My Yali Capkini Journey: Rage, Romance and Baklava Cravings

Yali Capkini Poster Image

I started watching the Turkish drama Yali Capkini (Golden Boy) on Amazon Prime (MX Player) for a very simple reason. The lead pair looked good. I honestly assumed I would drop it after a few episodes because good looks alone rarely keep me hooked. Chemistry matters. A solid storyline matters. Surprisingly, Yali Capkini seems to tick every box so far.

This is the first time I am watching a Turkish series, and it gave me a small window into how Turkish Muslims live. It feels very different from what we usually see in Indian society, where things tend to be more conservative. Turkish culture comes across as more liberal, and a lot of that credit goes to Atatürk’s reforms, which pushed women’s rights forward. The show reflects that beautifully. Women face no criticism for dressing modernly, can speak up for themselves, and aren’t afraid to assert their rights. At the same time, the drama also shows conservative families who believe women should stay home and raise children. One scene shows a father accusing his daughter of being a disbeliever just because she drew a Christmas tree. In Pakistani dramas, the word “kafir” gets thrown around easily, but from what I’ve seen here, it isn’t normalised in Turkish shows. In fact, later, you see characters happily celebrating Christmas trees and decor.

If you plan to watch Yali Capkini, keep a box of Baklava ready. There are so many references to the sweet that you will start craving it instantly. I highly recommend trying Swaadesi Baklava, which should be available in most local Indian stores and also online. In the show, coffee and Baklava feel like supporting characters. They show up during happy moments and sad ones. Just like how many of us enjoy a cup of chai on a rainy day, the characters in this drama keep turning to their coffee and Baklava at any time of the day.

Now, coming to the main characters. Ferit, played by Mert Ramazan Demir, has to be one of the most toxic characters I have ever seen in a drama or movie. Since Yali Capkini’s story is written by a psychiatrist, the male character’s behaviour feels layered and too realistic at times. He is the kind of partner who says “So what?” when you tell him he hurt you, yet he reacts strongly if you give him the same treatment. His emotional manipulation, hot and cold behaviour, and constant lying create a type of rage that builds up inside you. His words sting more than any physical act. Anyone who has ever dealt with a toxic partner would relate, and this applies to both women and men who have experienced suffocating or manipulative relationships. The way most female characters in the drama react to disrespect is infuriating, but it is still close to reality. We all know someone who tells women to “adjust” or “compromise” to keep the relationship going.

The female lead, Seyran, played by Afra Saraçoğlu, is stunning, with eyes that instantly remind you of Aishwarya Rai. She is fiery, refuses to accept injustice, and that naturally irritates Ferit and his family, who are used to submissive women. She is easily the best performer in the show and delivers every scene with perfection.

There are very less feel-good scenes here. The series feels like pure rage bait. Still, it keeps you hooked. I haven’t completed it yet because Season 1 alone has more than 100 episodes. Then there is Season 2 and 3. I am not sure I will finish everything if the constant toxicity gets too irritating, but for now, I still have the motivation to continue.

Yali Capkini is available in both Turkish and Hindi on Amazon and MX Player. The English subtitles aren’t perfect, and sometimes don’t make any sense, but I still recommend watching it with subtitles rather than switching to the Hindi dub. The Hindi audio uses overly respectful language even when characters talk to someone younger, and it takes away from the natural flow of the scenes. That was my only issue.

An Ode to 9 Thought-Provoking Life Quotes from Bonnie Garmus’s Lessons in Chemistry

Chemistry Experiment Image

I recently came to know that there is an Apple TV series based on Bonnie Garmus’s Lessons in Chemistry. Still, like many book lovers who believe the original story is always better than any adaptation, I chose to read the book first. And I am glad I did.

Lessons in Chemistry is warm, quirky, and emotional. It begins at a quick pace and later slows down to let the reader focus on how the characters are feeling. The fictional novel explores women empowerment, career, ambition, love, grief, and self discovery.

The story is about two unconventional scientists who view the world through logic. Their relationship feels unusual to others because their conversations revolve around research, experiments, and what most people would call nerdy banter. But the connection they feel with each other is real. They believe they are soulmates.

The female scientist eventually steps into an unexpected phase of her life and has to leave her career only to soon become the host of a cooking show. The show goes on to gain popularity dude to her unique, scientific approach towards food. She treats every recipe like a science experiment. She explains why each ingredient matters and the chemical composition that affects taste and cooking. This fresh perspective inspires her audience and transforms the way they think about cooking.

If you enjoy fiction that blends romance, feminism, science, and character driven storytelling, Lessons in Chemistry is worth adding to your reading list.

I also want to list some of my favourite thought-provoking quotes from the book. Hope you enjoy them as much as I did.

One thing I’ve learned, Calvin: people will always yearn for a simple solution to their complicated problems.

It’s a lot easier to have faith in something you can’t see, can’t touch, can’t explain, and can’t change, rather than to have faith in something you actually can.

From his own lessons, he knew repetition was important. The key was not to overdo the repetition—not to make it so tiresome that it actually had an inverse result and caused the student to forget. That was called boredom. According to Elizabeth, boredom was what was wrong with education today.

No wonder people didn’t understand animals. They could barely understand each other.

Having a baby, Elizabeth realized, was a little like living with a visitor from a distant planet. There was a certain amount of give and take as the visitor learned your ways and you learned theirs, but gradually their ways faded and your ways stuck. Which she found regrettable. Because unlike adults, her visitor never tired of even the smallest discovery; always saw the magic in the ordinary.

“What I find interesting about rowing,” Dr. Mason was saying, “is that it’s always done backwards. It’s almost as if the sport itself is trying to teach us not to get ahead of ourselves.” He opened his car door. “Actually, when you think about it, rowing is almost exactly like raising kids. Both require patience, endurance, strength, and commitment. And neither allow us to see where we’re going—only where we’ve been. I find that very reassuring, don’t you? Except for the flip-outs—of course. I could really do with fewer flip-outs.”

But as she read, she’d found herself wondering—did the artist ever get distracted? Ink an asp instead of a goat? And if so, did he have to let it stand? Probably. On the other hand, wasn’t that the very definition of life? Constant adaptations brought about by a series of never-ending mistakes?

“I don’t have hopes,” Mad explained, studying the address. “I have faith.”
He looked at her in surprise. “Well, that’s a funny word to hear coming from you.”
“How come?”
“Because,” he said, “well, you know. Religion is based on faith.”
“But you realize,” she said carefully, as if not to embarrass him further, “that faith isn’t based on religion. Right?”

“Whenever you start doubting yourself,” she said, turning back to the audience, “whenever you feel afraid, just remember. Courage is the root of change—and change is what we’re chemically designed to do. So when you wake up tomorrow, make this pledge. No more holding yourself back. No more subscribing to others’ opinions of what you can and cannot achieve. And no more allowing anyone to pigeonhole you into useless categories of sex, race, economic status, and religion. Do not allow your talents to lie dormant, ladies. Design your own future.

When you go home today, ask yourself what you will change. And then get started.”

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Photo by Ron Lach