Short Film Spotlight: Anuja

I was craving to watch a slice-of-life drama. Something simple, not too heavy or filled with dread. I honestly thought Anuja would be intense, given how the synopsis sounded. Plus, it’s a Hindi short film that was an Academy Award nominee.

Now, why would I mention the Academy Award nomination like it’s a bad thing? I have my reasons.

To be honest, Oscar nominees have rarely worked for me. In Malayalam, we call such films “award padam.” The kind that feels too abstract or complex for ordinary viewers (like yours truly). There was a time in my life, long ago, when I pretended to enjoy such films just to seem intellectual in front of my then-partner. But I couldn’t keep up the act, and that image fell apart the moment that relationship ended. Now, it seems I’m making up for that lost time. All I want to watch are feel-good films.

So when I saw that Anuja was an Oscar nominee, it didn’t excite me enough to hit play right away. It actually made me hesitate. After all, the Oscars have a reputation for picking Indian films that focus on pain and poverty, what many call “poverty porn,” which does not fully represent what India is today.

Still, I decided to give it a chance.

What’s It About?

A 9-year-old girl works with her sister in a garment factory in India. Despite being naturally bright and curious, she doesn’t attend school because of financial struggles. And, truthfully, she doesn’t want to either. Her elder sister, however, recognizes her potential and dreams of giving her the education she deserves.

Thoughts

The film was a pleasant surprise. I loved it. It was just 22 minutes, but packed with emotions.

It tells the story of child labourers. They are presented not as helpless victims, but as resilient children who find joy even in hardship. The truth is, we often see others through our own lens and may view them as “helpless.” But for them, this is simply life. They know no other kind of life, and they’re doing their best with what they have. That’s what the movie captures so beautifully — life as they see it, not as we do.

It’s a social hierarchy. Someone wealthier might be looking at me with pity, thinking I’m suffering. Yet I’m making the most of what I have, because that’s the life I know. We suffer mostly when we lose something we once had, when we can compare the before and after, and we truly miss the before.

I’ve often felt that those not well-off often make the best of what little they have, which is why they find happiness in the smallest things, like a bag of jalebi, for instance. Anuja captures that spirit beautifully: “The present may not be bright, but we can strive for a better tomorrow.”

The film avoids moral preaching or lecturing. It’s simply about two sisters supporting each other in a harsh world.

The most moving part of the film is that Sajda Pathan, who plays Anuja, was once a child labourer in Delhi before being rescued by the Salaam Baalak Trust (SBT). She now lives at the NGO’s Day Care Center, founded in 1988 by filmmaker Mira Nair, who, interestingly, is also the mother of New York’s new Mayor, Zohran Mamdani.

Ananya Shanbhag also delivers an excellent performance as the elder sister, Palak.

I would definitely recommend the short film. Anuja is streaming on Netflix.

Horror Movie Spotlight: Diés Iraé

Like many, I found the movie’s name, Diés Iraé, tricky to pronounce. I’m quite sure I’m still saying it wrong. But the offbeat name adds to its charm. For those who don’t know, Diés Iraé is Latin for “Day of Wrath.” It’s a term from Christian theology referring to the day when souls are judged.

The first time I heard about Diés Iraé was when I went to watch Lokah. The trailer of the movie immediately captured my attention. The execution looked stylish, and Pranav Mohanlal looked good. I knew then that I had to watch this movie in a theatre.

What’s It About?

A young, wealthy man who lives life to the fullest begins experiencing strange supernatural events in his home after visiting the house of an ex-fling who was found dead in a well. The restless spirit haunting him seems furious for unknown reasons and determined to destroy his life.

Thoughts

Since Diés Iraé is a horror film, only adults were allowed inside the theatre. An ID card was required. The theatre I went to was almost empty, which I actually didn’t mind. It meant no one was around to make unwanted comments or jokes. This has become a real problem in many Kerala theatres. I faced this issue when I went to watch Bramayugam. I hope the film industry or theatre authorities take strict action against such behavior. If they want to attract more viewers, they must ensure a respectful environment. Otherwise, serious movie lovers will simply wait for the OTT release and enjoy the film peacefully at home.

Getting back to Diés Iraé, I wouldn’t call it mind-blowing. The special effects were impressive, though. Nothing looked fake or unintentionally funny. Pranav Mohanlal delivered a decent performance, and he looked great on screen, which helped balance out a few of his less convincing moments.

There are a few jump scares, so be prepared for that.

Overall, the story felt average. If you’ve seen a lot of horror films, this one might not surprise or scare you much. Still, the execution was solid, and the fact that a film of this scale and quality came from Kerala is definitely something to be proud of.

The creepiest part was seeing the line “inspired by true events.” I didn’t dare look up what those events were. Some things are better left unresearched if you want to sleep peacefully at night.

I would say Diés Iraé is a good one-time watch. At under two hours, it’s a quick and engaging film that keeps you entertained throughout.

Netflix Movie Spotlight: Greater Kalesh

It’s Diwali season. This time of year always puts me in the mood for something cozy and family-friendly to watch. But honestly, we just don’t get those kinds of movies anymore. The ones you can enjoy with everyone at home.

Remember the golden ’90s? We’d all sit together and watch Jo Jeeta Wohi Sikandar, Hum Hain Rahi Pyar Ke, or Dilwale Dulhania Le Jayenge without a single dull moment. Okay, not exactly in my family, as I was the only one truly into Bollywood, while the rest were more drawn to Malayalam movies. But I imagine these were the kind of movies that one would typically watch with their families. Nowadays, to relax, I tune into psychological thrillers because family movies do not feel family-oriented anymore.

That’s why I was keen to watch Greater Kalesh when it dropped on Netflix. It’s perfect for people like me who just want to unwind with something light and heartwarming. At under an hour, it’s an easy, breezy watch before jumping right back into Diwali celebrations.

What’s It About?

A young career woman returns home after a long time to celebrate Diwali with her family. She’s excited for a warm, cheerful reunion, but the moment she steps inside, she’s greeted not by laughter, but by chaos. Her family members are in the middle of a heated argument, and she can’t quite figure out what started it.

Thoughts

Greater Kalesh is short, simple, and surprisingly sweet. It doesn’t have high-stakes drama or a strong, twisting storyline. But that’s exactly what makes it refreshing for me. Sometimes you just want something light, easy, and comforting, and this little film delivers that perfectly. It might not be everyone’s cup of tea, especially if you seek something more cerebral or non-woke, but to me it felt like peeking into the everyday life of a next-door family and watching them sort things out in their own warm, relatable way.

Ahsaas Channa and Supriya Shukla truly shine here. Their mother-daughter bond feels real and layered. The kind that might make you think of your own mom with a smile.

It’s definitely worth a quick watch. Greater Kalesh is now streaming on Netflix.

Netflix Movie Review: Khufiya

You won’t always find the newest movie or series reviews here. My watchlist is long, and what I finally pick to watch could have been released years ago. That’s how I ended up with Khufiya. In fact, I didn’t even choose it myself, AI did. I simply shared my watchlist because I couldn’t decide what to watch next, and all the options looked interesting. The AI randomly picked Khufiya for me, and I’d say it did a pretty good job.

What’s It About?

An Indian R&AW agent loses a teammate during a failed mission. When the agency discovers there’s a mole in their ranks, they set a trap to catch him, but the plan takes an unexpected turn.

Thoughts

I really enjoyed this movie. It keeps you engaged throughout. Wamiqa Gabbi is the real standout here. Tabu delivers a solid performance, though I wouldn’t call it one of her finest. Wamiqa’s role is the most layered, and she plays it convincingly. There’s also a guruji-like character, seemingly inspired by Sadhguru, who is amusing to watch, though some viewers may find him offensive.

What struck me most was how the film portrays the mindset of traitors. Moles often justify their betrayal by claiming they are “saving the country from conflicts” or “working for peace,” even as they leak sensitive information. In real life, too, Indian spies caught selling secrets often give similar excuses, trying to project themselves as heroes rather than wrongdoers. Khufiya captures this psyche well, showing how enemies exploit such individuals by convincing them they are doing the right thing.

Overall, Khufiya is definitely worth a watch. It is streaming on Netflix.

Comedy Movie Review: Prince and Family

I think it’s safe to say I’m seriously craving a good comedy film. The genre seems to be fading in Indian cinema. I’m not enjoying that shift one bit. Remember the Andaz Apna Apna era? Pure classic. Even Malayalam cinema had its fair share of timeless comedies that still hold up today. That comedy void is exactly what led me to subscribe to Zee5, just to watch the Malayalam film Prince and Family.

To be honest, I’ve become quite disconnected from new movie releases. Life in your 40s tends to be more news-oriented and less in touch with the entertainment world. And to make it worse, the kind of feel-good content I enjoy seems to be rare these days. I was brought up in the era of Yash Chopra and Karan Johar movies. So it’s natural that I miss the soft aesthetics of good ol’ Bollywood romance and the comedy movies of Malayalee actors like Mohanlal and Sreenivasan.

Considering my disconnect, I actually discovered Prince and Family through Instagram Reels. It was the viral dance entry of Chinju Rani that caught my eye and motivated me to subscribe to Zee5.

What’s It About?

Prince and Family tells the story of Prince Chakkalakkal, a well-known fashion designer in his 40s working in Kerala. He carries the weight of his entire family, including his two unemployed brothers and their families, on his shoulders. Despite his success, Prince remains unmarried, struggling to find the right partner.

Enter Chinju Rani. A hyper-energetic woman in her 20s and a popular social media influencer. Their match is arranged through an online matrimonial site.

Chinju Rani lives for the ‘likes.’ Every decision she makes is filtered through the lens of her followers. So much so that on her wedding night, she’s busy editing and posting her wedding video, while her husband waits and eventually falls asleep.

Can two people from such different worlds build a happy marriage? That’s the heart of Prince and Family.

Thoughts

I enjoyed Prince and Family overall. It had a promising comic tone at the start. I only wish they had stuck with that all the way through. While I understand the film’s intention, that is to highlight the dangers of living through social media at the cost of real-life connections, the shift to a more serious tone felt a bit abrupt. Honestly, the world of influencers offers plenty of material for comedy, and the film could have explored that further in a subtle manner without losing its message.

Some of the emotional scenes felt exaggerated. But not to the point of losing interest. The film kept its entertainment quotient intact throughout.

Dileep’s character is particularly interesting. He’s choosy about marriage proposals, with one preference that seems to be clearly dominant over all others even though it’s not explicitly stated: he wants a young, unmarried, attractive woman. Despite being in his 40s, this mindset makes him dismiss proposals from women his own age with a certain disdain. It’s old-school thinking, but it mirrors real-life attitudes in India that still persist. This is why we see 50-year-old Indian male actors romancing 20-year-olds on-screen, while actresses of the same age group play their mothers.

The real star of the movie, though, is Raniya Raanaa. Some might say she’s overacting, but I think she nails the hyper energy of a social media influencer who lives for the camera. Her performance is full of life, and she handles emotional scenes with ease. Siddique and Bindu Panicker are excellent in their supporting roles as well.

All in all, Prince and Family is worth a watch. Just don’t expect too much logic or nuance. It’s streaming now on Zee5.

Hindi Movie Review: Aap Jaisa Koi

A socially awkward 42-year-old Sanskrit professor from Jamshedpur meets a free-spirited 32-year-old Bengali French teacher through an arranged marriage setup. He’s orthodox, she’s liberal. This description may feel like the movie is based on a war of languages (keeping up with the trend). But it’s not. At its core, Aap Jaisa Koi delves into the multifaceted nature of relationships. It brings a fresh and nuanced take on modern love, tradition, and society’s double standards.

I’ve often wondered why our romantic cinema sticks to the same old formulas when dynamics within relationships and individuals involved are far more complex. Our movie industry usually focuses on the stereotypical boy-meets-girl story, where the characters fall in love, and then external forces play the villain. There are no other angles to the story. In real life, the friction often lies within the relationship itself – compatibility issues, cultural/morality issues, and more. Such issues are often subtle at first but end up being harder to fix. They aren’t dramatic but quietly playing in the background and are dismissed as unimportant. But each day, it chips away at a part of your soul. Some deal with it openly, whereas others act ignorant to maintain harmony in the household.

There are a lot of relationship angles left unexplored in Indian cinema. Someday, I’d love to see a romantic story about two divorcees giving love a second chance. That dynamic carries a quiet vulnerability: the fear of repeating past pain, the hesitation of stepping into something that once broke you. It’s raw, real, and deeply human. However, just like how society stigmatizes divorcees, I think our Indian cinema stigmatizes them too. India is not a country devoid of divorcees, yet they are rarely shown in cinema.

Unlike many Indian films, K-dramas explore these internal dynamics with depth and nuance. That’s why Aap Jaisa Koi felt refreshing. It brings a romance that’s familiar in setting but different in treatment. It spends extra time focusing on emotions and character development. The dialogues are so warm and real, they might just bring tears to your eyes. A few lines had that effect on me. Not because they were sad, but because they were crafted with such thoughtfulness. It felt like poetry. If you’re a non-Indian reader who enjoys K-dramas for their focus on emotions, give this one a shot. I think you’ll genuinely enjoy it.

Aside from the crackling chemistry, the movie has some dreamy music. Mila Tujhe is my favourite of the lot. In a romantic drama, music plays a crucial role. It should be tender, laced with hope, longing, and desire, not melancholy, to heighten emotions and pull you in completely. That’s exactly what the Aap Jaisa Koi soundtrack does. The couple’s chemistry draws you in, and the music wraps around it, making the experience all the more immersive.

Fatima Sana Shaikh is an actress I’d love to see more of. Whether she’s playing a traditional hijabi in Modern Love: Mumbai or a fiery Bengali in Aap Jaisa Koi, she brings authenticity to every role. There’s so much untapped potential in her, and it’s time filmmakers gave her the space she truly deserves. Her character in Aap Jaisa Koi is a feminist, yet deeply rooted in tradition. She looks ethereal in beautiful, traditional sarees. In Bollywood, modern women are often stereotyped as party-goers in Western clothes, but this film takes a different route. It reminds us that modernity is a mindset, not a dress code. You can be progressive and still stay connected to your culture. Meanwhile, many who dress trendy are found to be regressive in their thoughts. Clothes are not a true indicator of someone’s personality. To know a person, you need to know their thoughts.

Madhavan, as always, does full justice to a role that’s equal parts comical and endearing. His comic timing is spot on, and he effortlessly switches expressions, reminding us once again of his natural screen presence.

Aap Jaisa Koi is a feel-good romance that stays with you. I enjoyed it. The movie is streaming on Netflix.