ones you can enjoy with everyone at home.

Remember the golden ’90s? We’d all sit together and watch Jo Jeeta Wohi Sikandar, Hum Hain Rahi Pyar Ke, or Dilwale Dulhania Le Jayenge without a single dull moment. Okay, not exactly in my family, as I was the only one truly into Bollywood, while the rest were more drawn to Malayalam movies. But I imagine these were the kind of movies that one would typically watch with their families. Nowadays, to relax, I tune into psychological thrillers because family movies do not feel family-oriented anymore.

That’s why I was keen to watch Greater Kalesh when it dropped on Netflix. It’s perfect for people like me who just want to unwind with something light and heartwarming. At under an hour, it’s an easy, breezy watch before jumping right back into Diwali celebrations.

What’s It About?

A young career woman returns home after a long time to celebrate Diwali with her family. She’s excited for a warm, cheerful reunion, but the moment she steps inside, she’s greeted not by laughter, but by chaos. Her family members are in the middle of a heated argument, and she can’t quite figure out what started it.

Thoughts

Greater Kalesh is short, simple, and surprisingly sweet. It doesn’t have high-stakes drama or a strong, twisting storyline. But that’s exactly what makes it refreshing for me. Sometimes you just want something light, easy, and comforting, and this little film delivers that perfectly. It might not be everyone’s cup of tea, especially if you seek something more cerebral or non-woke, but to me it felt like peeking into the everyday life of a next-door family and watching them sort things out in their own warm, relatable way.

Ahsaas Channa and Supriya Shukla truly shine here. Their mother-daughter bond feels real and layered. The kind that might make you think of your own mom with a smile.

It’s definitely worth a quick watch. Greater Kalesh is now streaming on Netflix.

Netflix Thriller Spotlight: Wayward

Do you ever pick a series solely based on its synopsis? That’s exactly how I do it. I tend to avoid Netflix teasers and trailers as they are way too detailed, giving away too much, and ruining the element of surprise for me. I prefer diving straight into a story with minimal hints, letting the plot unfold organically. It keeps the narrative fresh and exciting. This could also be because I prefer reading over visuals.

That’s how I ended up choosing Wayward. Just a quick read of the synopsis (which felt interesting), and I was in.

What’s It About?

Wayward is set in a school called Tall Pines. It looks like a regular school at first (just kidding!). But trust me, you’d never want your kid saying their school is anything like this one. It’s an academy where parents send troubled, rebellious teens hoping they’ll be “fixed.” But beneath the surface, something darker seems to be going on. There’s a creepy, almost sinister vibe that makes you question what’s really happening behind those closed doors.

Thoughts

I really enjoyed Wayward. Normally, I take ages to finish a series. Not because I’m swamped with work, but because my attention span has been wrecked by endless Instagram reel scrolling. I just can’t deal with shows that drag on forever. And let’s be honest, a lot of series tend to do exactly that. One-hour episodes stuffed with fillers that barely move the story forward.

But Wayward was refreshingly different. Just 8 episodes, and not once did I feel the urge to check my phone or zone out. I also have a soft spot for women-led storylines, so that probably helped keep me hooked.

The rebellious best friends were a bit much for someone like me. I’m naturally more disciplined. But aside from their chaotic energy, nothing really irked my nerves.

The acting was top-notch. Mae Martin as Alex, the transgender young police officer, and Toni Collette as Evelyn, the head teacher of Tall Pines academy, were perfect in their respective roles. The most layered character, I felt, was that of Laura, played by Sarah Gadon. Alyvia Alyn Lind and Sydney Topliffe as Leila and Abbie were convincing as the troubled teens. The ending could’ve been stronger, sure, but I’m not complaining.

Wayward is streaming on Netflix, with each episode running for about 45 minutes.

Netflix Movie Review: Saiyaara

Saiyaara poster with Aneet Padda and Ahaan Panday

I’ll start by saying I’m in my 40s, so I’m not exactly the target audience for this film. Still, I enjoyed seeing fresh faces on screen. Actors who look natural, expressive, and free from the usual heavy Botox work.

What’s It About?

Saiyaara opens with the female lead at the registrar’s office, ready to formalize her marriage. She’s a dreamer and a poet, someone who finds inspiration in life’s fleeting moments. Even in the office, she pulls out her diary to capture the beauty of what she believes is the start of a new chapter. But life takes an unexpected turn.

She soon crosses paths with the male lead, an angst-ridden singer determined to make it big. The film traces their love story and the way they navigate the highs and lows of their relationship.

Thoughts

The story felt like a mix of Aashiqui 2 and Rockstar. As I’m not drawn to melancholy, tragic romances, it didn’t resonate with me as much as I’d hoped. That said, it was refreshing to see young, expressive talent on screen.

Director Mohit Suri specifically sought an actress without cosmetic enhancements (a “botox-free beauty”), and I think that was a brilliant choice. As an audience member, I’ve found lip jobs and other obvious procedures very distracting, so the natural look was a welcome change.

The lead actress (Aneet Padda) is adorable, and the actor (Ahaan Panday) is quite charming, too. Their chemistry was lovely. Personally, I would have loved to watch this pair in a light-hearted romcom instead. Hopefully soon. We need more youthful, happy, meet-cute romantic stories in Bollywood.

Netflix Movie Review: Khufiya

You won’t always find the newest movie or series reviews here. My watchlist is long, and what I finally pick to watch could have been released years ago. That’s how I ended up with Khufiya. In fact, I didn’t even choose it myself, AI did. I simply shared my watchlist because I couldn’t decide what to watch next, and all the options looked interesting. The AI randomly picked Khufiya for me, and I’d say it did a pretty good job.

What’s It About?

An Indian R&AW agent loses a teammate during a failed mission. When the agency discovers there’s a mole in their ranks, they set a trap to catch him, but the plan takes an unexpected turn.

Thoughts

I really enjoyed this movie. It keeps you engaged throughout. Wamiqa Gabbi is the real standout here. Tabu delivers a solid performance, though I wouldn’t call it one of her finest. Wamiqa’s role is the most layered, and she plays it convincingly. There’s also a guruji-like character, seemingly inspired by Sadhguru, who is amusing to watch, though some viewers may find him offensive.

What struck me most was how the film portrays the mindset of traitors. Moles often justify their betrayal by claiming they are “saving the country from conflicts” or “working for peace,” even as they leak sensitive information. In real life, too, Indian spies caught selling secrets often give similar excuses, trying to project themselves as heroes rather than wrongdoers. Khufiya captures this psyche well, showing how enemies exploit such individuals by convincing them they are doing the right thing.

Overall, Khufiya is definitely worth a watch. It is streaming on Netflix.

Netflix Thriller Review: Dept. Q

I came across a review of Dept. Q on Instagram Reels, which is how it ended up on my watchlist. Honestly, before watching, I was doubtful whether I would finish it. Lately, many “thriller” series have failed to truly thrill me. But I’m glad I gave this one a chance and stuck with it.

What’s It About?

An arrogant detective, Carl Morck, returns to work after being injured in a shooting and is assigned to a new department in a dingy basement to investigate unsolved cases. He is soon joined by Akram, a former Syrian policeman now working as a civilian employee, and Rose, a young and spirited constable. Akram ends up selecting a case for Carl to pursue, one involving the sudden disappearance of a lawyer after she is assaulted by her non-verbal brother on a ferry.

Thoughts

Even though the series drags at times, I found myself wanting to know what happens next. This curiosity kept me watching. My rule of thumb for thrillers is simple: Am I interested in finding out the truth? If yes, I continue. If no, I skip. This series made me stay. I genuinely wanted to know what happened. The final episode was the standout of the season, stirring a range of emotions in me: anger, fear, thrill, affection, and warmth.

The performances were strong across the board, but my favourite character was Akram, played by Alexej Manvelov, a mature presence, always in control, in contrast to the more unruly Carl Morck.

I would recommend Dept. Q. It’s streaming on Netflix, with a total of 9 episodes, each roughly an hour long.