Netflix Thriller Spotlight: Wayward

Do you ever pick a series solely based on its synopsis? That’s exactly how I do it. I tend to avoid Netflix teasers and trailers as they are way too detailed, giving away too much, and ruining the element of surprise for me. I prefer diving straight into a story with minimal hints, letting the plot unfold organically. It keeps the narrative fresh and exciting. This could also be because I prefer reading over visuals.

That’s how I ended up choosing Wayward. Just a quick read of the synopsis (which felt interesting), and I was in.

What’s It About?

Wayward is set in a school called Tall Pines. It looks like a regular school at first (just kidding!). But trust me, you’d never want your kid saying their school is anything like this one. It’s an academy where parents send troubled, rebellious teens hoping they’ll be “fixed.” But beneath the surface, something darker seems to be going on. There’s a creepy, almost sinister vibe that makes you question what’s really happening behind those closed doors.

Thoughts

I really enjoyed Wayward. Normally, I take ages to finish a series. Not because I’m swamped with work, but because my attention span has been wrecked by endless Instagram reel scrolling. I just can’t deal with shows that drag on forever. And let’s be honest, a lot of series tend to do exactly that. One-hour episodes stuffed with fillers that barely move the story forward.

But Wayward was refreshingly different. Just 8 episodes, and not once did I feel the urge to check my phone or zone out. I also have a soft spot for women-led storylines, so that probably helped keep me hooked.

The rebellious best friends were a bit much for someone like me. I’m naturally more disciplined. But aside from their chaotic energy, nothing really irked my nerves.

The acting was top-notch. Mae Martin as Alex, the transgender young police officer, and Toni Collette as Evelyn, the head teacher of Tall Pines academy, were perfect in their respective roles. The most layered character, I felt, was that of Laura, played by Sarah Gadon. Alyvia Alyn Lind and Sydney Topliffe as Leila and Abbie were convincing as the troubled teens. The ending could’ve been stronger, sure, but I’m not complaining.

Wayward is streaming on Netflix, with each episode running for about 45 minutes.

Netflix Movie Review: Saiyaara

Saiyaara poster with Aneet Padda and Ahaan Panday

I’ll start by saying I’m in my 40s, so I’m not exactly the target audience for this film. Still, I enjoyed seeing fresh faces on screen. Actors who look natural, expressive, and free from the usual heavy Botox work.

What’s It About?

Saiyaara opens with the female lead at the registrar’s office, ready to formalize her marriage. She’s a dreamer and a poet, someone who finds inspiration in life’s fleeting moments. Even in the office, she pulls out her diary to capture the beauty of what she believes is the start of a new chapter. But life takes an unexpected turn.

She soon crosses paths with the male lead, an angst-ridden singer determined to make it big. The film traces their love story and the way they navigate the highs and lows of their relationship.

Thoughts

The story felt like a mix of Aashiqui 2 and Rockstar. As I’m not drawn to melancholy, tragic romances, it didn’t resonate with me as much as I’d hoped. That said, it was refreshing to see young, expressive talent on screen.

Director Mohit Suri specifically sought an actress without cosmetic enhancements (a “botox-free beauty”), and I think that was a brilliant choice. As an audience member, I’ve found lip jobs and other obvious procedures very distracting, so the natural look was a welcome change.

The lead actress (Aneet Padda) is adorable, and the actor (Ahaan Panday) is quite charming, too. Their chemistry was lovely. Personally, I would have loved to watch this pair in a light-hearted romcom instead. Hopefully soon. We need more youthful, happy, meet-cute romantic stories in Bollywood.

Netflix Movie Review: Khufiya

You won’t always find the newest movie or series reviews here. My watchlist is long, and what I finally pick to watch could have been released years ago. That’s how I ended up with Khufiya. In fact, I didn’t even choose it myself, AI did. I simply shared my watchlist because I couldn’t decide what to watch next, and all the options looked interesting. The AI randomly picked Khufiya for me, and I’d say it did a pretty good job.

What’s It About?

An Indian R&AW agent loses a teammate during a failed mission. When the agency discovers there’s a mole in their ranks, they set a trap to catch him, but the plan takes an unexpected turn.

Thoughts

I really enjoyed this movie. It keeps you engaged throughout. Wamiqa Gabbi is the real standout here. Tabu delivers a solid performance, though I wouldn’t call it one of her finest. Wamiqa’s role is the most layered, and she plays it convincingly. There’s also a guruji-like character, seemingly inspired by Sadhguru, who is amusing to watch, though some viewers may find him offensive.

What struck me most was how the film portrays the mindset of traitors. Moles often justify their betrayal by claiming they are “saving the country from conflicts” or “working for peace,” even as they leak sensitive information. In real life, too, Indian spies caught selling secrets often give similar excuses, trying to project themselves as heroes rather than wrongdoers. Khufiya captures this psyche well, showing how enemies exploit such individuals by convincing them they are doing the right thing.

Overall, Khufiya is definitely worth a watch. It is streaming on Netflix.

Netflix Thriller Review: Dept. Q

I came across a review of Dept. Q on Instagram Reels, which is how it ended up on my watchlist. Honestly, before watching, I was doubtful whether I would finish it. Lately, many “thriller” series have failed to truly thrill me. But I’m glad I gave this one a chance and stuck with it.

What’s It About?

An arrogant detective, Carl Morck, returns to work after being injured in a shooting and is assigned to a new department in a dingy basement to investigate unsolved cases. He is soon joined by Akram, a former Syrian policeman now working as a civilian employee, and Rose, a young and spirited constable. Akram ends up selecting a case for Carl to pursue, one involving the sudden disappearance of a lawyer after she is assaulted by her non-verbal brother on a ferry.

Thoughts

Even though the series drags at times, I found myself wanting to know what happens next. This curiosity kept me watching. My rule of thumb for thrillers is simple: Am I interested in finding out the truth? If yes, I continue. If no, I skip. This series made me stay. I genuinely wanted to know what happened. The final episode was the standout of the season, stirring a range of emotions in me: anger, fear, thrill, affection, and warmth.

The performances were strong across the board, but my favourite character was Akram, played by Alexej Manvelov, a mature presence, always in control, in contrast to the more unruly Carl Morck.

I would recommend Dept. Q. It’s streaming on Netflix, with a total of 9 episodes, each roughly an hour long.

Netflix Anthology Review: Black Mirror (Season 7)

I had put off watching Black Mirror Season 7 for a long time, as Season 6 had failed to impress me. But on a friend’s recommendation, I decided to give it a shot. I’m happy to report that most of the episodes, except the last one, lived up to my expectations.

What’s It About?

Story 1 – Common People:
A devoted husband, unwilling to lose his terminally ill wife, uses a high-end new technology to keep her alive. At first, it seems like a miracle. But as with most modern tech, things soon spiral out of control. The couple is forced to confront the harsh reality of love, loss, and the consequences of clinging to the impossible.

Story 2 – Bête Noire:
An ambitious professional’s life is thrown into disarray when a former schoolmate unexpectedly joins her workplace. What begins as unease quickly escalates as unusual events unfold around her, sending her mental state into a downward spiral.

Story 3 – Hotel Reverie:
A popular actress, bored of dull roles, signs on to a high-tech film project that aims to recreate a classic movie using immersive technology. She steps into a world where she must play out scenes with virtual versions of the original cast. But the line between fiction and reality begins to fade, and the production eventually takes a dark and unexpected turn.

Story 4 – Plaything:
A socially isolated man is arrested for murder. During interrogation, he reveals his obsession with a computer game involving digital creatures. The more he cares for these forms, the more they grow. And the more they demand from him.

Story 5 – Eulogy:
A man is tasked with writing a eulogy for an old lover with the help of a photo-based immersive memory technology that lets him relive past shared moments with her. Some are joyful, others painful, and some reveal truths he wasn’t prepared to face.

Story 6 – USS Callister: Into Infinity:
A stranded crew battles for survival in an endless virtual universe. They are trapped in a multiplayer simulation, and they must outsmart other players to escape the loop and find freedom.

Thoughts

Though I enjoyed every episode in Black Mirror Season 7, my favourite was Plaything. The technology shown in the story is both fascinating and disturbing. The sing-song tune of the little digital forms adds just the right touch of eeriness. The lead actor delivers a convincing performance as the eccentric character ready to go above and beyond for his virtual friends.

The season as a whole highlights how technology can go wrong in unexpected ways. It drives home the point that in the pursuit of something “better,” we often overlook the risks that come with it.

I didn’t find the final episode particularly interesting. Probably because outer space-themed plots don’t usually appeal to me.

Overall, I would say Black Mirror Season 7 is worth a watch. All six episodes, each about an hour long, are streaming on Netflix.

Hindi Movie Review: Aap Jaisa Koi

A socially awkward 42-year-old Sanskrit professor from Jamshedpur meets a free-spirited 32-year-old Bengali French teacher through an arranged marriage setup. He’s orthodox, she’s liberal. This description may feel like the movie is based on a war of languages (keeping up with the trend). But it’s not. At its core, Aap Jaisa Koi delves into the multifaceted nature of relationships. It brings a fresh and nuanced take on modern love, tradition, and society’s double standards.

I’ve often wondered why our romantic cinema sticks to the same old formulas when dynamics within relationships and individuals involved are far more complex. Our movie industry usually focuses on the stereotypical boy-meets-girl story, where the characters fall in love, and then external forces play the villain. There are no other angles to the story. In real life, the friction often lies within the relationship itself – compatibility issues, cultural/morality issues, and more. Such issues are often subtle at first but end up being harder to fix. They aren’t dramatic but quietly playing in the background and are dismissed as unimportant. But each day, it chips away at a part of your soul. Some deal with it openly, whereas others act ignorant to maintain harmony in the household.

There are a lot of relationship angles left unexplored in Indian cinema. Someday, I’d love to see a romantic story about two divorcees giving love a second chance. That dynamic carries a quiet vulnerability: the fear of repeating past pain, the hesitation of stepping into something that once broke you. It’s raw, real, and deeply human. However, just like how society stigmatizes divorcees, I think our Indian cinema stigmatizes them too. India is not a country devoid of divorcees, yet they are rarely shown in cinema.

Unlike many Indian films, K-dramas explore these internal dynamics with depth and nuance. That’s why Aap Jaisa Koi felt refreshing. It brings a romance that’s familiar in setting but different in treatment. It spends extra time focusing on emotions and character development. The dialogues are so warm and real, they might just bring tears to your eyes. A few lines had that effect on me. Not because they were sad, but because they were crafted with such thoughtfulness. It felt like poetry. If you’re a non-Indian reader who enjoys K-dramas for their focus on emotions, give this one a shot. I think you’ll genuinely enjoy it.

Aside from the crackling chemistry, the movie has some dreamy music. Mila Tujhe is my favourite of the lot. In a romantic drama, music plays a crucial role. It should be tender, laced with hope, longing, and desire, not melancholy, to heighten emotions and pull you in completely. That’s exactly what the Aap Jaisa Koi soundtrack does. The couple’s chemistry draws you in, and the music wraps around it, making the experience all the more immersive.

Fatima Sana Shaikh is an actress I’d love to see more of. Whether she’s playing a traditional hijabi in Modern Love: Mumbai or a fiery Bengali in Aap Jaisa Koi, she brings authenticity to every role. There’s so much untapped potential in her, and it’s time filmmakers gave her the space she truly deserves. Her character in Aap Jaisa Koi is a feminist, yet deeply rooted in tradition. She looks ethereal in beautiful, traditional sarees. In Bollywood, modern women are often stereotyped as party-goers in Western clothes, but this film takes a different route. It reminds us that modernity is a mindset, not a dress code. You can be progressive and still stay connected to your culture. Meanwhile, many who dress trendy are found to be regressive in their thoughts. Clothes are not a true indicator of someone’s personality. To know a person, you need to know their thoughts.

Madhavan, as always, does full justice to a role that’s equal parts comical and endearing. His comic timing is spot on, and he effortlessly switches expressions, reminding us once again of his natural screen presence.

Aap Jaisa Koi is a feel-good romance that stays with you. I enjoyed it. The movie is streaming on Netflix.