Haq: When a Film About Muslim Women Speaks to All Women

For the most part, Haq is not a story only about Muslim women. It is a story about women in general. Almost all of us know someone, married or unmarried, who has been cheated in love. We have seen that heartbreak up close, and we understand the emotional toll it takes.

When Shazia feels betrayed, we feel it too. When she wants the best for her children, that emotion feels familiar. When she fights for her rights, it resonates deeply. And when her father stands by her without hesitation, it reminds us of our own fathers and the quiet strength that support brings. These are emotions that are universal to women, cutting across religion, culture, and background.

The narrative becomes specifically about Muslim women only when the legal issues come into focus. That is where the real differences emerge, and the film clearly highlights how laws and systems can shape a woman’s fight for justice. It is to be noted that soon after the Triple Talaq ban was implemented in India, many Muslim women began approaching the courts to seek justice. While there was no open praise for the current government for such a ban, there was a quiet acceptance of the relief and protection the law offered them in real life. Many Muslim men, however, continue to view the ban as an insult to their faith rather than as a legal safeguard for women.

Getting back to the movie, Yami’s final monologue is powerful and leaves a strong impact. Emraan feels completely natural throughout and never once seems like he is performing. Sheeba Chaddha is equally convincing and brings depth to her role.

I especially want to credit Emraan for choosing to act in a film that openly talks about Muslim women’s rights. It takes conviction to support a story like this, especially as a Muslim, without dismissing it as Islamophobic. The film is clearly not that. Instead, it focuses on real issues and lived experiences, and his decision to back the narrative adds credibility and strength to the message being told.

Overall, I liked the film. The background music could have been better, and Yami is not fully convincing in a few scenes. Still, she more than makes up for it in the final act, which stays with you long after the film ends.

Haq is now streaming on Netflix.

Rohit Saraf Feels Like Old-School Romance and I Love It

I often find myself missing the old Bollywood romance era. Films by Yash Chopra or early Karan Johar had a kind of magic that is hard to find today. The lead pairs had real chemistry, the kind that made you feel every emotion with them. When they looked at each other with misty eyes, you felt like you were falling in love too.

But in many new-generation films, that spark seems lost. I don’t know whether it’s the acting, the writing, or the shift in filmmaking trends. Modern romance feels rushed, predictable, too dark, melancholic, or sometimes just flat. The warmth, passion, and emotional storytelling that defined classic Hindi cinema is fading, and I genuinely miss it.

In today’s film landscape, Rohit Saraf feels like a breath of fresh air. He brings back that soft, believable romance many of us grew up loving. One thing that stands out about him is his effortless chemistry with his co-stars.

My favorite project of his isn’t even a Hindi film. It’s the Tamil romance Kamali From Nadukkaveri, where his performance and chemistry with the lead actress, Anandhi, is genuine and sweet. I would also suggest watching his earlier series on Zee5 titled Woh Bhi Din The. He filmed it when he was much younger. The emotional connection between the characters feels very real. Also, let’s not forget his impeccable chemistry with Pearle Maaney in Ludo, which remains one of my favourites.

In Sunny Sanskari Ki Tulsi Kumari, Rohit Saraf continues that image of the ideal romantic partner. His chemistry with Janhvi Kapoor feels natural and much stronger compared to the chemistry between the main lead pair. Honestly, their scenes had more warmth and emotional pull. I found myself wishing the makers had focused on that storyline instead of pushing the romance between Janhvi and Varun Dhawan. It felt like the more organic love story was sitting right there, but never fully explored.

Personnally, I feel Rohit Saraf deserves more recognition for keeping that old-school romantic charm alive.

Maybe it’s time filmmakers start looking for the right lead pair for Rohit Saraf. If they get that pairing right, many of us women could finally relive the era of Kajol and Shah Rukh Khan or Aamir Khan and Juhi Chawla. Those iconic pairs made romance feel real, soft, and unforgettable.

A couple with that kind of natural chemistry is missing in today’s Hindi films, and audiences like me are definitely craving it.

Movie Review: Param Sundari

When my mother heard Janhvi Kapoor speak Malayalam in Param Sundari, she said, “That’s how Tamilians in Kerala speak.” So I’m guessing Janhvi’s character in Param Sundari is meant to be Tamilian. She does say a line in Tamil at the beginning, which might be the clue.

Still, it’s odd that her ammavan (Renji Panicker) speaks flawless Malayalam, while his son Venu, who grew up in Kerala, speaks Malayalam with a Tamilian accent. Not exactly consistent. Maybe he picked it up from his best friend, Janhvi’s character?

You will have to make similar conclusions and cook up your own stories to stay at peace with several things in the movie.

What’s It About?

Param, a wealthy start-up enthusiast, heads to Kerala to prove to his father that his newly funded dating app is worth the investment. At a resort there, he meets Sundari, and a love story quietly begins to unfold.

Thoughts

If you ignore the stereotypes, the sardar friend’s racist jokes, and the painfully bad Malayalam, it’s actually not such a bad movie. The first word that catches you off guard is when they pronounce Alappuzha as “Aalapozi.” I’m not sure if it was intentional. But yeah, leave behind your brain while watching this one.

The real star, of course, is Kerala. My state has been beautifully captured from start to finish. So, kudos to the filmmakers for that.

Janhvi looks lovely and delivers a stronger performance than Sidharth Malhotra. He also looks way older than her in the movie.

Param Sundari is streaming on Amazon Prime Video.

Netflix Movie Spotlight: Greater Kalesh

It’s Diwali season. This time of year always puts me in the mood for something cozy and family-friendly to watch. But honestly, we just don’t get those kinds of movies anymore. The ones you can enjoy with everyone at home.

Remember the golden ’90s? We’d all sit together and watch Jo Jeeta Wohi Sikandar, Hum Hain Rahi Pyar Ke, or Dilwale Dulhania Le Jayenge without a single dull moment. Okay, not exactly in my family, as I was the only one truly into Bollywood, while the rest were more drawn to Malayalam movies. But I imagine these were the kind of movies that one would typically watch with their families. Nowadays, to relax, I tune into psychological thrillers because family movies do not feel family-oriented anymore.

That’s why I was keen to watch Greater Kalesh when it dropped on Netflix. It’s perfect for people like me who just want to unwind with something light and heartwarming. At under an hour, it’s an easy, breezy watch before jumping right back into Diwali celebrations.

What’s It About?

A young career woman returns home after a long time to celebrate Diwali with her family. She’s excited for a warm, cheerful reunion, but the moment she steps inside, she’s greeted not by laughter, but by chaos. Her family members are in the middle of a heated argument, and she can’t quite figure out what started it.

Thoughts

Greater Kalesh is short, simple, and surprisingly sweet. It doesn’t have high-stakes drama or a strong, twisting storyline. But that’s exactly what makes it refreshing for me. Sometimes you just want something light, easy, and comforting, and this little film delivers that perfectly. It might not be everyone’s cup of tea, especially if you seek something more cerebral or non-woke, but to me it felt like peeking into the everyday life of a next-door family and watching them sort things out in their own warm, relatable way.

Ahsaas Channa and Supriya Shukla truly shine here. Their mother-daughter bond feels real and layered. The kind that might make you think of your own mom with a smile.

It’s definitely worth a quick watch. Greater Kalesh is now streaming on Netflix.

Netflix Movie Review: Saiyaara

Saiyaara poster with Aneet Padda and Ahaan Panday

I’ll start by saying I’m in my 40s, so I’m not exactly the target audience for this film. Still, I enjoyed seeing fresh faces on screen. Actors who look natural, expressive, and free from the usual heavy Botox work.

What’s It About?

Saiyaara opens with the female lead at the registrar’s office, ready to formalize her marriage. She’s a dreamer and a poet, someone who finds inspiration in life’s fleeting moments. Even in the office, she pulls out her diary to capture the beauty of what she believes is the start of a new chapter. But life takes an unexpected turn.

She soon crosses paths with the male lead, an angst-ridden singer determined to make it big. The film traces their love story and the way they navigate the highs and lows of their relationship.

Thoughts

The story felt like a mix of Aashiqui 2 and Rockstar. As I’m not drawn to melancholy, tragic romances, it didn’t resonate with me as much as I’d hoped. That said, it was refreshing to see young, expressive talent on screen.

Director Mohit Suri specifically sought an actress without cosmetic enhancements (a “botox-free beauty”), and I think that was a brilliant choice. As an audience member, I’ve found lip jobs and other obvious procedures very distracting, so the natural look was a welcome change.

The lead actress (Aneet Padda) is adorable, and the actor (Ahaan Panday) is quite charming, too. Their chemistry was lovely. Personally, I would have loved to watch this pair in a light-hearted romcom instead. Hopefully soon. We need more youthful, happy, meet-cute romantic stories in Bollywood.